A brand new promo image for Patty Jenkins’ highly-anticipated film Wonder Woman 1984 has surfaced online (via CBM) which you can check out below, providing us with our best look at Kristen Wiig in her full transformation as Cheetah. Ahead of its theatrical release on October 2, fans have been speculating that we might get new footage from the sequel at the upcoming DC FanDome virtual event on August 22.
New images of Wonder Woman and Cheetah #WW84 pic.twitter.com/lhunFi7yMU
— Wonder Woman News (@WonderWoman84HQ) July 9, 2020
RELATED: Patty Jenkins Offers New Details on Wonder Woman 1984 & Future
Fast forward to the 1980s as Wonder Woman’s next big-screen adventure finds her facing an all-new foe: The Cheetah. As previously announced, the film stars Gal Gadot as Wonder Woman and Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal. Chris Pine also returns as Steve Trevor.
Patty Jenkins (Wonder Woman, Monster) returns to direct the sequel, while Jenkins, Charles Roven, Deborah Snyder, Zack Snyder, Stephen Jones, and Gal Gadot are producing the film. Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns, and Walter Hamada are the executive producers.
RELATED: Wonder Woman 1984 Trailer!
Originally set to open in theaters on December 13, 2019, Wonder Woman 1984, which is based on the character created by William Moulton Marston, appearing in comic books published by DC Entertainment, was moved up to November 1 before being delayed to June 5 and a fourth time to August 14 before its current date of October 2. It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
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In honor of Nikola Tesla’s 164th birthday today, IFC Films has released the official Tesla trailer for their upcoming biographical drama starring Oscar nominee Ethan Hawke (Boyhood, Training Day), releasing in theaters and on VOD on August 21. You can check out the trailer now in the player below!
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The film, written, directed, and produced by Michael Almerevda (Hamlet), follows inventor Nikola Tesla (Hawke) as he fights an uphill battle to bring his revolutionary electrical system to fruition. Increasingly displeased by the greed of fellow inventor Thomas Edison (Kyle MacLachlan, Twin Peaks), Tesla forges his own virtuous but arduous path toward creating the innovative alternate-current motor. His European nature is at odds with budding American industrialism and the landscape of intellectual property is treacherous and Tesla slowly becomes jailed in his overactive mind. His associate, Anne Morgan (Eve Hewson, The Knick), analyzes and presents his story as it unfolds, offering a distinctly modern voice in this scientific period drama.
In addition to Hawke, Hewson, and MacLachlan, the cast for Tesla features Jim Gaffigan (The Jim Gaffigan Show) as entrepreneur George Westinghouse, Donnie Keshawarz (The Wolf of Wall Street), Rebecca Dayan (Celeste & Jesse Forever), Josh Hamilton (Eighth Grade) and Lucy Walters (Power).
RELATED: IFC Films Sets American Release of The Painted Bird
Tesla is produced by IFC Films alongside Millennium Media, Uri Singer of Passage Pictures, Christa Campbell and Lati Grobham of Campbell-Grobman Films and Isen Robbins of Intrinsic Value Films.
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Stuck inside? Don’t know what to watch/read/play/listen to? ComingSoon.net has got you covered. In this week’s CS Recommends our staff gives you solid tips on the best media to consume during your downtime, including 2005’s Constantine starring Keanu Reeves & more. Check out our picks below!
RELATED: July 7 Blu-ray, Digital and DVD Releases
Click here to purchase The Weirn Books Vol. 1!
Click here to purchase Nightschool!
The first in Svetlana Chmakova’s YA graphic novel series is utterly charming and full of humor and colorful artwork. Essentially a more Americanized take on a Harry Potter-esque magical school drawn in an anglo-manga style, it takes place in a New England town where kids practicing witchcraft have little astral demon spirits attached to them. This book revolves around a teacher’s long-lost twin, a possessed classmate, and a possibly haunted house. If you like this book you can get the even thicker Collector’s Edition of Nightschool, also part of The Weirn Books series, which is drawn in a more traditional manga style in black & white by Chmakova. Check out a trailer below!
Click here to purchase the complete series!
Part of my quarantine has been spent rewatching all three seasons of Bryan Fuller’s deliciously original and not-for-the-faint-of-heart series adaptation Hannibal that introduced the world to murder husbands and somehow gets even better every time I revisit it. Inspired by the characters from Thomas Harris’ novel Red Dragon, the show is the perfect psychological bloody crime drama that artfully explores the minds of disturbing individuals along with incredibly complex and codependent relationships, particularly between FBI profiler Will Graham (Hugh Dancy) — who is haunted by his ability to empathize with serial killers — and Dr. Hannibal “The Cannibal” Lecter (Mads Mikkelsen).
The relationship between the two men is a fascinating mixture of cat-and-mouse meets genuine cravings for connection and understanding in the face of overwhelming loneliness with the constant threat of death and high-stakes consequences consistently lingering over every character. Hannibal is the perfect series to fall in love with and obsess over (if you can stomach the gore) and you might even pick up a few clever recipes along the way!
Click here to purchase Season 1!
Click here to purchase Season 2!
Click here to purchase Season 3!
Click here to purchase Season 4!
A few months back I recommended you step away from your screens and put your noses in a book with Vol. 1 of Garth Ennis’ Absolute Preacher, a collection of the first 26 issues of the Preacher comic line, and now I’m imploring you to power back up your TVs and dive into the darkly hilarious, gleefully bloody and exhilarating series adaptation from Sam Catlin, Evan Goldberg, and Seth Rogen. Masterfully cast and performed, wonderfully blending faithfulness to the source material and creators’ own take on the story and perfectly balancing its various tones, Preacher is one of the best graphic novel adaptations not only on TV but media as a whole and with only a four-season run is easy to fly through.
Before Keanu Reeves took on one of his most popular roles as the unbeatable assassin John Wick, he first starred in director Francis Lawrence’s live-action film adaptation of DC Comics’ Hellblazer. It featured Reeves as the fan-favorite anti-superhero John Constantine which I think is definitely one of his underrated roles to date. The 2005 film was actually Reeves’ first action project following The Matrix Revolutions.
In the film, Constantine is an occult detective who helps ordinary people with their supernatural problems including exorcising demons which is his way to gain Heaven’s favor. However, his job gets more complicated when a police detective tries to enlist his help to investigate her twin sister’s unusual death which is somehow connected to the upcoming doom of humanity. Despite receiving mixed reviews for not being truthful to its source material, the film has still amassed quite a cult following which is mainly attributed to Reeves’ performance. It also boasted a star-studded cast consisting of Tilda Swinton, Rachel Weisz, and Shia LaBeouf.
With recent rumors circulating that Warner Bros. is reportedly developing a new live-action Constantine film, now is the perfect time for you to check out or revisit Reeves’ first stint into the superhero genre.
For horror fans who are tired of hacking at repulsive zombies, I suggest you give Creative Assembly’s Alien: Isolation a whirl. Or, if you already have, go back and reexperience Amanda Ripley’s quest to survive the terrifying xenomorph moviegoers first encountered in Ridley Scott’s 1979 science fiction masterpiece, Alien. Thanks to its still astounding artificial intelligence, Alien: Isolation positions the titular slime infested baddie around your person at all times, which means you have to navigate the vast Sevastopol space station as quietly and alertly as humanly possible. The creature drops unscripted from ceilings, appears in dark hallways, and lies in wait in air ducts, ready to eviscerate its next victim.
Critics claimed the game was too long and intense to enjoy. F*#k that. Alien: Isolation rocks! I’ve played this game at least once a year since its release and find the ride just as terrifying (and satisfying) today as it was the first time I endured it back in 2015.
Not only is Alien: Isolation an amazing Alien game, it’s perhaps the best sequel to come out of the long-running franchise since James Cameron’s 1986 Aliens, and expands the mythos even further than ever before. The only question is: when will we get more?
ComingSoon.net recommends all readers comply with CDC guidelines and remain as isolated as possible during this urgent time.
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It has already been nearly 8 years since Elijah Wood made his last appearance as Frodo Baggins in 2012’s The Hobbit: An Unexpected Journey. In a recent interview with IndieWire, Wood finally commented on Amazon Studios’ highly-anticipated Lord of the Rings series. When asked about the possibility of returning to the beloved epic franchise, he immediately answered that he’s “absolutely” open to reprising his iconic role as long as his cameo would make sense to the whole story.
“If there was a world where that made sense and was organic to what they’re doing then yes,” Wood said. “Look, any excuse to get to go to New Zealand to work on something I am absolutely there.”
In addition, he also gave out some criticism about the upcoming show’s potential title, revealing it would be very misleading if the producers would continue to with “The Lord of the Rings” title. “They’re calling it The Lord of the Rings, but I think that’s slightly misleading. From what I understand, the material they are working on exists chronologically further back in history in the lore of Lord of the Rings or Middle-earth than any characters represented in Lord of the Rings. It sounds more ‘Silmarillion’ era. Not to get nerdy, but it’s the Second Age of Middle-earth.”
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The highly-anticipated Lord of the Rings series will be set in the Second Age. That places approximately 3,000 years of history between the series and the beginning of The Lord of the Rings. Casual fans may not realize it, but Jackson’s Fellowship of the Rings actually depicted the end of the Second Age, when the last alliance of elves and men confronted Sauron’s forces. The Second Age covered nearly 3,441 years, and it began after the banishment of Morgoth, the dark lord before Sauron. There’s a lot of story potential in that time, including the rise of Sauron, the creation of the One Ring, and the emergence of the Ringwraiths.
Buy the Lord of the Rings films here.
The series will star Robert Aramayo (Game of Thrones) Joseph Mawle (Game of Thrones), Maxim Baldry (Years and Years), Markella Kavenagh, Ema Horvath and Morfydd Clark (Saint Maud), who will portray the role of a young Galadriel which the first confirmed major character that will be featured in the series. It will also feature Tom Budge, Owain Arthur, Nazanin Boniadi, Ismael Cruz Córdova, Tyroe Muhafidin, Sophia Nomvete, Megan Richards, Dylan Smith, and Charlie Vickers.
RELATED: Percy Jackson: Logan Lerman Open to Return as a New Character in the Disney+ Series
Juan Antonio (J.A.) Bayona (Jurassic World: Fallen Kingdom, The Orphanage, The Impossible) will direct the first two episodes of Amazon Studios’ The Lord of the Rings TV series and also executive produce alongside his producing partner Belén Atienza. JD Payne and Patrick McKay are showrunning and executive producing the series alongside Lindsey Weber (10 Cloverfield Lane), Bruce Richmond (Game of Thrones), Gene Kelly (Boardwalk Empire), Sharon Tal Yguado, Gennifer Hutchison (Breaking Bad), Jason Cahill (The Sopranos), and Justin Doble (Stranger Things).
The Lord of the Rings series is produced by Amazon Studios in cooperation with the Tolkien Estate and Trust, HarperCollins, and New Line Cinema. It is expected to debut in 2021.
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ComingSoon.net is debuting an exclusive The High Note deleted scene featuring Golden Globe-winner Tracee Ellis Ross’ beautiful singing abilities. You can check out the deleted scene in the player below and order your copy of the movie here!
RELATED: Tracee Ellis Ross Debuts “Love Myself” Music Video From The High Note
Set in the dazzling world of the LA music scene comes the story of Grace Davis (Tracee Ellis Ross), a superstar whose talent, and ego, have reached unbelievable heights, and Maggie (Dakota Johnson), her overworked personal assistant. While stuck running errands, Maggie still aspires to her childhood dream of becoming a music producer. When Grace’s manager (Ice Cube) presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever
The High Note stars Dakota Johnson (The Peanut Butter Falcon), Tracee Ellis Ross (Black-ish), Kelvin Harrison Jr. (It Comes at Night), Zoë Chao (Where’d You Go, Bernadette), Ice Cube (XXX: Return of Xander Cage), June Diane Raphael (Long Shot), Deniz Adkeniz (Once Upon a Time), Bill Pullman (The Sinner), Eddie Izzard (The Lego Batman Movie) and Diplo.
RELATED: The High Note Trailer: Dakota Johnson Leads Ensemble Music Comedy
Written by Flora Greeson, The High Note is directed by Nisha Ganatra, who made a huge impression with the comedy Late Night at the Sundance Film Festival. It is produced by Working Title Films’ Tim Bevan and Eric Fellner with Nathan Kelly and Alexandra Loewy serving as executive producers.
The High Note is available now on Digital.
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ComingSoon.net had the opportunity to speak with Joe and Anthony Russo about their weekly series Russo Bros. Pizza Film School, specifically about their love for the Coen Brothers after hosting No Country for Old Men star Josh Brolin for Episode 5, in addition to their views on Star Wars following Episode 4 which featured Mark Hamill and the group discussing The Empire Strikes Back.
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ComingSoon.net: You guys had a great conversation with Josh about “No Country”, and you’re clearly big fans of the Coens. I want to know, what do you think of the idea of “Blood Simple”, “Fargo” and “No Country” as a kind of informal trilogy? Because you talk about the importance of tone.
Joe: Trilogy?
CS: Yeah, you talk about the importance of tone. And to me, those three films have a very specific tone and subject matter amid the Coen’s very eclectic filmography.
Anthony: No question. I think they are. And I think that they, like jazz artists, the Coens will do riffs on similar themes or similar tones. And you can sort of see it throughout their career. Sometimes they will do something, you know, just radically outside of their canon, like when “O, Brother” came out, but you could still find the roots to it in “Raising Arizona”. So I do think that those films are all a variation on the same tone and the same theme.
CS: Yeah. And the Coens, some of their movies really embrace nihilism, like “Barton Fink” or “Burn After Reading” or “A Man Who Wasn’t There” or “No Country”. But then, they make other movies that feel more moralistic, like “Serious Man” or “Fargo”. Do you think the Coens are truly nihilistic, or is that just a tool that they use sometimes?
Anthony: I have to believe —
Joe: Here’s the thing, their entire canon is imbued with nihilism in some way or another. But they are inherently existential individuals, right? That’s how they perceive the world. But they have a sense of humor about it, which is amazing, right? It’s Pinter-esque in that regard, right, or it’s Beckett. They have a sense of humor about their existentialism, so that’s why we love them so much, because I think again, growing up in Cleveland, for the hardnosed town where we came from that went bankrupt and industrial machine collapse during our youth. And so, we have a very existential view on life as well. And I think it’s why we gravitate towards the Coens so much. I think it’s hard to take that existential philosophy without a sense of humor, which would make their movies very difficult to watch if they didn’t have any, even though “Country” is devious in its execution. I mean, there are lots of witty moments in that film that are equally entertaining as they are depressing, you know?
RELATED: Russo Bros. Pizza Film School Episode 5 Details Revealed!
CS: But and then in terms of your “Empire Strikes Back” episode, it brought up something that has always kind of bugged me about “Star Wars”, which is that I feel like in the prequels, sort of the choice that Anakin has to make, where he’s choosing between the Jedi and saving the woman he loves, it’s a compelling choice. It’s a wrenching choice. But in both the original trilogy and the new trilogy that just came out, I feel like Luke and Rey, they’re basically being offered a power grab. Rule the universe with me. And it’s pretty anathema to both of their characters. There’s never really a feeling like these guys are actually going to go for that. And I wanted to get your take on that. Would you have done that differently?
Anthony: Well —
Joe: I mean I think being such “Star Wars” fanatics, we would’ve probably focused on the Luke Skywalker story. And so, to me, there was the potential for three movies focusing on that arc coming to completion. But different choices you can make. I think you know, the fact that “Star Wars” is so important to us growing up, we got to make our “Star Wars” empire in “Infinity War” and “Endgame”. That was really our expression of what those commercial films meant to us as children and what we took away from them and the patterns of narrative structure that were so profound to us. We were able to replicate those patterns in those movies. So I think we speak to those films rather than the “Star Wars” films.
Anthony: I was going to say, you make a very good point about Luke and Rey. That’s a really good point in a sense that you don’t really think — they don’t seem very likely to make that choice, but it just reminds me of how similar our enjoyment of these movies is to something like opera in the sense that there can be these crude sort of narrative beats that maybe don’t play in a very subtle or sophisticated way, but there’s something about their resonance and there’s something about the way the rest of the cinema surrounds that moment and then the music and the iconography and the drama of it all that somehow creates emotion and sort of excitement and thrill and danger and peril. It’s just a reminder to me when you’re pointing your finger at something that seems weak or fit, at like how much the other elements, that sort of cinematic experience perceived is to what we walk away from a movie with, you know?
You can watch every episode of Russo Bros. Pizza Film School on their YouTube channel here!
(Photo by Alberto E. Rodriguez/Getty Images for Disney)
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Tony Hawk has been one of the most iconic names of the skateboarding world since he turned pro in 1982 and that fame carried over to the video game world with Activision’s franchise based around him and Pretending I’m a Superman: The Tony Hawk Video Game Story trailer teases the documentary that dives deep into that story. The trailer can be viewed in the player below!
RELATED: Tony Hawk’s Pro Skater 1 and 2 Being Remastered for PS4, Xbox One & PC!
Directed by Ludvig Gür (The Outsider), the documentary explores the world of skateboarding from the early ’80s, when Hawk first became a pro, onward and looking at the scene as a whole as well as its transition into the world of video games at Activision with the long-running Tony Hawk’s series that began in 1999.
Pre-order your copy of the remaster of Tony Hawk’s Pro Skater 1 + 2 here!
The film will feature archival footage from both the various games in the series and Hawk’s career, as well as interviews with a slew of skate legends and athletes including Christian Hosoi, Steve Caballero, Chad Muska, Eric Koston and Rodney Mullen, as well as key figures on the video game side such as former Neversoft producer Scott Pease, among others. The documentary comes just a month ahead of Activision and Vicarious Vision’s highly-anticipated next-gen remasters of the first two games in the Pro Skater series, originally developed by Neversoft.
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Pretending I’m a Superman: The Tony Hawk Video Game Story is set to hit digital platforms on August 8!
The post Pretending I’m a Superman Trailer Explores Tony Hawk’s Video Games appeared first on ComingSoon.net.
Quiver Distribution has released the official trailer and poster for the upcoming romance drama Endless, starring Alexandra Shipp (Love, Simon, X-Men franchise) and Nicholas Hamilton (IT, Captain Fantastic). You can check out the trailer in the player below along with the full poster!
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Endless follows love-struck high school graduates Riley (Shipp) and Chris (Hamilton). When they are separated by a tragic car accident, Riley blames herself for her boyfriend’s death while Chris is stranded in limbo. Miraculously, the two find a way to connect. In a love story that transcends life and death, both Riley and Chris are forced to learn the hardest lesson of all: letting go.
Written by O’Neil Sharma and Andre Case and directed by Scott Speer, the movie also stars Famke Janssen (X-Men franchise, Taken franchise) and DeRon Horton (Dear White People, Roman J. Israel, Esq.).
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Endless is produced by Gabriela Bacher, Basil Iwanyk, Erica Lee, Kevin Dewalt, and Sean Finegan and will arrive in theaters and On Demand on August 14.
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Following a heated bidding war, the film rights to Crazy Rich Asians trilogy author Kevin Kwan’s latest novel, New York Times bestseller Sex and Vanity, have been acquired by Sony Pictures and SK Global, according to Variety.
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The novel, Kwan’s first since his Crazy Rich trilogy concluded in 2017, was published by Doubleday on June 30 and became a smash hit upon release, instantly shooting to the NY Times Bestseller list and garnering rave reviews from critics and fans. The official synopsis reads as follows:
On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can’t stand him. She can’t stand it when he gallantly offers to trade hotel rooms with her so that she can have a view of the Tyrrhenian Sea, she can’t stand that he knows more about Casa Malaparte than she does, and she really can’t stand it when he kisses her in the darkness of the ancient ruins of a Roman villa and they are caught by her snobbish, disapproving cousin Charlotte. “Your mother is Chinese so it’s no surprise you’d be attracted to someone like him,” Charlotte teases. The daughter of an American-born Chinese mother and a blue-blooded New York father, Lucie has always sublimated the Asian side of herself in favor of the white side, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton, where Lucie is weekending with her new fiancé, Lucie finds herself drawn to George again. Soon, Lucie is spinning a web of deceit that involves her family, her fiancé, the co-op board of her Fifth Avenue apartment building, and ultimately herself as she tries mightily to deny George entry into her world–and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures.
Purchase your copy of the novel here!
“I am overjoyed to be embarking on this cinematic adventure with Sony Pictures and SK Global,” Kwan said in a statement. “Sony Pictures has produced so many of my favorite films over the years, and I am thrilled by Sanford Panitch’s vision for this project. I’m also very excited to be working again with my great friend John Penotti, who responded immediately and passionately to the world I created in Sex and Vanity.”
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The film adaptation is set to be produced by Kwan and SK Global’s John Penotti, with SK executive Xian Li overseeing the project for the banner while Jiao Chen is the Sony Pictures exec who will oversee the title for the studio.
“Seven years ago Kevin entrusted us (and our producing partners) with his ground-breaking Crazy Rich Asians bestseller, and ever since working with him has been a creative dream,” Penotti said. “With Sex and Vanity he’s once again created a work of magic, crafting a riveting story about love and identity. We instantly fell in love with its heart and humor and are thrilled to partner with him again, as well as with our collaborators at Sony Pictures. Sanford and the team love the book as much as we do, and we are all committed to bringing this story to a global audience.”
SK Global previously worked with Kwan to bring Crazy Rich Asians to life on the big screen in 2018 at Warner Bros., which became a global smash, grossing nearly $240 million on a $30 million budget and receiving rave reviews from critics and audiences alike, garnering two Golden Globe nominations. The studio is currently developing adaptations of the latter installments in the novel trilogy.
(Photo by Patrick McMullan/Patrick McMullan via Getty Images)
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Dark Sky Films has released the official trailer for the sci-fi thriller The Honeymoon Phase from writer and director Phillip G. Carroll Jr. You can check out the trailer in the player below as well as the new poster!
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Down on their luck and needing some quick cash, struggling young lovers Tom and Eve lie about their relationship in order to enter THE MILLENNIUM PROJECT, an experiment for married couples run by the mysterious Director and Handler. With the promise of $50,000, Tom and Eve must survive 30-days isolated together in a futuristic smart home, while the researchers attempt to determine why couples fall out of love. Over the course of their stay, Eve begins a violent descent into madness as she questions if her lover really is the man she thinks he is.
A paranoid sci-fi thriller about the nature of trust in relationships, The Honeymoon Phase is as much classic Twilight Zone as contemporary Black Mirror, and an all-too-terrifying answer to the question, “How well can you ever really know someone?”
The movie stars Jim Schubin (Boardwalk Empire), Chloe Carroll, with Tara Westwood (The Grudge 2020) and Francois Chau (Lost, The Expanse).
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The Honeymoon Phase is produced by Phillip G. Carroll Jr., John G. Carroll, Chloe Carroll, and Jess Weiss and will release in theaters and Digital on August 21.
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