Rating: 

9.5/10

Cast:

Susan Schneider Williams

Rick Overton

Shawn Levy

John R. Montgomery

David E. Kelley

Directed by Tylor Norwood; Story by Norwood and Scott Fitzloff

Click here to rent or buy Robin’s Wish!

Robin’s Wish Review:

Between scrolling through streaming platforms, channel surfing on cable and looking at my personal collection of films, rarely a day goes by that I’m not reminded of the fact the world is without the warm and insanely talented Robin Williams and while it could’ve just worked as a documentary exploring his amazing later career, Tylor Norwood’s Robin’s Wish aims for higher intentions of looking at why we lost the Oscar winner too soon and the result is a powerful and rousing documentary.

Robin’s Wish tells the powerful true story of actor/comedian Robin Williams’ final days. For the first time, Robin’s fight against a deadly neurodegenerative disorder, known as Lewy Body Dementia, is shown in stunning detail. Through a gripping journalistic lens, this incredible story sheds an entirely new light on the tragedy, beauty, and power behind the mind of one of the greatest entertainers of all time

With a career as historic and celebrated as Williams’, the immediate question becomes just where is a filmmaker supposed to begin his tale? Does he begin with his college years at Juilliard learning more classical and dramatic acting or dive right into his stand up in San Francisco and Los Angeles? Norwood takes a more unique approach and instead begins just prior to the end, exploring the comedian’s final few days on Earth and his relationships with both his wife, neighbors, and friends before arriving at the devastating date of August 11, 2014, in which things take a more serious turn and we see the tragic aftermath of his death.

From the media circus that invaded the quiet neighborhood of Paradise City, California to the misinformation and uninformed reporting of the circumstances regarding Williams’ passing, Norwood expertly shines a light on all of these without necessarily villainizing any of the parties involved, but rather trying to play devil’s advocate to all as he gets to one of the key goals of the story: the real reason behind his death, Lewy Body Dementia.

While it would have been nice to see more time spent on the topic and the studies and research scientists are conducting to try and find a solution to the issue, Norwood displays that he has clearly put in the time and research into finding the appropriate experts on the topic and worked with them to shine the light on it for audiences in an easily comprehensible way. Some documentaries would offer audiences highly-technical words and impenetrable graphs and cellular imagery that viewers are just supposed to interpret as “that’s the science,” but Norwood and his interviewees keep things in layman terms and succinct that it allows us to grasp the material and its effect on the titular subject and others with it.

But when the film isn’t studying the science behind his demise, it extensively looks at the various happier elements of Williams’ life, bringing in a number of his friends and co-collaborators who share beautiful stories of his warm heart and charitable lifestyle. Seeing Williams in archive footage on stage at various comedy shows and at USO shows overseas, as well as visiting military hospitals to bring injured soldiers and veterans comfort in their most trying times is just one of the many things Norwood and the film does so well to get to the heart of their subject and his overall goal in life: to bring hope to others even if he himself suffered from a lack of it.

Admittedly it’s hard not to be a little biased coming into the documentary, given Williams’ extensive influence on my life and the amazing things he’s done over the years on screen and off, but even for those only mildly familiar with his career and his dedication to his fans and the general public, Norwood and the interviewees do a great job of highlighting the truly amazing man that he was and make it hard not to bring tears to viewers’ eyes over the course of its 77-minute runtime.

Though some of the science could’ve been better touched upon, Norwood displays a magnificent grip on telling the unknown and heartbreaking final days and months of Williams’ life in Robin’s Wish and is sure to be the love letter and final goodbye longtime fans and newcomers to his work need.

The post Robin’s Wish Review: A Powerful & Rousing Journey for Truth appeared first on ComingSoon.net.

Exclusive: Bill & Ted’s Ed Solomon Talks Stop Motion Film Automatons!

Way back in 2004 it was announced that Bill & Ted creators Chris Matheson & Ed Solomon were trying to get a deeply absurd stop motion animated comedy off the ground called Automatons. During promotion of this past weekend’s Bill & Ted Face the Music, screenwriter Solomon gave us the goods on the long-gestating project and how it may yet see the light of day! We’ve also included a few stills from the original shorts via Automatons set designer Kyle Arneson!

Click here to rent or own Bill & Ted Face the Music!

RELATED: Exclusive: Chris Matheson & Ed Solomon on Their Bill & Ted 3 Cameos!

“I tweeted about ‘Automatons’ and someone named Matt from Adult Swim reached out to me about maybe doing it,” Solomon confirmed. “I want to reach out to Matt again about that because that was a really fun, unsung little gem that never went anywhere, one of the weirdest, funniest, strangest things I’ve ever been involved with. We made four shorts with Screen Novelties. Screen Novelties did three and a group out of Portland did a fourth one. But that was so weird and fun and funny and absurd and ridiculous. If you thought ‘Face the Music’ was passed on by the community, ‘Automatons’ was rejected so fast by everybody that I don’t know if it’ll ever see the light of day. But that’s something I would love to pursue at some point, actually. It’s the most absurd, ridiculous story I think we ever wrote.”

The vocals have already been recorded 15 years ago with a star-studded cast, which Matheson & Solomon financed themselves in hopes of generating interest.

“We recorded a set of vocals,” Recalled Solomon. “Here’s what happened. When we set out initially to write ‘Bill & Ted’ we were gonna write it as one sketch in a sketch movie, like a ‘Kentucky Fried Movie’ film. And ‘Bill & Ted’ was one sketch. Another sketch was Otto and Rob, the ‘Automatons,’ these two insecure robots created during World War II to stop Hitler, whose submarine sank and they’ve been wandering around the bottom of the ocean for 70 years and they emerge in Minneapolis St. Paul, still trying to find Hitler. But somehow, the pressure of being underwater has created a little bit of a human characteristic, so they are unfortunately totally insecure and neurotic. So they’re these neurotic insecure robots who are indestructible, who believe they’re humans and accuse humans of being robots.”

If you thought that was wild, read on…

“In the premise, Hitler and Tojo and Mussolini happen to be in Minneapolis because they’ve frozen themselves cryogenically and are trying to redeem themselves by putting on a production of ‘You’re a Good Man, Charlie Brown,’ but they don’t get the rights, so they have to write their own version called ‘You’re a Very Good Boy, Charlie Blue.’” They try to perform it, and Otto and Rob basically are trying to stop them. It’s the world’s most absurd movie.”

RELATED: Exclusive: Screenwriter Ed Solomon Talks His Involvement in X-Men

So how much of the script for Automatons was actually committed to celluloid in full animation?

“We made four two-minute episodes and we were so certain that we could get this thing set up that we financed ourselves a recording of the entire movie with Jack Black, John C. Reilly, Sylvester Stallone, John Cleese, Fred Armisen, Holly Hunter, Billy Bob Thornton, Gary Shandling, William H. Macy, Rachel Dratch and Catherine O’Hara. We had Deidrich Bader, we had Dennis Haysbert, we had Chris Parnell. I mean, it was this unbelievable group. And we recorded the whole damn thing, and still, every studio was like, ‘Are you out of your mind? This is the weirdest thing, and you have Hitler putting on a musical. This is not going to ever work.’ But you know, my fantasy is that one day maybe I can do it again. I won’t be able to use those voices because that was a long time ago, and even though we own them, it wouldn’t really be ethically correct to just repurpose their voices 15 years later. But you know, maybe we can do it in bytes again somewhere. It might be really fun.”

Does Automatons sound AMAZING? Would you love to see it brought to the big or small screen? Let us know in the comments below!

The post Exclusive: Bill & Ted’s Ed Solomon Talks Stop Motion Film Automatons! appeared first on ComingSoon.net.

CS Interview: William Sadler Talks Death in Bill & Ted Face the Music

ComingSoon.net had the chance to speak with William Sadler (The Shawshank Redemption, Bill & Ted’s Bogus Journey) about reprising his role as Death in Orion Pictures’ Bill & Ted Face the Music. You can check out the interview below and click here to purchase Bill & Ted Face the Music!

RELATED: CS Interview: Anthony Carrigan Talks Bill & Ted Face the Music

Bill & Ted Face the Music centers on Bill S. Preston (Winter) and Ted “Theodore” Logan (Reeves), who are now fathers and have yet to fulfill their rock ‘n’ roll destinies. Their lives change when they are visited by a messenger from the future who warns them that only their song can save life as we know it.

Click here to own Bill & Ted’s Excellent Adventure!

Click here to own Bill & Ted’s Bogus Journey!

Joining Winter and Reeves are Samara Weaving (Ready or Not) and Brigette Lundy-Paine (Atypical) as Bill and Ted’s daughters, respectively. The film will also feature Anthony Carrigan (Barry), Jillian Bell (Workaholics), Kristen Schall (Toy Story 4), Holland Taylor (Gloria Bell), Kid Cudi, Erinn Hayes, Jayma Mays, and Beck Bennet. William Sadler is also set to reprise his role as Death alongside franchise returners Amy Stoch and Hal London Jr. Newcomer.

RELATED: Bill & Ted Face the Music Review: Nostalgia & Fun Outweigh Predictability

ComingSoon.net: This movie’s been in the works for about a decade now. When did the talks with you first start coming about to have you come back as Death or the Grim Reaper?

William Sadler: Ed Solomon, one of the two writers called me maybe three years ago and said, “You know, we’re writing the script. We’re finally writing the script for the third one and we’d like to include Death. Are you still interested in doing it?” I was like, I guess if I’d told them no, maybe they would’ve left him out. But I said yeah. Of course I’m interested in doing it. I had such a fun time with Bogus Journey that I was glad. I was anxious to reprise the role. I was excited to do it again, and especially when he told me what had happened to Death’s solo musical career in the meantime that, he did never become the rock star that he thought he would after he joined the Wyld Stallyns.

CS: I was going to say, it sort of course-corrects in this one compared to the end of the second one. And that’s interesting, because in addition to giving Bill and Ted a new life path, it also gives Grim Reaper a new one. What was it like seeing that in the script and then helping bring that to life on the screen?

Sadler: Ed actually told me what they were planning to do, and where he was thinking of taking the Reaper. And I thought that was terrific, that you know, his solo career was on the rocks. He was really in a bad place by the time this third movie starts. Because you do have to sort of address what have these guys been doing all this time? But I have to say that I love the idea of a failed musical career for the Reaper. And then, to have them come back and engage him again was just like, really satisfying. I thought that was a great move.

CS: Did you find you had any creative challenges in stepping back into the role of the Grim Reaper after so long?

Sadler: It wasn’t creative so much. I’m a bit older now. I think I was 40 when I shot the first one, so you can do the math. It’s just a little more challenging this time around. Some of the physicality of the character was a little more challenging, but the acting was more I guess over the years, I’ve learned to enjoy it more. I think I’m a better actor now than I was back then. So that part was easier and more fun.

CS: That’s awesome.

Sadler: If that makes sense to you?

CS: Yes, absolutely, absolutely. So after getting the script and all that, what was that feeling like getting back on set and being in person with Keanu and Alex again?

Sadler: That was, well, it’s funny you ask that because they finished putting the makeup on for the first time, and I put on the [outfit] and the boots that make me 6’4” or something and I was standing around in my trailer. I couldn’t stop looking at myself in the mirror because there he was again, you know? It was like meeting an old friend. And then, when we got back together on the set with Alex and Keanu, the energy was completely right. It was like we’d never stopped doing it, you know? You know, you have friends that you don’t see them for a long period of time and then you meet them again and it’s like you were never apart, you know? You just pick right up where you left off. That’s sort of what it was like.

CS: I know that feeling very well. It’s a great feeling, when you get to just pick up like that.

Sadler: Yeah.

CS: So then, even though you’re not in this one as frequently as Bogus Journey, did you find that you got to play around with the character a bit more or kind of improvise some of your moments on screen in this one?

Sadler: I did. Apparently this character can’t shut-up once he gets going, so I was adding little bits and pieces here and there, yes. Even though he doesn’t have as much screen time as I did in Bogus Journey, I think there was enough. He’s a strong flavor. You don’t need two hours of him. But yeah, I felt free enough to adlib here and there, yes.

CS: One of the things I found interesting, too, was with the introduction of Anthony Carrigan’s character. I almost saw a lot of parallels between his story arc and this one and yours and Bogus Journey, so then, it almost was interesting to see you two sort of interact in the scenes that you have together. What was that like working with him to sort of build that awkward rapport between you two?

Sadler: First of all, he’s lovely to work with. He’s terrific. He’s a really terrific actor and very funny. And I agree. I can’t help but think that it was deliberate, that they created this character who’s supposed to be dangerous and you know, a killing machine. And then, little by little he becomes likable and finally lovable. And you know, not scary at all. And I agree with you, that’s precisely what the Reaper’s job was in Bogus Journey. He starts as this really scary figure, and then little by little falls apart, as we see, oh, he’s just like all the rest of us, you know? This insecure little puppy. But yeah, so I thought Anthony was fantastic in this. I loved the weird costuming, he survived.

CS: Yeah, that was quite the unique design that they gave his character. So one of the things I’m very curious about, too, is that the last time we saw you portray the Grim Reaper wasn’t actually in Bogus Journey, but was actually in Tales from the Crypt. And so, I’m curious, can you tell us a little bit about how that came to be?

Sadler: I think I was playing some kind of a game with — yeah, that was the idea of the Tales from the Crypt producers. After I created the Grim Reaper for Bill & Ted, and they just wanted to use it. They wanted to use the character. So I did it. I’d actually played the Reaper before I did Bill & Ted. There was a show called The Salted Nuts, a sketch comedy show. And one of the sketches they wanted me to play the Grim Reaper who comes to this woman’s house to reap her. And she’s such a pain in the ass that he leaves in disgust. He doesn’t want to be any part of it. And I’ve used the accent. That’s where the character actually started. So I guess I’ve been carrying it around in my pocket for years.

CS: Oh wow. I had not even realized the true origin of it. That’s actually really cool, that you got to do this multiple times.

Sadler: You can Google it, The Salted Nuts.

CS: I will be sure to do so, because now that sketch sounds hilarious. And so, this movie, I mean, it was originally supposed to be just theatrical and now it’s going to get its simultaneous theater and video on demand release. How did it feel for you, when you first heard that news, about the duel release?

Sadler: I don’t really know what to expect, to be honest with you. During normal times, there would be a premiere. People would dress up and there’d be a big celebration to launch the film, that kind of thing. That’s what we used to do, anyway, in Hollywood. So I really don’t know what to expect. I just hope people get a chance to see it safely. You know, I really don’t know what to expect, this time around. I’m not sure this has ever been done before, release a movie in the theaters and pay-per-view or however online, however they do it. Do you know? Has it been done before?

CS: I believe you are the second one to do it this summer. I think the Trolls sequel that came out earlier this year was the first to do that, to try that out. But I don’t think they had much theater time before everything shut down. 

Sadler: Right. I mean, who’s going to go to the movie theater? It’s a shame. I guess drive-ins. It could play in drive-ins all over the world. That’d be terrific.

CS: I think this would be a fun one for drive-ins.

Sadler: It’s not the same as sitting in a room together, laughing at this movie.

CS: Yeah.

Sadler: And I don’t know. We’ll have to see how it goes.

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The post CS Interview: William Sadler Talks Death in Bill & Ted Face the Music appeared first on ComingSoon.net.

ComingSoon.net Comment Section: Disqus Support Ends Sunday

Hello, ComingSoon.net readers! As you’ve noticed, we’ve recently moved control of our comment section to Insticator. Our previous comment system, Disqus, was kind enough to lend some support during the transition. That allowed Disqus users to keep signing in through their regular usernames and passwords. However, Disqus is ending Insticator sign-in support this Sunday, September 6.

Insticator will still support log ins via Facebook, Twitter, Google, and other platforms. There’s also a way to keep your Disqus comments associated with your new Insticator account. Anyone who has signed in to Instigator via Discus will receive an e-mail notification to create an Insticator account with the same credentials you had on Disqus. This will automatically map all your previous comments to your new user profile.

Once the changeover from Disqus to Insticator is final, there will also be a new link within the login window that will say ‘Trying to Login with Disqus?” It will walk you through the steps to set up your new Insticator account and save your Disqus comments as well. So if you miss the notification e-mail, this is the way to go.

As a thank you to our ComingSoon.net community, we will be giving away ten free T-shirts of your choice from the SuperheroHype Merch store to our top commentators for the month of September! We’re looking to reward our loyal fans, and encourage new signups to Insticator, so the shirts will be split between those two categories. Any racist and sexist comments, or verbal abuse towards your fellow commentators will result in disqualifications and possible bans. So play nice out there, and we’ll announce the winners in the first week of October.

In the meantime, we’re looking for constructive feedback on how Insticator can improve its service on CS. Please feel free to share those below.

Thank you, as always, for making ComingSoon.net one of the top sites for movie and TV news! We couldn’t do it without you.

The post ComingSoon.net Comment Section: Disqus Support Ends Sunday appeared first on ComingSoon.net.

CS Video: Get Duked! Director & Cast Talk Amazon’s New Comedy Horror

ComingSoon.net had the opportunity to chat with Get Duked! director Ninian Doff and stars Lewis Gribben, Viraj Juneja, Samuel Bottomley, and Rian Gordon about Amazon Prime Video’s new comedy horror. You can check out the interviews now in the player below and click here to stream the movie!

RELATED: Get Duked! Review: A Zany & Hilarious Subversion of Genres

Written and directed by Ninian Doff in his feature directorial debut, Get Duked! follows teenage pals Dean, Duncan, and DJ Beatroot from Glasgow who embark on a character-building camping trip inspired by the real-life program Duke of Edinburgh Award, where foraging, teamwork, and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio finds themselves paired with straight-laced Ian, a fellow camper determined to play by the rules.

After veering off the path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures, leading to an anarchic journey of generational politics, hip-hop loving farmers, and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday.

Alongside Eddie Izzard, the film stars Kate Dickie (The Witch), Georgie Glen (Call The Midwife), James Cosmo (His Dark Materials), Kevin Guthrie (The Terror), Jonathan Aris (Vivarium), Alice Lowe (Black Mirror: Bandersnatch), Samuel Bottomley (Everybody’s Talking About Jamie), Rian Gordon (The Rebel), Viraj Juneja and Lewis Gribben.

RELATED: Amazon Debuts Red-Band Trailer for Get Duked!

The film is produced by Matthew Plouffe, Tobey Maguire, Brian Coffey, and Laura Tunstall and executive produced by Thomas Benski, Dayud Karbassioun, Marisa Clifford, Tim Headington, Richard Weinberg, Lia Buman, and Izzard.

The post CS Video: Get Duked! Director & Cast Talk Amazon’s New Comedy Horror appeared first on ComingSoon.net.

kweliTV September 2020 New Titles Announced

kweliTV, the ad-free SVOD service for global independent Black cinema, has released their September 2020 slate of new titles, including MISSED CONNECTIONS, a short film starring and executive produced by POSE star Angelica Ross, Tribeca Film Festival Special Jury Mention documentary LET THE FIRE BURN and French coming of age drama and New York Times critics pick ELZA.

RELATED: New to Stream: Kanopy’s September 2020 Lineup

In addition, kweliTV is now available on DistroTV, an independent free streaming television service catering to multicultural, globally-minded viewers in the US, Canada, and the U.K.

“The slate of titles released this month on kweliTV showcases the diverse stories that make up the global black experience-stories about our struggle, beauty and resiliency.” said DeShuna Spencer, Founder & CEO of kweliTV. “In a time when people are hungry for more substantive black content, I’m elated that we have a new distribution partner in DistroTV to further amplify the work of our 300+ content creators.”

“We’re proud to be working with kweliTV to bring their impressive slate of programming to DistroTV. We have a diverse, global audience looking for stories that reflect and celebrate their own experiences, and deepens their worldview,” said Navdeep Saini, CEO of DistroTV.

kweliTV is also available to stream via the kweliTV website, Comcast, Roku, Amazon Fire, AppleTV, iOS, GooglePlay/Android and Chromecast. The fast-growing service’s subscribers have increased by over 126% since June 2020.

Founded by journalist, filmmaker and entrepreneur DeShuna Spencer, kweliTV’s diverse slate of films, series, documentaries and children’s programming showcases the rich history and diverse culture of the global Black community with new award-winning and film festival-vetted films and documentaries added the first of every month.

RELATED: BritBox Unveils What’s Coming to the Streamer in September 2020

Full list of September 2020 new releases:

AS ABOVE: Loosely based on the 2nd Law of the Universe; The Principle of Correspondence, “As Above” tells the story of The Earth Plane returning home, to find herself intuitively drawn to a presence she can’t ignore. Alone, The Earth Plane follows her instincts through a twisty windy hallway looking to connect an alluring call to her.

DREAMSTATES: Equal parts love story, road movie, and Americana, DREAMSTATES tells the haunting tale of two wayward souls discovering their love for one another in their dreams and reality while touring the United States with some of the most pivotal figures of the Afro-Punk movement – Sultry, sensual, and quixotic, an underground portrait of America: haunted and hollow.

ELZA: ELZA is a riveting, deeply personal story about the emotional journey of a young Parisian woman returning home to her native island of Guadeloupe. Bernadette has tried hard to give her daughter everything. She is thrilled when Elza, the first college graduate in the family, completes her master’s degree. But Elza breaks her mother’s heart by running off to Guadeloupe in search of a
distant childhood memory: the father she barely remembers.

HESAT & HAPI CARTOON SERIES: Join Hesat & Hapi as they learn their ABC’s, 123’s, Colors and more!

LET THE FIRE BURN: On May 13, 1985, a longtime feud between the city of Philadelphia and the group MOVE came to a deadly climax. By order of local authorities, police dropped military-grade explosives onto a MOVE-occupied rowhouse. TV cameras captured the conflagration that quickly escalated–and resulted in the tragic deaths of eleven people (including five children) and the destruction of 61 homes. It was only later discovered that authorities decided to “…let the fire burn.”

MISSED CONNECTIONS: Two strangers meet and form a bond at a festival, but they forget to exchange contact info. As they search for one another and through viral posts, they navigate their careers, lives, and society’s expectations of them as Black, female, and transgender.

PANAMA DREAMS: Panama Dreams transports us on the modern day search of the filmmaker for descendants of an ancestor who left Barbados in the early 1900s to build the Panama Canal – one of the seven wonders of the modern world. She uncovers the complex history of that migration and troubling issues of race and discrimination that faced the West Indians on the Canal Zone and their descendants to the present day.

SILVIA IN THE WAVES: Noa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure, identity and memory.

STREET FIGHTING MEN: In a rapidly changing America where mass inequality and dwindling opportunity have devastated the black working class, three Detroit men must fight to build something lasting for themselves and future generations. Shot over three years in the neighborhoods of Detroit, Street Fighting Men is a story of hard work, faith and manhood in a community that never settles for defeat.

THE DESTINY OF LESSER ANIMALS: A Ghanaian police inspector embarks upon a dangerous, crime-laden journey to realize his ultimate dream – to escape the ghosts of his past and return to America. Infusing the policier genre with West African cinematic traditions and a neorealist emphasis on everyday life, the film becomes the story of one man’s journey to find his purpose in the context of post-colonial Ghanaian independence.

THE LAST TREE: After growing up in quiet, rural Lincolnshire, teenager Femi struggles with unfamiliar surroundings and cultural differences when he moves in with his mother in London.

The post kweliTV September 2020 New Titles Announced appeared first on ComingSoon.net.

Scream Factory releases Friday the 13th Box Collection details!

Scream Factory has just announced the full list of exciting and shockingly extensive bonus features that will be included in the Friday the 13th Collection (Deluxe Edition), to be released on October 13, 2020 (see full list below).

Click here to pre-order the Friday the 13th Collection now!

RELATED: Exclusive: Kevin Bacon Reflects on Friday the 13th 40th Anniversary

In celebration of the 40th anniversary of the original and groundbreaking 1980 film Friday the 13th, the 16-disc set is the definitive Blu-ray collection of one of the most influential horror franchises ever created and includes all 12 original films from Paramount Pictures and New Line Cinema.

The set includes the ultimate collection of new and existing extras. Along with a selection of new interviews, commentaries, and new transfers, are NEW Slashed Scenes – the long-awaited uncut gore footage from Friday The 13th Part 2, and much, much more.

The Friday The 13th Collection (Deluxe Edition) also contains 2 bonus discs which include over 5 hours of new content, a new collectible rigid slipcover with newly-commissioned art, a new 40-pg collectible essay booklet with archival still photography, and new 4K film transfers for Parts 1-4, with Part 3 in its original 3D presentation. Additionally, each film comes with a dedicated Blu-ray case featuring original theatrical artwork.

The 12 films included in this must-own set are Friday the 13th (1980), Friday the 13th Part 2 (1981), Friday the 13th Part 3 (1982), Friday the 13th: The Final Chapter (1984), Friday the 13th Part V: A New Beginning (1985), Friday the 13th Part VI: Jason Lives (1986), Friday the 13th Part VII: The New Blood (1988), Friday the 13th Part VIII: Jason Takes Manhattan (1989), Jason Goes To Hell: The Final Friday (1993), Jason X (2001), Freddy vs. Jason (2003) and Friday the 13th (Remake) (2009).

The Friday the 13th Collection (Deluxe Edition) is being made at a limited quantity and is available for pre-order now.

Complete List of Bonus Features for Friday The 13th Collection (Deluxe Edition)

DISC 1:
FRIDAY THE 13TH (1980) – R-RATED THEATRICAL VERSION
Audio: DTS-HD Master Audio Mono – English SDH
NEW 4K scan of the original camera negative
U. S. Theatrical Trailer
International Theatrical Trailer
TV Spot
U.S. Radio Spots
U.K. Radio Spot
Movie Stills Gallery
Posters and Lobby Cards Gallery

DISC 2:
FRIDAY THE 13TH (1980) – UNCUT VERSION
Audio: DTS-HD Master Audio Mono, 5.1 – English SDH
NEW 4K scan of the original camera negative
NEW restored original mono track
Audio Commentary by director Sean S. Cunningham, screenwriter Victor Miller, actresses Adrienne King and Betsy Palmer, composer Harry Manfredini, editor Bill Freda and assistant editor Jay Keuper, hosted by Peter M. Bracke
Fresh Cuts: New Tales from Friday the 13th
The Man Behind the Legacy: Sean S. Cunningham
Friday the 13th Reunion Panel
Lost Tales from Camp Blood – Part 1
Vintage Fangoria Magazine Article (BD-Rom)

DISC 3:
FRIDAY THE 13TH PART 2
Audio: DTS-HD Master Audio Mono, 5.1 – English SDH
NEW 4K scan of the original camera negative
NEW restored mono track
NEW Slashed Scenes – the long-awaited uncut gore footage!
NEW Audio Commentary with actress Amy Steel, filmmaker Thommy Hutson and author Peter M. Bracke
NEW Audio Commentary with actors Russell Todd, Kirsten Baker, Bill Randolph, Lauren Marie-Taylor, Stu Charno and author Peter M. Bracke
NEW My Life with Ginny – a conversation with actress Amy Steel, moderated by Justin Beahm
Inside Crystal Lake Memories: The Book
Friday’s Legacy: Horror Conventions
Lost Tales from Camp Blood – Part 2
Vintage Fangoria Magazine Article (BD-Rom)
U.S. Theatrical Trailer
Japanese Theatrical Trailer
TV Spots
Radio Spots
Movie Stills Gallery
Poster and Lobby Cards Gallery

DISC 4:
FRIDAY THE 13TH PART 3
Audio: DTS-HD Master Audio Mono, 5.1 – English SDH
NEW 4K scan from the original camera negative for both the 2-D and 3-D versions of the film
NEW restored mono track
NEW Blu-Ray 3-D version of the film (To watch the 3D version, you must have a fully capable 3D TV and 3D blu-ray player)
Audio Commentary with actors Dana Kimmell, Larry Zerner, Paul Kratka, and Richard Brooker
Fresh Cuts: 3-D Terror
Lost Tales from Camp Blood – Part 3
Vintage Fangoria Magazine Article (BD-Rom)
Theatrical Trailer
TV Spots
Radio Spots
Movie Stills Gallery
Posters and Lobby Cards Gallery

DISC 5:
FRIDAY THE 13TH: THE FINAL CHAPTER
Audio: DTS-HD Master Audio Mono, 5.1 – English SDH
NEW 4K scan from the original camera negative
NEW restored mono track
Audio Commentary by director Joe Zito, screenwriter Barney Cohen and editor Joel Goodman
Fan Audio Commentary by filmmakers Adam Green and Joe Lynch
Slashed Scenes with audio commentary by director Joseph Zito
Jason’s Unlucky Day: 25 Years After Friday the 13th: The Final Chapter
The Lost Ending
The Crystal Lake Massacres Revisited Part I
Lost Tales from Camp Blood – Part 4
Jimmy’s Dead Dance Moves
Vintage Fangoria Magazine Article (BD-Rom)
Theatrical Trailer
TV Spot
Radio Spots
Movie Stills Gallery
Posters and Lobby Cards Gallery

DISC 6:
FRIDAY THE 13TH PART V: A NEW BEGINNING
Audio: DTS-HD Master Audio Mono, 5.1 – English SDH
NEW restored mono track
NEW Audio Commentary with Melanie Kinnaman, Deborah Voorhees, Tiffany Helm and author Peter M. Bracke
NEW Fan Audio Commentary by filmmakers Adam Green and Joe Lynch
Audio Commentary by director/co-screenwriter Danny Steinmann, actors John Shepherd and Shavar Ross
Lost Tales of Camp Blood – Part 5
The Crystal Lake Massacres Revisited Part II
New Beginnings: The Making of Friday the 13th Part V
Vintage Fangoria Magazine Article (BD-Rom)
Theatrical Trailer
TV Spots
Movie Stills Gallery
Poster and Lobby Cards Gallery

DISC 7:
FRIDAY THE 13TH PART VI: JASON LIVES
Audio: DTS-HD Master Audio Stereo, 5.1 – English SDH
NEW restored stereo track
NEW Audio Commentary with Thom Mathews, Vincent Guastaferro, Kerry Noonan, Cynthia Kania, C.J. Graham and author Peter M. Bracke
NEW Fan Audio Commentary by filmmakers Adam Green, Joe Lynch and writer/director Tom McLoughlin
Audio Commentary with writer/director Tom McLoughlin
Audio Commentary With writer/director Tom McLoughlin, actor Vincent Guastaferro and editor Bruce Green
Lost Tales from Camp Blood – Part 6
The Crystal Lake Massacres Revisited Part III
Jason Lives: The Making of Friday the 13th: Part VI
Meeting Mr. Voorhees – alternate ending storyboards
Slashed Scenes
Vintage Fangoria Magazine Article (BD-Rom)
Theatrical Trailer
TV Spots
Still Gallery

DISC 8:
FRIDAY THE 13TH PART VII: THE NEW BLOOD
Audio: DTS-HD Master Audio Stereo, 5.1 – English SDH
NEW restored stereo track
Audio Commentary with director John Carl Buechler and actor Kane Hodder
Audio Commentary with director John Carl Buechler and actors Lar Park Lincoln and Kane Hodder
Jason’s Destroyer: The Making of Friday the 13th Part VII
Mind Over Matter: The Truth About Telekinesis
Makeover by Maddy: Need A Little Touch-Up Work, My A**
Slashed Scenes with introduction
Vintage Fangoria Magazine Article (BD-Rom)
Theatrical Trailer
TV Spot
Movie Stills Gallery
Poster and Behind-the-Scenes photos

DISC 9:
FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN
Audio: DTS-HD Master Audio Stereo, 5.1 – SDH
Audio Commentary with director Rob Hedden
Audio Commentary with actors Scott Reeves, Jensen Daggett and Kane Hodder
New York Has A New Problem: The Making of Friday the 13th Part VIII – Jason Takes Manhattan
Slashed Scenes
Gag Reel
Theatrical Trailer
TV Spots
Movie Stills Gallery
Posters and Behind-the-Scenes gallery

DISC 10:
JASON GOES TO HELL – R-RATED THEATRICAL VERSION
Audio: DTS-HD Master Audio Stereo, 5.1 – English SDH
NEW 2K scan of the interpositive
NEW Introduction by director Adam Marcus
Theatrical Trailer
TV Spots
Movie Stills Gallery
Posters and Behind-the-Scenes Gallery
A look at the Friday the 13th Prop Museum Book

DISC 11:
JASON GOES TO HELL – UNCUT VERSION
Audio: DTS-HD Master Audio Stereo, 5.1 – English SDH
NEW 2K scan of the interpositive with HD inserts
NEW Introduction by director Adam Marcus
NEW The Gates of Hell – an interview with director Adam Marcus
NEW Jason vs. Terminator – Adam Marcus on growing up with the Cunninghams
NEW Über-Jason – an interview with Kane Hodder on playing Jason
NEW Audio Commentary with director Adam Marcus and author Peter M. Bracke
Additional TV footage with NEW optional Audio Commentary with director Adam Marcus and author Peter M. Bracke
Audio Commentary with director Adam Marcus and screenwriter Dean Lorey

DISC 12:
JASON X
Audio: DTS-HD Master Audio Stereo, 5.1 – English SDH
NEW 2K scan of the interpositive
NEW Introduction by Kane Hodder
NEW Audio Commentary with writer Todd Farmer and author Peter M. Bracke
NEW Outta Space: The Making of JASON X – featuring interviews with producers Noel Cunningham and Sean S. Cunningham, actor Kane Hodder and writer Todd Farmer
NEW In Space No One Can Hear You Scream – an interview with writer Todd Farmer
NEW Kristi is A Headbanger – an interview with actress Kristi Angus
NEW Jason Rebooted – Sean S. Cunningham on Jason Goes to Hell and Jason X
Audio Commentary with director Jim Isaac, writer Todd Farmer and producer Noel Cunningham
The Many Lives of Jason Voorhees – a documentary on the history of Jason
By Any Means Necessary: The Making of Jason X – Making-of/production documentary
Club Reel
Vintage cast and crew interviews
Behind-the-Scenes footage
Electronic Press Kit – cast and crew interviews and behind-the-scenes footage
Theatrical Trailers
TV Spots
Movie Stills Gallery
Posters and Behind-the-Scenes Gallery

DISC 13:
FREDDY VS. JASON
Audio: Dolby TrueHD 5.1, Dolby Digital 5.1 EX – English SDH
Audio Commentary by director Ronny Yu, actors Robert Englund and Ken Kirzinger
21 Deleted/Alternate Scenes, Including the Original Opening and Ending with optional commentary by director Ronny Yu and executive producer Douglas Curtis
Genesis: Development Hell
On Location: Springwood Revisited
On Location: Cabin Fever
Art Direction: Jason’s Decorating Tips
Stunts: When Push Comes to Shove
Make-up Effects: Freddy’s Beauty Secrets
Visual Effects Exploration
My Summer Vacation: A Visit to Camp Hackenslash
Pre-fight press conference at Bally’s Casino in Las Vegas
Music Video: Ill Nino “How Can I Live”
Theatrical Trailer
TV Spots

DISC 14:
FRIDAY THE 13th (2009)
Audio: Dolby TrueHD 5.1, Dolby Digital 5.1 – English SDH
Terror Trivia Track with Picture-In-Picture featuring comments from the cast and crew
The Rebirth of Jason Voorhees – a look at the making of Friday the 13th
Hacking Back/Slashing Forward – remembering the groundbreaking original movie
Slashed Scenes
The Best 7 Kills

DISC 15:
BONUS DISC 1:
NEW Crystal Lake Confidential – an interview with producer/director Sean S. Cunningham
NEW Machete Memories – an interview with producer/director Steve Miner
NEW Chicago to Connecticut: The Early Career of Harry Manfredini – an interview with composer Harry Manfredini
NEW The Magic Keyboard – Harry Manfredini on scoring Friday the 13th
NEW Blood Types – an interview with actor Harry Crosby
NEW Once Speared, Twice Shy – an interview with actor Bill Randolph
NEW Back to Camp: The Locations of Friday the 13th and Friday the 13th Part 2 hosted by Michael Gingold
NEW It Came from the Vaults – an interview with La-La Land Records’ Matt Verboys and Michael V. Gerhard and composer Harry Manfredini
NEW Finding Friday: On Location of the Friday the 13th Films
The Friday the 13th Chronicles – an 8-part featurette on the first 8 films
Secrets Galore Behind the Gore – a 3-part featurette on the makeup effects of Part 1, Part 4 and Part 7
Crystal Lake Victims Tell All!
Tales from the Cutting Room Floor
Friday the 13th artifacts and collectibles
Jason Forever – Q & A with Ari Lehman, Warrington Gillette, C.J. Graham and Kane Hodder
Legacy of the Mask
Slasher Films: Going for the Jugular
The Friday the 13th Playing Cards Still Gallery
Easter Eggs

DISC 16:
BONUS DISC 2:
Music Video: Alice Cooper The Man Behind the Mask
NEW Alice Lives: Alice Cooper and Friday the 13th Part VI – a look at the music video The Man Behind the Mask featuring interviews with Alice Cooper and director Jeffrey Abelson
NEW Legends Never Die – Tom McLoughlin at the Hollywood Forever Cemetery
NEW Life, Death and Jason Voorhees – an interview with director Tom McLoughlin
NEW The Road to Crystal Lake – an interview with producer Sean S. Cunningham
NEW Faceless Evil – Sean S. Cunningham and Jason
NEW Jason Was Here: Friday the 13th Part 3 – 6 Locations Then and Now
Scream Queens: Horror Heroines Exposed (2014) – including interviews with Adrienne King and Melanie Kinnaman (80 mins.)
Slice and Dice: The Slasher Film Forever (2013) – including interviews with Corey Feldman and John Carl Buechler (78 mins.)
Trailer Reel – all 12 Friday the 13th trailers in a row
FREDDY VS. JASON Storyboards and Production Galleries
Friday the 13th (2009) Teaser Trailer
Friday the 13th (2009) Theatrical Trailer
Friday the 13th (2009) TV Spots
Friday the 13th (2009) Electronic Press Kit – interviews with cast and crew, behind-the-Scenes footage
Friday the 13th Series Newspaper Ad Still Gallery – vintage newspaper ads for all 12 films
Easter Egg

The post Friday the 13th Collection Details Released by Scream Factory! appeared first on ComingSoon.net.

Shelly: Amazon Studios Acquires Awkwafina & Karen Gillan Action Comedy

According to TheWrap, Amazon Studios has acquired the rights to develop a script package for Shelly, the action comedy movie starring Golden Globe winner Awkwafina (The Farewell, Ocean’s 8, Crazy Rich Asians) and Karen Gillan (Guardians of the Galaxy, Avengers: Endgame, Selfie).

RELATED: Welcome to the Blumhouse Trailer: New Amazon Prime Horror Films Set For October

The story takes place a decade after an embarrassing prom prank ran Shelly Wheeler (Awkwafina) out of town and so hardened her heart that she became an ice-cold hit-woman. Revenge threatens to be sweet when she learns her next target is her former high school tormentor, Dianna Park (Gillan). But when Dianna unexpectedly befriends Shelly, the assassin finds herself in with the cool crowd, protecting her old nemesis against another hit crew hired to kill them both. The tone is Mean Girls meets Barry.

Shelly is written by Michael Doneger (Brampton’s Own, Couples Therapy) and Liz Storm (Tall Tales, Boomtown) and directed by Jude Weng (The Good Place).

RELATED: The Boys Season 2 Character Posters: Heroes Aren’t Born, They’re Made

Ian Bryce (6 Underground) is producing Shelly via his Ian Bryce Productions banner. Will McCance serves as executive producer while Katie Malott is co-producing.

(Photo by Frazer Harrison/Getty Images for Comedy Central & Mike Coppola/Getty Images for Tribeca Film Festival)

The post Shelly: Amazon Studios Acquires Awkwafina & Karen Gillan Action Comedy appeared first on ComingSoon.net.

Mulan Director Niki Caro & Star Yifei Liu on Women Leading a Man’s Army

She’s a girl worth streaming for! Mulan drops on Disney+ this week! In anticipation for the film, ComingSoon.net attended (in the pre-COVID times) a screening with director Niki Caro and star Yifei Liu who shared in a special Q&A their excitement for the film’s release. It’s the first Disney legacy film directed by a woman, and bringing it to gorgeous life was no easy feat but an incredible work of collaborative genius led by Caro. While the film was originally slated for a theatrical run, discover more about the making of the film before you catch it streaming on Disney+!

RELATED: New Mulan Featurette Explores The Search for its Hero

ComingSoon.net: This is the largest live-action film ever filmed by a female filmmaker. Was there any intimidation coming with that or did you look at it with excitement?

Niki Caro: The intimidating thing was my responsibility in telling the story, to the studio, and to the audience. With every film, I’ve made I had a vision that was far bigger than the budget allowed and so this time to be able to have a budget equal to the vision in my head was just really satisfying. For me, Mulan was a journey from village girl to male soldier to warrior and hero that felt like it spoke for all of us. It was a story that didn’t, in fact, originate with the 1998 animation but it was about 1500 years old and has resonating and relevant for centuries and never more so now than ever.  We tried to mine everything that we could from the ballad and also just to be inspired by it.

CS: Obviously this movie isn’t going to work unless you have the perfect Mulan. Yifei I’m curious when did you hear when they were making this movie and what attracted you to play such an iconic character?

Yifei Liu: I heard that so many people auditioned and so I ask myself if I wanted to go up (for it) what can I bring? Obviously this is a role everyone wants to play because it’s so meaningful, as a human being to really be that brave to become who she wants to be. And I ask myself this question. I want to bring me, so I need to really get through, meditate and calm myself. I was with this beautiful director and just do my audition.  I actually heard it was after 2 hours after audition and I’m relieved kind of cuz I think I did an ok job. And Niki said “so we gonna send you to this physical trainer to see and I said ok– I’m on my next step. So that means something. The actual training process really test your limits. It was fun. Every movie, it’s brand new. I did act on movies with martial art element but obviously not a professional but I’m so glad I have this whole team to prepare and some of the flexibility help with that. I learned tai chi and chi gong movements. Because Mulan, her chi is the connection of her spirit, not ego, but her true self.

CS: In addition to the wonderful women on screen, and I love the addition of the Gong Li character, how did you start rounding it out with getting ppl like Jet Li and Gong Li to participate?

Caro: They all wanted to be part of this and I think it’s a testament to obviously Mulan herself and the nature of this character and Chinese culture and also the legacy of Disney.

CS: You also had some fantastic women behind the stage. You had a female cinematographer for starters.

Caro: yeah I think it’s the only movie of this scale and genre where all the voices, all the people running it are women so: me Mandy Walker cinematographer, Liz Tom 1st AD and producer, costumer designer, makeup designer, and the only female lead. Very well prepared we were. Communicated very effectively brought it on time and slightly under budget because that’s just how we roll.

CS: There’s been a lot of talk of things we hope are improving for female filmmakers, do you see any improvement?

Caro: Yeah I am, but I would say there’s room for more. 

CS: Niki for you what ended up being the biggest challenge?

Caro: The biggest challenge for me was how to tell a story about two armies going to war, a young woman going to war, without being able to show any fighting really or blood under the Disney brand. Game of thrones really changed the battle game for shooting those sort of sequences and they couldn’t be there so I was really blessed that the fighting style was martial arts – wushu – and being inherently beautiful but also what unlocked it for me was that figured out I could set that battle sequence in a geothermal valley and so that the smoke and steam could reveal and obscure violence and it could suggest and could also be very beautiful and very cinematic and I’m proud of that I’m proud that the battle sequences feel visceral and robust but never gratuitous.

CS: What were the creative choices that felt choosing from the animated and the ballad, like what were some sequences where you were like “this would work” and how is working with china affected the animated as well to bring it in?

Caro: I wanted to honor it by bringing through sequences that felt iconic so the matchmaker sequence the avalanche felt like something. It wasn’t in the script when I came on so I brought it back because I felt like that was a way we could really flex our cinematic masses and visual effects and to really spectacular avalanche but the trick there was to try to understand how she could be so strategic enough to bring the avalanche down because in the animation it’s quite cute because it’s Mushu, it’s a little rocket, and it comes out of that kind of comedy but the thing I love about Mulan the most is that how super smart she is and strategic and so we spent quite a bit of time as we tried to figure out the avalanche sequence how would she make it happen?

CS: What did you learn about yourselves as artists and people and how were you transformed when making this movie?

Caro: For me, it’s not lost on my, that there’s a line in the movie gong li’s character says to Mulan “impossible, a woman leading a man’s army” and that’s what I did. The film organism is even despite my best efforts is still a man’s army and when I first started out I didn’t think it was possible.  I used to think–so embarrassingly now–that I would somehow have to disguise myself so the fact that I’m making a movie about this very thing and the fact that I was able to tell the story in such a way, and this is so this is a critical difference from what we did and what the animation did cuz the animation has Mulan disguised as a man to find herself and our version Mulan learns that she can never be powerful unless she loses that disguise and that big moment in the movie that you hear the iconic reflection sound she lets her hair down and battles as a woman is truly powerful and then goes off to save china. That’s what I’m the most proud of and what is the most meaningful thing to me to send that message out there.

Stream Mulan on September 4th exclusively on Disney+ with Premier Access (Disney+ subscription and additional fee required).

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Welcome to the Blumhouse trailer: New Amazon Prime horror films set for October

Amazon Prime Video has released the official Welcome to the Blumhouse trailer for the first set of new original horror films that will be available for streaming next month. The video, featuring a remix of the song “What’s Up” by FJØRA produced by Linda Perry, also reveals the official release dates with the first two films The Lie and Black Box scheduled to premiere on October 6 while Evil Eye and Nocturne are set to launch on October 13. Check out the video in the player below!

RELATED: Welcome to the Blumhouse Promises 8 Feature Thrillers on Amazon

The films showcase exciting up-and-coming talent, alongside established actors in exceptional and shocking new roles. Welcome to the Blumhouse will launch in October, timed for the Halloween season, on Prime Video in over 240 countries and territories worldwide.

Amazon Prime Video will launch the initial slate of four films as double features starting with The Lie directed by acclaimed writer/director Veena Sud (The Killing, 7 Seconds) and Black Box directed by up-and-coming writer/director Emmanuel Osei-Kuffour Jr. (Born with It), both premiering on October 6. Launching the following week on October 13 is Evil Eye, from talented young directors Elan Dassani and Rajeev Dassani (A Day’s Work, Jinn) and executive produced by Priyanka Chopra Jonas (Quantico, White Tiger), and Nocturne written and directed by filmmaker Zu Quirke (Zugzwang, Ghosting) making her feature film debut. The latter four films will launch in 2021.

The Lie is written and directed by Veena Sud, and stars Mireille Enos (The Killing), Peter Sarsgaard (An Education) and Joey King (The Kissing Booth 2, The Act). When their teenaged daughter confesses to impulsively killing her best friend, two desperate parents attempt to cover up the horrific crime, leading them into a complicated web of lies and deception. Produced by Alix Madigan-Yorkin, Christopher Tricarico, and Jason Blum. Executive produced by Howard Green, Kim Hodgert, Jeanette Volturno, Couper Samuelson, and Aaron Barnett.

Directed by Emmanuel Osei-Kuffour Jr. (Born With It) and script by Osei-Kuffour Jr. and Stephen Herman, Black Box stars Mamoudou Athie (Jurassic World 3, The Circle), Phylicia Rashad (Creed), Amanda Christine (Colony), Tosin Morohunfola (The Chi, The 24th), Charmaine Bingwa (Trees of Peace, Little Sista), and Troy James (The Flash, Scary Stories to Tell in the Dark). After losing his wife and his memory in a car accident, a single father undergoes an agonizing experimental treatment that causes him to question who he really is. Executive produced by Jason Blum, Jay Ellis, Aaron Bergman, Lisa Bruce, Marci Wiseman, Jeremy Gold, Mynette Louie, and William Marks.

RELATED: Mrs. March: Elisabeth Moss Reunites With Blumhouse For New Thriller Film

Based off the award-winning, best-selling Audible Original production from writer Madhuri Shekar, Evil Eye is directed by Elan Dassani and Rajeev Dassani, and stars Sarita Choudhury (Mississippi Masala, Lady in the Water), Sunita Mani (GLOW), Omar Maskati (Unbelievable), and Bernard White (Silicon Valley). A seemingly perfect romance turns into a nightmare when a mother becomes convinced her daughter’s new boyfriend has a dark connection to her own past. Executive produced by Jason Blum, Priyanka Chopra Jonas, Lisa Bruce, Marci Wiseman, Jeremy Gold, Guy Stodel, Anjula Acharia, Emilia Lapenta, and Kate Navin.

Nocturne is written and directed by Zu Quirke in her breakout feature debut. Starring Sydney Sweeney (Euphoria, The Handmaid’s Tale, Player’s Table), Madison Iseman (Jumanji: The Next Level, Annabelle Comes Home), Jacques Colimon (The Society) and Ivan Shaw (Insecure, Casual). Inside the halls of an elite arts academy, a timid music student begins to outshine her more accomplished and outgoing twin sister when she discovers a mysterious notebook belonging to a recently deceased classmate. Executive produced by Jason Blum, Lisa Bruce, Marci Wiseman, Jeremy Gold, Matthew Myers, and Fodhla Cronin O’Reilly.

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