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Nightstream Unveils Full Program Slate Including Run, Nia DaCosta & More!

Nightstream Unveils Full Program Slate Including Run, Nia DaCosta & More!

Nightstream unveils full program slate including Run, Nia DaCosta & more!

Nightsream, the virtual even uniting genre festivals Boston Underground, Brooklyn Horror, North Bend, Overlook and Popcorn Frights, has unveiled its full programming slate including the world premiere of the Sarah Paulson-led thriller Run, a panel with Candyman filmmaker Nia DaCosta and more beginning October 8!

RELATED: 2020 Beyond Fest Slate Revealed Including Freaky, Bad Hair & More!

The virtual festival will open with the world premiere of Hulu’s hotly-anticipated thriller Run, starring Paulson (American Horror Story) and Kiera Allen and directed by Aneesh Chaganty, who helmed the breakout Sundance hit Searching and close with the North American Premiere of Mandibles, the latest from Quentin Dupieux, the French filmmaker responsible for singular features such as Rubber and Deerskin. The four-day festival includes a line-up of feature films selected by all five festival programming teams, alongside eighteen distinct short blocks and an impressive slate of events, panels, and masterclasses headlined by conversations with filmmakers Nia DaCosta on Candyman and Mary Harron for the 20th anniversary of American Psycho, as well as Beck/Woods, the screenwriting team behind A Quiet Place. Celebrated horror filmmaker Mick Garris will be recognized as festival honoree and host a very special Dinner With The Masters Of Horror event with guests that include Joe Dante, Mike Flanagan, John Landis, Ernest Dickerson, and more.

All proceeds from Nightstream will be shared with the filmmakers and artists involved, donated to charities and businesses locally owned and operated in each festival’s home city, and help the founding festivals recoup losses incurred by COVID-19.

The festival will feature seven World Premieres, nine North American Premieres, and seven U.S. Premieres, alongside 164 short films and a spotlight on Indonesian Horror with a companion panel hosted by Sam Zimmerman, director of programming for Shudder. Highlights include the world premiere of Ryûhei Kitamura’s The Doorman starring Ruby Rose, who will appear for a post screening Q&A, as well as the world premieres of Jesse Blanchard’s Frank & Zed, Nicholas Payne Santos’ It Cuts Deep, Devereux Milburn’s Honeydew, Jake Mahaffy’s Reunion and Terence Krey’s An Unquiet Grave.

Nightstream will bring the spirit of festivals to your screen with its exciting off-film programming, including a one-time-only event hosted by Aaron Moorhead and Justin Benson, the directing duo behind beloved genre hits The Endless and Spring, who will share an intimate and engaging look at their never-before-seen early work, joined by special guest Issa Lopez (Tigers are Not Afraid). The fest will also feature iconic drag performer and horror expert Peaches Christ who will offer a deep-dive into campy horror history, in addition to hosting a glamorously blood-drenched festival party. Plus, every night will have a unique happy-hour social in Evening Rituals Presented by IFC Midnight, with a parade of hosts that include Elijah Wood beaming in virtually from their homes, and with a new delicious cocktail to share.

Access to film screenings will be geo-locked to the US with ticket bundles on sale on the website ($65 for 5 features or short film programs and $99 with 10 features or short film programs, both bundles come with unlimited access to events and panels, while event-only badges will be made available worldwide ($25) and a virtual festival social hub will be freely accessible to all. To order a badge, fans can visit the official Nightstream website!

RELATED: Shudder Orders Animated Creepshow Special With Sutherland & King!

Feature Films

Opening Night

Run

World Premiere

United States | 2020 | 90 Min. | Dir. Aneesh Chaganty

Sarah Paulson and newcomer Kiera Allen shine in director Aneesh Chaganty (Searching) nail-biting, Hitchcockian new thriller about a wheelchair-bound teenager whose fragile, isolated existence with her doting mother is threatened when she begins to notice strange occurrences around her house. A Hulu Original Film.

Closing Night

Mandibles

North American Premiere

France | 2020 | 77 Min | Dir. Quentin Dupieux

Visionary director Quentin Dupieux (Rubber, Deerskin) returns with his most accessible and hilarious film to date, a tale of two simple-minded friends who find a giant fly stuck in the trunk of a car and set themselves up to train it to earn money with it. Originally set to premiere at the Telluride Film Festival. A Magnolia Pictures Release.

32 Malasaña Street

North American Premiere

Spain | 2020 | 105 Min. | Dir. Albert Pintó

The Olmedo family gets more than they bargained for when they move into a suspiciously low-priced apartment in Madrid, circa 1976, and quickly find themselves in a living nightmare in this intense and stylish Spanish answer to James Wan’s The Conjuring. A Shudder Original Film.

Anything For Jackson

U.S. Premiere

Canada | 2020 | 97 Min | Dir. Justin G. Dyck

Satanists Audrey and Henry Walsh had the best of intentions when they kidnapped a young pregnant woman in the hopes of performing a resurrection ritual for their recently deceased grandson. What could go wrong?

Av: The Hunt

North American Premiere

Turkey | 2020 | 87 Min | Dir. Emre Akay

To escape the murderous wrath of her oppressive and patriarchal family after being caught with her lover, Ayse must go on the run through the backroads of modern-day Turkey in his absurdly primal fight for survival.

Black Bear

USA | 2019 | 104 Min. Dir. Lawrence Michael Levine

Punctuated with outstanding performances from Aubrey Plaza, Christopher Abbott, and Sarah Gadon, Lawrence Michael Levine’s Kaufman-esque Black Bear tells the story of a filmmaker who arrives at a rural retreat and discovers that the unpredictable behavior of her hosts will be the source of her most inspired work yet. A Momentum Pictures release.

Bleed With Me

Canada | 2020 | 79 Min. | Dir. Amelia Moses

A lo-fi and subtly creepy chamber piece, Amelia Moses’ debut Bleed With Me follows Rowan, an insecure girl spending a wintery retreat at a remote cabin with her best friend, Emily, and Emily’s boyfriend, Brendan. When Rowan’s anxiety around being an unwanted guest starts to get to her, mounting paranoia gives way to hallucinations, making this trip into something chillingly sinister. An Epic Pictures release.

Bloody Hell

North American Premiere

Australia, USA | 2020 | 95 Min. | Dir. Alister Grierson

In this relentlessly energetic, pitch-black horror-comedy, an ex-bank robber fleeing the country after a video of him goes viral, heads to Helsinki only to find there’s something in store for him there that is much more difficult to escape.

Boys From County Hell

North American Premiere

Ireland | 2020 | 89 Min. | Dir. Chris Baugh

The tourist-pranking antics of a group of hardy Irish road workers are turned against them when they discover that they’ve accidentally awoken an undead bloodsucker sleeping beneath the town’s soil in this uproarious and freaky horror-comedy. Originally scheduled to premiere at the Tribeca Film Festival.

Breaking Surface

U.S. Premiere

Sweden, Norway, Belgium | 2020 | 81 Min. | Dir. Joachim Hedén

An emotional deep-water diving trip for two sisters turns disastrous when a landslide causes one of them to be pinned to the ocean floor in this heart-rending and fear-inducing survival thriller. A Doppelganger Releasing Film.

Climate Of The Hunter

United States | 2020 | 90 Min. | Dir. Mickey Reece

Prolific underground director Mickey Reece’s oddball humor and otherworldly retro flair are on full display in this delightful tale of two sisters whose love-hate relationship is stirred up when they reunite with a childhood friend who they suspect may or may not be a vampire. A Dark Star Pictures release.

Come True

U.S. Premiere

Canada | 2020 | 105 Min | Dir. Anthony Scott Burns

In this ambitious sci-fi gem, a troubled teenager tormented by nightmares enters into a mysterious sleep study that unlocks the truth about her surreal dreams and the dark shadowy figure within them.

Darkness

U.S. Premiere

Italy | 2019 | 98 Min. | Dir. Emanuela Rossi

Under their father’s tyranny, three siblings are forced to remain indoors, with all views of the outside world blocked off, leaving the eldest to suspect something isn’t right in this cleverly constructed look at domestic abuse under the guise of post-apocalyptic paranoia.

RELATED: Halloween, Halloween 4 & Halloween 5 Returning to Theaters Next Month

Detention

Taiwan | 2019 | 103 Min. | Dir. John Hsu

Set during the Tawainese martial law of the 1960s, this shockingly gruesome and terrifying coming-of-age drama based on a hugely popular video game sees two classmates who go looking for their missing friends and teachers, all of whom took part in an illegal book club, only to come face to face with ghosts and deformed monsters that have taken over their school.

Dinner In America

United States | 2020 | 106 Min. | Dir. Adam Carter Rehmeier

A punk rocker arsonist on the run (Kyle Gallner, Veronica Mars) and his number one fan embark on a series of misadventures through suburbia, finding unexpected love along the way in this absolutely electric, thoroughly anarchic, misfit stoner rom-com you didn’t know you needed.

The Doorman

World Premiere

United States | 2020 | 93 Min. | Dir. Ryûhei Kitamura

As visually stylish as it is graphically violent, this punishing action-thriller from the legendary Ryûhei Kitamura (Versus) stars Ruby Rose (John Wick: Chapter 2, Batwoman) as a former Marine turned doorman at a luxury New York City high-rise who must outsmart and battle a group of art thieves and their ruthless leader (Jean Reno, Léon: The Professional) — while struggling to protect her sister’s family. A Lionsgate release.

Ema

Chile | 2019 | 107 Min. | Dir. Pablo Larrain

In the latest from acclaimed Chilean filmmaker Pablo Larraín (Jackie) adoptive parents Ema (Mariana Di Girolamo) and Gastón (Gael García Bernal) are artistic free spirits in an experimental dance troupe whose lives are thrown into chaos after their son is involved in a shockingly violent incident. A Music Box Films release.

Frank & Zed

World Premiere

United States | 93 Min. | Dir. Jesse Blanchard

Lovingly crafted entirely with hand puppets, this hilarious, blood-drenched practical marvel sees the peaceful, secluded lifestyle of two monsters threatened when a group of desperate villagers come to repay an age-old pact to a wretched demon.

Honeydew

World Premiere

United States | 2020 | 106 Min. | Dir. Devereux Milburn

A couple, Sam (Sawyer Spielberg) and Riley (Malin Barr), on a backwoods road trip find themselves descending into a hallucinatory hell when they accept auto repair help from an elderly farmer and her peculiar son in this unhinged and unforgettable directorial debut. Originally set to premiere at the Tribeca Film Festival.

Hunted

U.S. Premiere

Belgium, France, Ireland | 2020 | 96 Min. | Dir. Vincent Paronnaud

Acclaimed filmmaker/comic artist Vincent Paronnaud (director of Cannes Jury Prize and Academy Award nominee Persepolis) returns to the screen with an exhilaratingly ferocious survival horror flick that follows Eve, a woman who encounters a seemingly charming man at a bar, only to uncover that his true sociopathic nature will spark a dire, life-or-death chase through the wilderness. A Shudder Original Film.

It Cuts Deep

World Premiere

United States | 2020 | 77 Min | Dir. Nicholas Payne Santos

While on Christmas vacation, Sam’s world begins to close in around him in horrifying and hilarious ways when his girlfriend’s announcement that she wants to start a family coincides with the sudden reappearance of an old acquaintance who alludes to Sam’s violent past. A Dark Sky Films Release.

Jumbo

Belgium, France | 2020 | 93 Min. | Dir. Zoé Wittock

Noémie Merlant (Portrait of a Lady on Fire) gives a fearless performance as a shy amusement park worker whose life changes when a new star attraction shows up and immediately enthralls her with  “his” magnificent machinery in this fantastical and heartfelt debut from writer/director Zoe Wittock. A Dark Star Pictures release.

Lapsis

United States | 2020 | 108 Min. | Dir. Noah Hutton

In order to pay for his ailing brothers’ medical bills, a seasoned scam artist takes a not-so-above-board job running a new kind of sophisticated cable through miles of wood, only to discover dire truths about this new vocation in this prescient and grounded science-fiction feature. A Film Movement release.

Leap of Faith: William Friedkin on The Exorcist

United States / Spain | 2020 | 105 Min. | Dir. Alexandre O. Phillippe

In perhaps his most penetrating interview ever, director Alexandre O. Phillippe (78/52) ploughs deep into the filmmaking process of director William Friedkin through the tumultuous and terrifying production of one of the most iconic horror films ever made.

Lucky

U.S. Premiere

United States | 2020 | 81 Min. | Dir. Natasha Kermani

Self-help author May Ryer finds herself the victim of increasingly violent home intruder attacks that no one, including her husband, seems all that worried about. What results is a cut-throat feminist thriller from director Natasha Kermani and screenwriter/star Brea Grant where May must face down the threat alone.. Originally set to premiere at the SXSW Film Festival. A Shudder Original Film.

May The Devil Take You Too

International Premiere

Indonesia | 2020 | 110 Min. | Dir. Timo Tjahjanto

Director Timo Tjahjanto returns for more propulsive and chaotic possession horror with this direct sequel to his hit May the Devil Take You. This time, series-star Alfie is once again forced to wage war against hell’s dark forces when a group of teenage orphans unleash the demonic spirit of their former caretaker. A Shudder Original Film.

My Heart Can’t Beat Unless You Tell It To

North American Premiere

United States | 2020 | 90 Min. | Dir. Jonathan Cuartas

Dwight (Patrick Fugit, Almost Famous, Gone Girl) and Jessie (Ingrid Sophie Schram) go to unimaginable, morally decrepit lengths to medicate their sick younger brother Thomas (Owen Campbell, Super Dark Times), who desperately needs blood to survive. Originally set to premiere at the Tribeca Film Festival. A Dark Sky Films release.

The Nest

Italy | 2019 | 103 Min. | Dir. Roberto De Feo

A young boy, suffering from paraplegia and trapped away in an isolated mansion under the rule of his domineering mother, has his life turned upside down when the arrival of the new teenage maid exposes him to his family’s darkest secrets in beautifully shot, Italian Gothic horror.

The Night

North American Premiere

United States | 2020 | 105 Min | Dir. Kourosh Ahari

Kourosh Ahari’s transfixing submission to the ranks of hotel-stay-from-hell horror canon is an endlessly unnerving tale of a couple and their infant forced to confront their darkest secrets after choosing the wrong place to sleep for the night. An IFC Midnight release.

The Obituary of Tunde Johnson

United States | 2019 | 104 Min | Dir. Ali Leroi

Director Ali Leroi and screenwriter Stanley Kalu present one of the best and most radical uses of the time loop narrative device in the story of a gay black teenager forced to continuously relive May 28, a date in which, no matter what he does differently, Tunde Johnson finds himself unarmed and shot by the police at the end of the day.

Pelican Blood

Germany, Bulgaria | 2019 | 121 Min. | Dir. Katrin Gebbe

Nina Hoss delivers a daring performance as a mother who suspects there are sinister supernatural forces at play when her newly adopted daughter turns from shy and charming to menacing and dangerous, threatening her idyllic country life in Katrin Gebbe’s (Nothing Bad Can Happen) engrossing and cerebral horror-drama.

The Queen of Black Magic

Indonesia | 2019 | 99 Min | Kimo Stamboel

In this terrifying and gory tale of supernatural revenge from two of Indonesia’s modern masters of horror, Screenwriter Joko Anwar (Satan’s Slave) and director Kimo Stamboel (Headshot), a middle-class family journey to visit the terminally ill director of the orphanage where the father was raised as a child, only to encounter sinister and terrifying events as the dark history of the children’s home begins to reveal itself.

Reunion

World Premiere

United States | 2020 | 95 Min | Dir. Jake Mahaffy

A pregnant woman reconnects with her estranged mom (Julia Ormond) in this emotionally charged and quietly audacious psychological horror chiller that slowly and brutally lays bare the dark and horrific sins from a family’s shared history. A Dark Sky Films release.

The Returned

North American Premiere

Argentina | 2019 | 92 Min | Dir. Laura Casabé

In 1919 South America, a landowner’s wife, desperate to have a child after several miscarriages, decides to pray to a mythical deity to resurrect her stillborn son, unleashing something truly evil in this impactful horror allegory that gives power to the oppressed through eerie supernatural storytelling.

Rose Plays Julie

Ireland, UK | 2020 | 100 Min. | Dir. Christine Molloy, Joe Lawlor

What begins with a young woman persistently tracking down her birth mother takes a dark tonal shift as she turns her sights to her odious blood father (Aidan Gillen, Game of Thrones) in this eerie thriller. A Film Movement Release.

Survival Skills

United States | 2020 | 84 Min. | Dir. Quinn Armstrong

Presented as a lost police training video from the 1980s, an at-first comedic look to the early days on the force for a newly-minted, naive officer quickly turns into a dark, satirical critique on the way our society and law enforcement institutions fail us in this timely, clever and unexpectedly sobering examination of a broken system.

Time of Moulting

U.S. Premiere

Germany | 2020 | 80 Min | Dir. Sabrina Mertens

Spanning over ten years in 1970s Germany, this chilling debut from Sabrina Mertens follows Stephanie as she’s raised in isolation by her cold father and emotionally distraught, bedridden mother. Suffocated by the weight of her family’s lifestyle, Stephanie’s mind gradually veers towards darker thoughts and, inevitably, troubling habits and actions.

An Unquiet Grave

World Premiere

USA | 2020 | 72 Min. | Dir. Terence Krey

Unable to come to terms with the death of his wife, a man and his sister-in-law return to the scene of the car accident to perform an ill-fated ritual in this two-handed chamber horror that terrifyingly shines a light on the dangers of extreme grief: unrelenting desperation, loss of self and the evil that exists in our darkest moments of despair.

Nightstream Retro

Bloody Muscle Body Builder In Hell

Japan | 1995 | 63 Min. | Dir. Shinichi Fukuzawa

This 8mm Japanese splatterfest poses the question – What if The Evil Dead’s Ash was a bodybuilder whose ex-girlfriend researches haunted houses and, as such, asked him to join her on a special investigation of his dead father’s supposedly ghost-ridden home? Courtesy of Wild Eye Releasing.

Deadline 

Restoration World Premiere

Canada | 1980 | 90 Min. | Dir. Mario Philip Azzopardi

A decadent horror author living on the edge desperately works through writer’s block by conjuring the most shocking and gross scenarios this side of EC Comics in this jaw-dropping piece of Canuxploitation. Restoration courtesy of Vinegar Syndrome and the American Genre Film Archive.

Def By Temptation

United States | 1990 | 94 Min. | Dir. James Bond III

After becoming a target of a stunning succubus on the prowl in 1980s Brooklyn, a divinity scholar undergoing a crisis of faith must enlist the help of a drunken cop with a penchant for supernatural investigation if he’s going to stay alive. Restoration courtesy of Troma Entertainment and the American Genre Film Archive.

Shock Value: How Dan O’Bannon and Some USC Outsiders Helped Invent Modern Horror

Catch a rare glimpse into the earliest ideas from John Carpenter, Dan O’Bannon, and their peers before they changed genre forever in this one-of-a-kind, feature-length compilation of five historic student shorts from the late 60s/early 70s curated by USC archivist Dino Everett and author Jason Zinoman (Shock Value), with a conversation to follow, moderated by KJ Reith (UCLA FIlm & TV Archive).

RELATED: Sarah Paulson-Led Run Gets Premiere Date at Hulu

Panels, Podcasts & Conversations

Virtual Fireside with Nia DaCosta 

Since her exceptional 2018 debut feature Little Woods, Nia DaCosta has quickly risen to be one of the top directorial voices in Hollywood, gaining the attention of Jordan Peele, Marvel, and many more to helm exciting new projects in the genre space. Moderated by journalist Hunter Harris (New York Magazine), we’ll take a deep dive into the state of the industry as well as hear about her highly anticipated film Candyman.

20th Anniversary Celebration of American Psycho with Mary Harron

Celebrate the 20th Anniversary of American Psycho with a candid, in-depth conversation with filmmaker Mary Harron as she revisits every facet of this modern cult-classic. Moderated by Katie Rife (The A.V. Club).

Adventures in the Screen Trade with Scott Beck & Bryan Woods

A conversation with screenwriters/directors Scott Beck & Bryan Woods (collectively known as Beck/Woods) about their adventures in the Hollywood screen trade, from their early hard knocks culminating in their megahit screenplay A Quiet Place. Moderated by journalist Joshua Rothkopf.

For The Love of Horror Comics Presented by Midnight Pulp  

Creators from all sides of the entertainment industry introduce us to the visionary worlds of their original horror comics and tell us why it’s so much fun to write about monsters, vampires, and haunted sneakers!  Panelists: Rodney Barnes (Killadelphia), David Dastmalchian (Count Crowley: Reluctant Midnight Monster Hunter), Brea Grant (Mary: The Adventures of Mary Shelley’s Great-Great-Great-Great-Great-Granddaughter), Rosie Knight (The Haunted High-Tops). Moderated by Richard Newby (The Hollywood Reporter).

The Future of Horror is Female Presented by Arrow 

The Future of Film is Female presents a panel discussion about the future of horror films with women who are making the most exciting new work in the genre. Panelists: Laura Casabe (The Returned), Mariama Diallo (Hair Wolf), Nikyatu Jusu (Suicide by Sunlight), and Laura Moss (Fry Day). With Special Guests: Ashlee Blackwell (Graveyard Shift Sisters) and Alexandra Heller-Nicholas (1000 Women In Horror). Moderated by Meredith Alloway (writer, producer, and filmmaker). Introduced by Caryn Coleman (The Future of Film is Female, Nitehawk Cinema).

Horror Camp!

Hosted by Peaches Christ (director, All About Evil), gather around the virtual flame and listen to renowned horror experts explore some of the most iconic and memorably campy entries (for better or worse!) in the horror film canon. Panelists include: Renée “Nay” Bever (Attack of the Queerwolf), Stacie Ponder (Writer, Final Girl), and William O. Tyler (Theater of Terror: Revenge of the Queers).

Horror Queers Podcast

Each week on the podcast Horror Queers, part of the Bloody Disgusting podcast network. Joe Lipsett and Trace Thurman tackle a horror film with LGBTQ+ themes, a high camp quotient, or both. For this special presentation, they’re dissecting Tarsem Singh’s visually stunning crime thriller The Cell (2000) starring Jennifer Lopez and Vincent D’Onofrio, which just celebrated its 20th anniversary.

Horror Stories: Genre Fiction Masters Discuss Crafting Their Literary Scares

This panel will gather four genre fiction masters to discuss how their work fits into the modern horror landscape. Panelists include: Nathan Ballingrud (North American Lake Monsters); Tananarive Due (the African Immortals series); Paul Tremblay (A Head Full Of Ghosts, Survivor Song); Sarah Read (2020 Bram Stoker Award winner for Best First Novel The Bone Weaver’s Orchard). Moderated by journalist Aja Romano (Vox).

Indonesian Horror presented by Shudder  

Join us for a discussion with some of the influential filmmakers leading the charge of Indonesian New Wave Horror during this defining moment in genre cinema history. Moderated by Shudder curator Sam Zimmerman.

Making COVID Work: How To Create During A Global Pandemic

Hear from artists who found a way to safely and successfully produce new and exciting genre work through zoom, Instagram, and web browsers. Panelists include: Eva Anderson (co-creator of Instagram horror game Arcana), Brittany Blum (co-creator of virtual nightclub Eschaton), and Rob Savage (director of breakout zoom film Host). Moderated by journalist Todd Martens (The L.A. Times).

The Morbido Crypt’s Guide To Mexican Fantasy And Horror Cinema Presented by The Miskatonic Institute of Horror Studies

Join us for a scenic tour of Mexican genre cinema guided by Morbido Fest’s head programmer, Abraham Castillo Flores. Delving beyond luchadores and psychotronica, Abraham unearths the monsters that fomented a distinctive but barely acknowledged corner of our shadow cinematic consciousness, the rich history of Mexican fantasy and horror cinema.

Switchblade Sisters Podcast

Switchblade Sisters is a podcast providing deep cuts on genre flicks from a female perspective. In this special Nightstream edition, screenwriter and former film critic April Wolfe sits down with Natasha Kermani, director of the cut-throat feminist thriller Lucky and the 2017 festival darling Imitation Girl, to slice-and-dice Kathryn Bigelow’s mindbending 1995 feature Strange Days.

The Witching Hour Podcast

Co-hosted by Perri Nemiroff and Haleigh Foutch, Collider’s horror podcast The Witching Hour digs into all things horror, from the biggest titles at the box office to under-the-radar gems, exclusive interviews, early reviews, deep-dive analysis, and all the need-to-know in genre film from two horror die-hards. On this episode, Haleigh and Perri will be joined by Dinner in America director Adam Rehmeier and actress Emily Skeggs.

RELATED: Charlie Brown Gets Scary in New Halloween Raid71 Prints

Special Events

Benson & Moorhead’s Home Movies

Justin Benson & Aaron Moorhead (Synchronic, Spring, The Endless, Resolution), and Issa Lopez (Tigers are Not Afraid) explore their very, very early work, with real-time commentary and the benefit of hindsight to showcase and discuss their rarities, mistakes, and successes in all their embarrassing glory in this one-time event.

Dinner With The Masters Of Horror: A Tribute To Mick Garris

You are cordially invited to a virtual dinner with festival honoree Mick Garris & his friends, filmmakers Joe Dante, Ernest Dickerson, Axelle Carolyn, Mike Flanagan, Tom Holland, John Landis, William Malone, Tommy McLoughlin, and additional surprises. Close-out the festival weekend by sharing stories and toasting the utterly fascinating life of director, writer, producer, author, and tireless champion of horror, maestro Mick Garris. All attendees are encouraged to eat while watching.

Evening Rituals Presented by IFC Midnight

Kick off each night of the festival with a unique evening of cocktails, conversation, and ephemeral secrets in this bizarre take on a social hour featuring a parade of hosts including SpectreVision’s Elijah Wood, Lisa Whalen & Daniel Noah, filmmakers Jocelyn DeBoer & Dawn Luebbe, and icons Barbara Crampton & Larry Fessenden All attendees will be emailed recipes for each guest’s beverage.

The Eyeslicer Halloween Special: Sleepover Pajama Party, hosted by Gwilliam!

Change into your PJs and join a gaggle of real live filmmakers for a one-time late-night chat and viewing party hosted by the notorious creature Gwilliam. Created by Dan Schoenbrun and Vanessa McDonnell and executive produced by radical artist collective Meow Wolf, The Eyeslicer Halloween Special is a deranged Midnight movie anthology experience like no other.

Final Exam Trivia: Nightstream Presented by Arrow 

Hosted by Ted Geoghegan and Michael Gingold this special edition of Final Exam will feature five rounds of trivia based on horror films from Boston, NYC, Miami, New Orleans, and the Pacific Northwest.

Horror Homecoming Soirée with Peaches Christ

Join legendary drag performer Peaches Christ for a blood-drenched evening of laughs, trivia, costume contests, drinking games, prizes, and more. Dust off your spookiest frock and slap on those devil horns honey because we’re about to Samara-crawl out of your screen to present a Horror Homecoming Soirée!

Movie Trivia Nite

Hosts Wendy & Kevin (the brains behind Nitehawk Trivia and Videology Trivia) have moved their bi-monthly trivia night online. In this special Nightstream edition, online movie trivia will consist of four rounds of trivia including two general knowledge rounds, a clip round, and a picture round.

Pentagram Home Video (Death Waltz Originals): “In Concert After Dark”

Immortal lounge singer Freddy Carrie Cruiser performs songs from the bars off the boulevard with love to Scott Walker & the films of David Lynch. Mr. Cruiser is joined by Renato Montenegro on guitar for this very special after dark Pentagram Home Video performance.

Rated R Speakeasy’s Haunted Opening Night Party

Rated R Speakeasy, the horror world’s premiere haunted party and pop-up bar from Graham Skipper and Meyer2Meyer Entertainment, bring the mayhem to your living room! Rated R’s virtual Opening Night Party will feature DJ Jonah Ray with special surprise guests, dancing monsters, and live aerial acrobatics performances with their signature horror-movie twist. Happy Haunting!

Spooked

Snap Judgment’s Spooked Podcast, hosted by Glynn Washington, showcases true-life supernatural stories told by people who can barely believe it happened themselves. Spooked will present a classic tale from their archives each night of the festival. Be afraid. Nightstream will also feature a conversation with the Spooked team.

Strange Storytelling Hour

In this live storytelling special presented with Northwest Film Forum, emerging storytellers will recount unearthly happenings based on their own real-life experiences. Storytellers: El Sanchez (Host of The Moth Seattle), Emery Matson (Co-Founder of Writers Out Of Office), Jewells Blackwell (Actor, Weirdo Extraordinaire), and Vanessa Meyer (Programmer, Brooklyn Horror Fest). Hosted by Seattle-based storyteller, comedian, and weirdo Emmett Montgomery.

Short Films Five Ways

Boston Underground Film Festival — Short Programs

Boston Underground Short Film Jury:

Usama Alshaibi, Filmmaker – Profane, American Arab

Monica Castillo, Journalist – The New York Times, DigBoston

Celia Pouzet, Programmer – The Fantasia International Film Festival, MOTELx Film Festival

The Dunwich Horrors: New England Shorts

Disco Graveyard, Izzy Lee (USA), The Nurturing, dir. Alex DiVincenzo (USA), Jennifer Again, dir. Kyle Mangione-Smith (USA), Miss Blueberry Beauty Pageant, dir. Sarah Kennedy, (USA), Shiny Diamonds, dir. Toni Nagy, Seth Chatfield (USA), Firstborn, dir. Erica Stockwell-Alpert (USA), Laynie Needs a Light, dir. Jill Harrigan (USA), Strange Bird, dir. Laura Lee Bahr (USA), Jonagold, dir. Michael Bizzaco & Michael Higgs (USA)

Far Gone and Out

A Poem in Bamboo dir. Xufei Wu, Chun Yao Chang (USA), A Sequence of Events, dir. Michael Edwards (USA), Fresh Green, dir. Ida Greenberg (USA), Obscurer, dir. Kiera Faber (USA), Crowded, dir. Nathania Rubin (USA), Re-Education of the Senses, dir. Erinn E. Hagerty & Adam Savje (USA), MEDIUM RARE, dir. Luca Cioci (USA), Tulipomania: (This Gilded Age) So What Are You Looking At?, dir. Cheryl Gelover, Tom Murray (USA), That Makes Two of Us, dir. Tim Hawkins (UK), The Haunted Swordsman, dir. Kevin McTurk (USA)

Heartbeats & Brainwaves

Come Be Creepy With Us, dir. Beth Fletcher (USA), Matryoshka, dir. Manny & Lindsay Serrano (USA), Space Tape, dir. Yuma Slowbinder (UK), Conspiracy Cruise, dir. Brad Abrahams (USA), Falcon & Hawke: GHOST HOST, dir. Dane Benton & Talia Krohmal (USA), Unholy ‘Mole, dir. David Bornstein (USA), One In Two People, dir. Ali Mashayekhi (Canada), The Film Machine, dir. Sonia Albert Sobrino, Miriam Albert Sobrino (Spain), The Cataclysm, Alexander Frasse (USA)

Highly Illogical

Glass Half Whatever, dir. Brian Budak (USA), Side Effects May Include, dir. Jonathan Kiefer (USA), Darling Pet Monkey dir. Jim McDonough (USA), Stream, dir. Eve Dufaud (Canada), Jeff Got Stabbed, dir. Peter Levine (USA), Umbilicus Desidero, dir. Michael J. Epstein (USA), FUPA, dir. Gustavo Martin (USA), #BlueBoar, dir. Alice Winslow (USA), Like.Share.Repost, dir. Stanislav Shelestov (Russia), Dante Falls, dir. Nancy Lin (USA), Suspense, dir. Jacob Burghart & Ben Burghart (USA), Jazzberry, dir. Maxwell Nalevansky (USA)

Trigger Warning

Santa Sangria, dir. Baptiste Grandin & Roser Tananbum (Spain | France), Uplift, dir. Rebecca Kahn, Abhishek Prasad (Canada), Catatonic, dir. Brian Zahm (USA), Life Is a Burger, dir. Patrick O’Brien (USA), Diabla, dir. Ashley George (USA | Mexico), Karaoke Night, dir. Francisco Lacerda (Portugal), Lifelike, dir. Jay Reid, Canada, Gacha Gacha, Dave Jackson (Japan), Changeling, dir. Faye Jackson, (UK)

RELATED: Official Trailer & Poster for The Wolf of Snow Hollow Revealed

The Brooklyn Horror Film Festival — Short Programs

Brooklyn Horror Short Film Jury:

Zena Dixon, Co-Host – The Bloody Disgusting Podcast

Mattie Do, Filmmaker – Dearest Sister, The Long Walk

Marie Zeniter, International Sales Manager – Magnolia Pictures

Brooklyn Horror Home Invasion Jury:

A.K. Espada – Alumni (’16, ’18, ’19)

Robbie Lemieux – Alumni (’17, ’18, ’19)

Nora Unkel – Alumni (’17, ’19)

Nightmare Fuel

Selfie, dir. John Poliquin (USA), Mr. Thisforthat, dir. Thomas Mendolia (USA), 4×6, dir. Jamie Gyngell (United Kingdom), Woodland Cemetery, dir. Niels Bourgonje (Netherlands), The Girl in the Woods, dir. Laura Kulik (USA), Separation, dir. Rebekah McKendry (USA), Attachment, dir. Katarzyna Babicz (Poland), Killing Small Animals, dir. Marcus Svanberg (Sweden), Abracitos, dir. Tony Morales (Spain)

Head Trip

Weirdo, dir. Ashlea Wessel (Canada), Nova, dir. David McAbee (USA), Gutterwitch, dir. Harry Baker (United Kingdom), Boy Eats Girl: A Zombie Love Story, dir. Sarah Gurfield (USA), Audio Guide, dir. Chris Elena (Australia), Coil, dir. Spencer Ryerson (Canada), Landgraves, dir. Jean-François Leblanc (Canada)

Slayed: LGBTQ Horror Shorts Co-Presented by Newfest

Don’t Text Back!, dir. Mariel Sharp, Kaye Adelaide (Canada), Going Steady, dir. Brydie O’Connor (USA), At the Edge of Night, dir. Philippe Sung, Brandon Fayette (USA), Susie, dir. Jordan Doig (USA), Thorns, dir. Sarah Wisner, Sean Temple (USA), I Love Your Guts, dir. David Janove (USA), Jeff Drives You, dir. Aidan Brezonick (USA)

Home Invasion: NYC Horror Shorts

Shut Eye, dir. Robert Gregson, Unfinished Business, dir. Mary Dauterman, The Mother, dir. Hope Olaidé Wilson, The Howling Wind, dir. Lorian Gish, Justin Knoepfel, Decapitato: Consequenze Mortali, dir. Sydney Clara Brafman, Lose It, dir. AJ Taylor, Maximillian Clark, HBDTM, dir. Moh Azima, Orisha, dir. Danny Garcia, The Door, dir. Kyle C. Mumford, The Three Men You Meet At Night, dir. Beck Kitsis

The North Bend Film Festival — Short Programs

North Bend Short Film Jury:

Cinema Vista + Chaos Internal

Vivian Hua, Executive Director of Northwest Film Forum

Jennifer Reeder, Filmmaker – Knives and Skin

Cameron Swanagon, Non-Theatrical and Festival Coordinator – Oscilloscope Laboratories

Something Strange + Transient Territories

Adam Baran, Producer – Emmy-nominated Circus of Books

Michelle Garza Cervera, Filmmaker –Mexico Barbero, The Original

Pedro Souto, Festival Director – MOTELx Film Festival

Cinema Vista

Figurant, dir. Jan Vejnar (France, Czech Republic), God’s nightmares, dir. Daniel Cockburn (UK, Canada), Your Last Day on Earth, dir. Marc Martínez Jordán (Spain), The thing that kills me the most, dir. Jason Giampietro (USA), Dark Water, dir. Erin Coates, Anna Nazzari (Australia), Richard Nixon: Getaway Driver, dir. Kevin Lonano (USA), Audio Guide, dir. Chris Elena (Australia), Limbo, dir. Nalle Sjöblad (Finland), Eyes of Eidolon, dir. Davi Pena (USA)

Something Strang

Snowflakes, dir. Faye Jackson (UK), There’s a Ghost in the House, dir. Becky Sayers, Brad McHargue (USA), Yandere, dir. William Laboury (France), Blocks, dir. Bridget Moloney (USA), She-Pack, dir. Fanny Ovesen (Norway), Hand in Hand, dir. Ennio Ruschetti (Switzerland), Smiles, dir. Javier Chavanel (Spain)

Chaos Internal

Foyer (Hearth), dir. Sophie B Jacques (Canada), Exterminator, dir. Duncan Birmingham (USA), Attachment, dir. Kataryzna Babicz (Poland), Your Monster, dir. Caroline Lindy (USA), Don’t Text Back!, dir. Mariel Sharp, Kaye Adelaide (CA), Abduction, dir. Paul Komadina (USA)

Transient Territories

Children of Satan, dir. Thea Hvistendahl (Norway), Heat, dir. Thessa Meijer (Netherlands), Unfinished Business, dir. Mary Dauterman (USA), Diabla, dir. Ashley George (Mexico), Metamorphosis, dir. Carla Pereira, Juanfran Jacinto (France), Crawler, dir. Ivan Radovic (Sweden), The History of Nipples, dir. Bailey Tom Bailey (UK), In the Dark Park, dir. Nicolás Schujman (Argentina)

The Overlook Film Festival — Short Programs

The Overlook Short Film Jury:

Roxanne Benjamin, Filmmaker – Body at Brighton Rock, Southbound

Natalie Erika James, Filmmaker – Relic

Adam Piron, Programmer – Sundance Film Festival

Shorts Program One

Lili, dir. Yfke van Berckelaer (Netherlands), Snowflakes, dir. Faye Jackson (UK), Bakemono, dir. Sumire Takamatsu, Jorge Lucas (USA), Pulsión, dir. Pedro Casavecchia (Argentina/France), Place, dir. Jason Gudasz (USA), The Rougarou, dir. Lorraine Caffery (USA), Regret, dir. Santiago Menghini (Canada), Wood Child and Hidden Forest Mother, dir. Stephen Irwin (UK)

Shorts Program Two

Benevolent Ba, dir. Diffan Sina Norman (Malaysia/USA), Laura Hasn’t Slept, dir. Parker Finn (USA), Imagine a World, dir. Joanna Tsanis (Canada), Farce, dir. Robin Jensen (Norway), Abracitos, dir. Tony Morales (Spain), The Doe, dir. Jennifer Lumbroso (France), Changeling, dir. Faye Jackson (UK), The Devil’s Harmony, dir. Dylan Holmes Williams (UK)

Shorts Program Three

Decapitato, dir. Sydney Brafman (USA), The Three Men You Meet at Night, dir. Beck Kitsis (USA), Stucco, dir. Janina Gavankar, Russo Schelling (USA), No, I Don’t Want to Dance, dir. Andrea Vinciguerra (UK), Fatale Collective: Bleed, dir. Lola Blanc, Megan Rosati, Danin Jacquay, Francesca Maldonado, Natasha Halevi, Linda Chen (USA), The Deepest Hole, dir. Matt McCormick (USA), Nom, dir. Angel Hernández (Spain), A Strange Calm, dir. Austin Rourke (USA), Bad Hair, dir. Oskar Lehemaa (Estonia)

Popcorn Frights Film Festival — Short Programs

Popcorn Frights Short Film Jury:

Brittany Allen, Actress/Producer/Composer – What Keeps You Alive, Z, The Boys

Andre Gower, Actor/Director – Monster Squad, Wolfman’s Got Nards

Rachel Talalay, Producer/Director – Freddy’s Dead, Tank Girl

David Howard Thornton, Actor – Terrifier 1 & 2

Maxwell Wolkin, Director of Non-Theatrical Sales – Film Movement

Animation Domination

100,000 Acres of Pine, dir. Jennifer Alice Wright (France), A Date with Mr. Mappleton, dirs. Gabriel Akpo-Allavo, Constance Auge, Julia Brasileiro Lopes Garcia, Lucas Narjoux, Meghane Renaud (France), A Night in Camp Heebie Jeebie, dir. Dylan Chase (USA), Animals, dir. Tue Sanggaard (Denmark), The Animator, dir. Trent Shy (USA), The Beholder, dir: Shaun Clark (United Kingdom), Chicken of the Dead, dir. Julien David (France), Gholü, dir. Leo Nicholson (United Kingdom), The Haunted Swordsman, dir. Kevin McTurk (USA), Malakout, dir. Farnoosh Abedi (Iran), Pork Chop, dir. Katherine Guggenberger (USA), Seoulsori, dir. Kim Kyoung-bae (South Korea), Whence Come Brussels Sprouts, dir. Mark Reynolds (USA)

Homegrown: 100% Pure Fresh Squeezed Florida Horror

The Anniversary Party, dir. John Ainslie (USA), Beach Day, dir. Harrison Fishman (USA), Cabal, dir. Conspiracy Cruise (USA), Culpa, dir. Miguel Ferrer (USA), Dead Mall, dir. Olivia Lloyd (USA), Don’t Let It In, dir. Jessica Henric (USA), Night of the Shooter, dir. Jason Daly (USA), Pete’s Putrid Peas, dir. Danny Rosenberg (USA), Rainbow in the Dark, dir. Ben Mosca (USA), The Sexton and the Spade, dir. John Rhoads & Mike Marrero (USA), Sushi Night, dir. Jack Kierski (USA)

International Midnighters

Abracitos, dir. Tony Morales (Spain), Antique, dir. Morten Haslerud (Norway), The Fourth Wall, dir. Victoria Lacoste (France), Hand in Hand, dir. Ennio Ruschetti (Switzerland), Heat, Thessa Meijer (Netherlands), The Little One, dir. Danilo Beckovic (Serbia), Live Forever, dir. Gustav Egerstedt (Sweden), Morbus, dir. Kerim Banka (Canada), Peter the Penguin, dir. Andrew Rutter (United Kingdom), Satanic Panic ‘87, dir. Bryan M. Ferguson (Scotland), Swipe, dir. Niels Bourgonje (Netherlands)

Midnighters

Facelift, dir. Virat Pal (USA), Flick, dir. Ariel Zengotita (USA), The Howling Wind, dirs. Lorian Gish & Justin Knoepfel, Reflection, dir. Heath C. Michaels (USA), Selfie, dir. John Poliquin (USA), Snake Dick, dir. David Mahmoudieh (USA), Suspense, dir. Ben & Jacob Burghart (USA), Waffle, dir. Carlyn Hudson (USA), We All Scream, dirs. Travis Cluff & Chris Lofing (USA)

The post Nightstream Unveils Full Program Slate Including Run, Nia DaCosta & More! appeared first on ComingSoon.net.

Amazon Prime Video’s Sound of Metal Trailer Starring Riz Ahmed

Amazon Prime Video's Sound of Metal Trailer Starring Riz Ahmed

Amazon Prime Video’s Sound of Metal Trailer Starring Riz Ahmed

Amazon Prime Video has released the official trailer for the upcoming music drama Sound of Metal, starring Golden Globe nominee Riz Ahmed (The Night Of) and Olivia Cooke (Ready Player One). You can check out the trailer now in the player below!

RELATED: The Boys, Truth Seekers & More Part of New York Comic Con Lineup

During a series of adrenaline-fueled one-night gigs, itinerant punk-metal drummer Ruben (Riz Ahmed) begins to experience intermittent hearing loss. When a specialist tells him his condition will rapidly worsen, he thinks his music career — and with it his life — is over. His bandmate and girlfriend Lou (Olivia Cooke) checks the recovering heroin addict into a secluded sober house for the deaf in hopes it will prevent a relapse and help him learn to adapt to his new situation. But after being welcomed into a community that accepts him just as he is, Ruben has to choose between his equilibrium and the drive to reclaim the life he once knew.

Utilizing startling, innovative sound design techniques, director Darius Marder takes audiences inside Ruben’s experience to vividly recreate his journey into a rarely examined world.

The movie also stars Paul Raci, Lauren Ridloff, Shaheem Sanchez, Chelsea Lee, Jeremy Stone, and Mathieu Amalric.

RELATED: Truth Seekers Trailer & Release Date for Simon Pegg & Nick Frost’s Supernatural Comedy Series

Sound of Metal, written by Darius Marder and Abraham Marder, will arrive in select theaters on November 20, 2020, and on Prime Video on December 4, 2020.

The post Amazon Prime Video’s Sound of Metal Trailer Starring Riz Ahmed appeared first on ComingSoon.net.

CS Collectibles: Doomsday, Logan & More!

CS Collectibles: Logan, Doomsday & More!

Hello and welcome to the latest edition of CS Collectibles, ComingSoon.net’s newest weekly column that brings you the best in premium collectibles! Find out all the latest on statues, figures, posters, cards, eBay deals, Amazon deals & much more below!

RELATED: CS Collectibles: Masters of the Universe, Plus Mickey Mouse & More!

Sideshow Collectibles

The Logan Premium Format Figure measures 15” tall as the ferocious mutant flexes his metal claws in the middle of a dive bar dust-up.  A broken barstool, shattered bottle, and several billiards balls litter the floor of the scene, which has been carefully sculpted to mimic a scuffed and scratched wooden texture.

Purchase the Logan Premium Format Figure here!

LIMITED TIME OFFER, $25 OFF + FREE SHIPPING! The Batman (Noir Version) Sixth Scale Figure has a muscled body design, articulated for a variety of action-packed poses. Equipped with an arsenal of bat-gadgets, Batman comes with two styles of Batarang to hold, as well as three sets of sculpted hands, including right and left fists, batarang grips, and dynamic gesture hands.

Purchase the Batman (Noir Version) here!

EBAY DEAL: Sideshow Collectibles Marvel Cable Premium Format Statue NEW IN BOX, SEALED!!

EBAY DEAL: Sideshow DC Batman Batgirl Barbara Gordon Premium Format Figure Statue In Stock

Diamond Select

A Diamond Select Toys release! The hunt is on! The Predator surveys his hunting grounds in the new line of gallery PVC dioramas based on the famous film franchise. Measuring approximately 10 inches tall, this sculpture of the original jungle predator features detailed sculpting and paint, is cast in high-quality plastic, and comes packaged in a full-color window box. Designed by Caesar, sculpted by Alterton.

Purchase DIAMOND SELECT TOYS Predator Gallery: Jungle Predator PVC Figure, Multicolor here!

A diamond select release! Twi! The Spaghetti webs make s comeback in this new PVC diorama inspired by classic Spider-Man artwork of the early 90S! Leaping over a rooftop with his webline wrapped around him, this sculpture of spider stands approximately 8 inches tall and is case in high grade PVC with highly detailed sculpting and paint applications. Packaged in a full color window box. Designed by Caesar, sculpted by Alterton!

Purchase DIAMOND SELECT TOYS Marvel Gallery: Spider-Man (’90S Version) PVC Figure, Multicolor here!

Mondo

Rick & Morty, the portal popping pair, are now HUGE figures to add to your wubbalubbadubdub collection! Each features neck, hand, and ankle articulation, interchangeable heads and hands, accessories, and all with the smell of adventure!

Rick stands approximately 11.5″ tall, and Morty stands approximately 8″ tall, and that’s the wayyyyyy the news goes!

Purchase Rick & Morty here!

ALMOST SOLD OUT! Sideshow and Mondo are excited to present a jade-green Acid Blood Variant of Alien Queen Tiki, a handmade 22-ounce ceramic mug inspired by both Tiki culture and James Cameron’s ALIENS. The set includes two swizzle sticks – a Facehugger and a Chestburster.

Please note: These mugs are handmade, making each one unique, so slight variations from images shown may occur.

Purchase Alien Queen (Acid Blood Variant) here!

Iron Studios

Sideshow and Iron Studios present the latest from the Art Scale 1:10 line – the Doomsday Deluxe Statue! Based on concept art from DC Comics and Chiaroscuro Studios, this polystone statue is hand-painted and limited edition.

Purchase Doomsday Deluxe Statue here!

Sideshow and Iron Studios are proud to announce the Gollum Mini Co. Collectible Figure from the Mini Co. Series line.

These hand-painted collectible figures were created by Iron Studios and are the perfect size for any desk or shelf no matter the size of your collection.

Purchase Gollum here!

Prime 1 Studios

Sideshow and Prime 1 Studio are excited to present the Batman Damned Statue designed by no one else, but the incredibly talented Lee Bermejo, an American comics artist best known for his collaborations with writer Brian Azzarello including the graphic novel.

Purchase Batman Damned Statue here!

Prime 1 Studio and CD Projekt Red are proud to present the Toad Prince of Oxenfurt from the Hearts of Stone expansion for The Witcher 3: Wild Hunt.

Geralt of Rivia takes a contract from Olgierd von Everec to slay a monster in the sewers of Oxenfurt. He runs into Shani, who came down with a group of soldiers to collect venom from the so-called Toad “Prince”. In their search for the beast’s lair, they find bodies of its victims, men who thought they could slay it and women who thought to break its curse with a kiss and win a prince.

Purchase Toad Prince of Oxenfurt here!

EBAY DEAL: Cyborg New 52 Statue Prime 1 Sideshow Justice League Exclusive Version #132/350

EBAY DEAL: Prime 1 Studio Dark Knight Returns Batman Bust. 1/3 Scale Statue DC

XM Studios 

EBAY DEAL: XM STUDIOS Marvel Black Cat 1/4 Scale Statue Figure New US Seller ships from US

EBAY DEAL: XM STUDIOS The Flash Rebirth 1/6 Scale Statue Figure Brand New

PCS Collectibles

ALMOST GONE! Guile’s search for his friend led him to uncover more of Shadaloo’s dark dealings and introduced to him a number of unlikely allies from around the globe. He has been a mainstay in the Street Fighter series since his debut in 1991 and was an easy choice for the next piece in Pop Culture Shock’s Ultimate line of 1:4 scale Street Fighter statues.

Purchase Guile here!

Sideshow and Pop Culture Shock Collectibles present the Michelangelo 1:4 Scale Statue, joining his brothers Raphael and Donatello in the lineup of Teenage Mutant Ninja Turtles collectibles.

Purchase Michelangelo here!

Hot Toys

Batman with Batmobile collectible set includes the Caped Crusader and Batmobile within a single exciting package! Consider as one of the most recognizable iterations of the Dark Knight’s ride, the Batmobile is positively massive, measures about 17 cm in length and 9cm in height. Batman Cosbaby is removable from the vehicle to display individually.

Purchase Batman here!

Sideshow and Hot Toys present the quarter scale Nano Gauntlet (Movie Promo Edition) collectible, based on the visual design work in the early production stage of Marvel Studios’ Avengers: Endgame.

Measuring approximately 19 cm tall, the newly introduced collectible features authentic details of Nano Gauntlet with phenomenal painting, six LED light up Infinity Stones with two lighting modes including solid light effect and pulsing light effect, articulations on individual fingers developed for movements and poses, and a specially designed custom base with movie logo that will hold the gauntlet in an upright position.

Purchase the Nano Gauntlet here!

Super 7

ThunderCats, Ho! Return to Third Earth with the ThunderCats Ultimate Jackalman 6-Inch Action Figure. This amazingly articulated action figure features sculpting by the Four Horsemen with awesome optional parts. Includes Sword of Omens, Book of Omens, claw shields, alternate hands, and alternate head. Each Ultimate Thundercats figure is packaged in a deluxe slip-case window box with accessories included.

Purchase the Super 7 Thundercats Ultimates Lion-O 7-Inch Action Figure here!

From Super 7. Relive the fun and excitement of the classic Teenage Mutant Ninja Turtle action figures with these figures form Super 7! Super Seven presents Baxter Stockman, the Bungling, Bug-Eyed, Wickedly Winged Scientist. He comes with Fully Loaded Weapons Rack, Alternate Hands, and a Mouser!

Purchase Super 7 TMNT ULTIMATES Wave 1 Baxter Stockman Action Figure here!

 

Loot Crate

Step into the world of Disney and Pixar’s Toy Story, The Incredibles and more with this limited edition crate series.

1-Crate Plan: Split your payments across all three crates. You’ll automatically be subscribed to get crates 2 and 3.

3-Crate Plan: Pre-pay for all 3 crates.

3-Crate Plan + Premium Jacket Add-on: Pre-pay for all 3 crates and unlock the exclusive premium jacket add-on!

Click here to order!

Wizards of the Coast

Click here to purchase Zendikar Rising Draft Booster Box!

Click here to purchase Zendikar Rising Bundle!

Click here to purchase Ikoria!

Click here to purchase Core 2021!

What do you think of CS Collectibles so far? Let us know in the comments below!

The post CS Collectibles: Doomsday, Logan & More! appeared first on ComingSoon.net.

RANKED: The 12 Best Designs by the Late Ron Cobb

RANKED: The 12 Best Designs by the Late Ron Cobb

Comingsoon.net is taking a look at the best designs by the late Ron Cobb. Check out our picks below! Legendary underground cartoonist turned production designer and concept artist, Ron Cobb, passed away on his birthday Monday at the age of 83. Star Wars, one of the many franchises he contributed to, paid tribute to Cobb on Instagram,

We were saddened to learn of the passing of Star Wars: A New Hope conceptual designer Ron Cobb, who designed one of the most – if not the most — memorable characters in the Mos Eisley cantina… Cobb’s illustrious career contributed to several iconic films, including E.T The Extraterrestrial, Raiders of the Lost Ark, Alien, Back to the Future, and many more.” He will be missed.”

The aesthetic of numerous sci-fi and action films were achieved through Cobb’s inimitable talent. Pivotal objects like Back to the Future‘s DeLorean, Conan the Barbaian‘s sword, and numerous space ships stick with us because of the imagination and subsequent work of Cobb. In addition to design, Cobb also served as a director and writer. Honoring the prolific career (which began in 1956) of one of the best illustrators of all-time, we’ve ranked some of Cobb’s most memorable designs (and films). Check them out below.

RELATED: CS Video: Back to the Future’s Bob Gale Remembers Designer Ron Cobb

All concept images via roncobb.net

12) Dark Star’s Spaceship

Click here to purchase Dark Star!

Cobb’s first production design job was John Carpenter’s debut film, 1974’s Dark Star. Cobb designed the exterior for the film’s main space ship—which went on to heavily influence the ships/special effects of Star Wars and other space operas. It was on this film that Cobb would meet writer Dan O’Bannon, which would lead to jobs working on Alejandro Jodorowsky’s Dune and Ridley Scott’s Alien

11) The Abyss’ Deep Core Rig

Click here to purchase The Abyss!

Cobb designed the massive underwater drilling rig in James Cameron’s The Abyss (1989) as well as the helmets, suits, and breathing tanks used by the crew. He also helped to create the two operable submersibles used in the movie. 

10) Robot Jox’ Mech Suit

Click here to purchase Robot Jox!

Cobb served as a concept artist on Stewart Gordon’s Robot Joxs (1989), designing every inch of the 180 ft. tall, multi-mode robots, their support systems, and their worlds. Most of the costumes, automobiles, and other devices were also done by Cobb.

9) The Last Starfighter’s Spaceship

Click here to pre-order the upcoming The Last Starfighter Blu-ray from Arrow Video!

In addition to the Gunstar, Cobb designed the enemy space crafts, the planet Rylos, Starcar, aliens, and costumes for 1984’s The Last Starfighter.

 

8) Total Recall’s Memory Implant Chair

Click here to purchase Total Recall!

Paul Verhoeven’s 1990 classic, Total Recall’s entire plot revolves around one machine’s ability to plant false memories into people’s brains. Not only did Cobb design the “Rekall” machine, but he created the look for the Mars colony (mine complex, mining machines, taxi cabs, etc.), the Marsliner spaceship, and all of the vehicles on the futuristic Earth. 

7) Raiders of the Lost Ark’s Nazi Airship

Click here to purchase Indiana Jones: The Complete Adventures!

After meeting Steven Spielberg at Universal while working as a production designer on Conan The Barbarian, Cobb landed a job as a production artist on Raiders of the Lost Ark. Cobb ended up designing the Nazi Flying Wing from that film, on which, Indiana Jones fights that large Nazi in what is one of the greatest fights in cinematic history. Cobb and Spielberg maintained a close relationship for the remainder of his career. 

6) Star Wars’ Momaw Nadon (“Hammerhead”)

Click here to purchase Star Wars: A New Hope!

Initially unaccredited, Cobb served as a conceptual designer on Star Wars: A New Hope. He designed most of the elaborate aliens in the famed Mos Eisley cantina sequence. Momaw Nadon AKA “Hammerhead” is considered by many to be the most memorable. 

5) The Rocketeer’s Jet Pack

Click here to purchase The Rocketeer!

Cobb contributed an early design for the rocket-powered jet pack in Joe Johnson’s Rocketeer (1991).

4) Conan the Barbarian’s Sword

Click here to purchase Conan the Barbarian!

Not only did Cobb serve as a production designer on 1982’s Conan the Barbarian, but he was an uncredited director of second unit photography. That said, in addition to Conan’s iconic sword, Cobb was responsible for all of Conan’s weapons, armor, architecture, and scenery. 

3) Aliens’ Drop Ship

Click here to purchase Aliens!

As a concept artist on James Cameron’s Aliens (1986), Cobb designed the “Drop Ship,” the armored personnel carrier, some of the weapons, the interior/exterior sets, and vehicles of the earth colony complex. 

2) Alien’s Nostromo

Click here to purchase Alien!

As a concept artist on Ridley Scott’s Alien (1978), Cobb conceived the interior and exterior of the infamous Nostromo ship—the film’s setting. That said, the ship’s aesthetic has influenced countless other sci-fi projects and the Alien franchise as a whole. Cobb was also the one to suggest the titular Alien’s blood be corrosive so that the crew couldn’t just shoot it dead. 

1) Back to the Future’s DeLorean

Click here to pre-order Back to the Future: The Ultimate Trilogy (4K)!

Cobb created the initial design for the Back to the Future’s (1985) time-traveling De Lorean. Spielberg, a producer on the film, asked Cobb, “how he would make a DeLorean into a time machine?” He told Spielberg to make it look homemade like Doc Brown made it with stuff he picked up at Radio Shack. 

The post RANKED: The 12 Best Designs by the Late Ron Cobb appeared first on ComingSoon.net.

CS Video: Back to the Future’s Bob Gale Remembers Designer Ron Cobb

CS Video: Back to the Future's Bob Gale Remembers Designer Ron Cobb

CS Video: Back to the Future’s Bob Gale Remembers Designer Ron Cobb

This week saw the death of fan favorite movie artist Ron Cobb, designer on such films as Alien, Conan the Barbarian and Star Wars, at the age 83. ComingSoon.net had the chance to speak 1:1 with Back to the Future writer/producer Bob Gale for the forthcoming October 20 4K blu-ray release, and he talked to us about working with the late Ron Cobb on the iconic design for the time traveling DeLorean. Check out the touching and insightful look at Cobb’s work in the video below!

Click here to pre-order the Back to the Future: The Ultimate Trilogy 4K boxed set!

RELATED: RANKED: The 12 Best Designs by the Late Ron Cobb

Great Scott! In 1985, Director Robert Zemeckis, Executive Producer Steven Spielberg and Producer/Screenwriter Bob Gale embarked on a three-part journey through time that broke box-office records worldwide and catapulted Back to the Future into one of the most beloved trilogies in motion picture history. Universal Pictures Home Entertainment celebrates the 35th Anniversary of the groundbreaking first film with Back to the Future: The Ultimate Trilogy available on 4K Ultra HD for the first time ever on October 20, 2020 – just in time to celebrate “Back to the Future Day” on October 21!

This collection is loaded with bonus material including a bonus disc that comes with over an hour of brand-new content such as rare audition footage from Hollywood stars Ben Stiller, Kyra Sedgwick, Jon Cryer, Billy Zane, Peter DeLuise and C. Thomas Howell, a tour of the film’s props and memorabilia hosted by co-writer/producer Bob Gale, a sneak peek at the new musical show, and a special episode of the popular YouTube Series “Could You Survive The Movies?” Join Marty McFly (Michael J. Fox), Doc Brown (Christopher Lloyd) and a time traveling DeLorean for the adventure of a lifetime as they travel to the past, present and future, setting off a time-shattering chain reaction that disrupts the space-time continuum!

Back to the Future: The Ultimate Trilogy will include all three movies in collectible discbook packaging plus a bonus disc including all-new bonus content. For the first time, the past, present and future collide in eye-popping Ultra HD resolution for a time-traveling celebration. New 4K Ultra HD and Blu-ray™ deliver the highest quality picture, more colors than ever before, and immersive, multi-dimensional sound. From filmmakers Steven Spielberg, Robert Zemeckis and Bob Gale, this unforgettable 35th anniversary collection features hours of bonus features and is an unrivaled trilogy that stands the test of time making this a must-own for everyone’s movie library. All three Back to the Future films will also be available on 4K Ultra HD digitally for the first time ever and Back to the Future: The Ultimate Trilogy will also be available on DVD.

RELATED: Back to the Future Cast & Creators Reunite on Reunited Apart with Josh Gad

Three premium collections will be available at select retailers for a limited time only:

BACK TO THE FUTURE 35TH ANNIVERSARY TRILOGY LIMITED EDITION GIFT SET (4K UHD): Includes exclusive levitating Hoverboard replica (Amazon Exclusive)

BACK TO THE FUTURE 35TH ANNIVERSARY TRILOGY LIMITED EDITION GIFT SET (Blu-ray): Includes exclusive levitating Hoverboard replica (Target Exclusive)

BACK TO THE FUTURE 35TH ANNIVERSARY LIMITED EDITION TRILOGY (4K UHD): Includes three newly designed steelbooks (Best Buy Exclusive)
For more information on these exclusives, please visit the individual retailer’s stores and websites.

BACK TO THE FUTURE: THE ULTIMATE TRILOGY will be available on 4K Ultra HD combo pack, which includes 4K Ultra HD, Blu-ray, & Digital Code and on Blu-ray which includes the Blu-ray & Digital Code.

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The Guilty: Netflix Acquires Jake Gyllenhaal & Antoine Fuqua Thriller Film

The Guilty: Netflix Acquires Jake Gyllenhaal & Antoine Fuqua Thriller Film

The Guilty: Netflix Acquires Jake Gyllenhaal & Antoine Fuqua Thriller Film

Netflix has reportedly acquired worldwide rights to the upcoming thriller film The Guilty in a $30 million deal, according to Deadline. The movie reunites Southpaw’s Jake Gyllenhaal (Nightcrawler) and Antoine Fuqua (Training Day), with Gyllenhaal set to star and Fuqua directing. The movie is based on the Danish drama Den Skyldige directed by Gustav Moller.

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The Guilty takes place over the course of a single morning in a 911 dispatch call center. Call operator Joe Bayler (Gyllenhaal) tries to save a caller in grave danger — but he soon discovers that nothing is at it seems, and facing the truth is the only way out.

The screenplay is written by Nic Pizzolatto (True Detective). Gyllenhaal will produce along with his Nine Stories partner Riva Marker as well as Fuqua through his Fuqua Films. Producers also include Scott Greenberg, Michel Litvak, and Gary Michael Walters for Bold Films. Annie Marter, Gustav Moller, and Lina Flint will executive produce.

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Bold Films is financing the feature while Endeavor Content handles worldwide sales. The Guilty is expected to begin shooting in November in a single location in Los Angeles. The production reportedly secured COVID-19 insurance and will follow rigorous sanitation and safety protocols.

(Photo by Ethan Miller/Getty Images for SHOWTIME)

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10 Times the GCPD & Commissioner Gordon Were Completely Inept

10 Times the GCPD & Commissioner Gordon Were Completely Inept

Batman lore carries with it a long list of memorable gadgets, gizmos, vehicles, and villains to go along with iconic characters such as Alfred Pennyworth, Dick Grayson, and Barbara Gordon. Yet, Bat history also features the long-running joke that is the complete buffoonery of the Gotham City Police Department. Which makes sense. Without the ridiculous antics of the GCPD and its world-weary leader, Commissioner James Gordon, there would be no need for Batman. As such, the numerous Bat films often make sure to remind us just how inept the police force actually is and why crime continues to exist despite help from a billionaire vigilante boasting an arsenal of high-tech weapons and ninja-based crime-fighting skills.

Here is a Top 10 list of the GCPD’s more ridiculous moments, many of them taken from Tim Burton’s pair of Bat flicks and Christopher Nolan’s Dark Knight trilogy. Why? Well, you can’t really poke too much fun at the Joel Schumacher films because, well, they were designed to be campy. And there’s not much too say about Zack Snyder’s Batman v Superman: Dawn of Justice or Justice League since the GCPD makes only a few brief appearances and doesn’t have time to make any inept decisions.

As a final caveat before we get started, please note that this is all in good fun. The Dark Knight trilogy ranks amongst our favorite film series, while Burton’s Bat flicks remain an entertaining gothic fantasy. So, please don’t take any of this personally.

10. Gordon Orders the Entire GCPD into the Sewers to Find Bane

The Dark Knight Rises (2012)

Christopher Nolan employs a number of silly contrivances to keep the complex plot of The Dark Knight Rises flowing from A to B, the most egregious of which sees a bedridden (and decidedly bitter) Commissioner Gordon order the entire GCPD down into the sewers to find the villain Bane. Naturally, this offensive tactic quite literally blows up in his face as Bane uses explosive laced cement (?) to confine the entire police force in the sewers for the duration of his Gotham City occupation. No matter. This silly bit of plotting leads to a stunning payoff as the police force eventually gather and march down the city streets in unison to battle Bane and his minions in patriotic fashion at the film’s climax. Though, even this grand finale feels a tad clunky since one would expect an actual army of police officers to utilize a more strategic form of combat as opposed to just … running at a bunch of gun-toting baddies. Then again, this movie features a man dressed as a bat and another man who is all but immune to pain (unless one happens to knock out one of the exposed mask parts on his face). So, who the hell cares?

9. Joker, a Wanted Criminal, Announces Time and Date of Parade, Police are Still a No Show

Batman (1989)

This one has always been a bit baffling. Near the end of Tim Burton’s Batman, Joker, a wanted criminal who has openly admitted to poisoning and murdering people, goes on TV and tells the world of his intentions to hold a parade at midnight during which he plans to dump $20 million in cash on the denizens of Gotham. One would think that, with the enemy so openly exposed, Gordon and his police force would seize the opportunity to take down a maniacal crime boss once and for all. Nah. Instead, Joker and his goons parade unscathed through the streets of Gotham on lavish floats and balloons whilst dancing to music by Prince. As such, it’s up to Batman to swoop in to save the day with his Batwing after which the police force finally shows up and contributes to the conflict by shining a few spotlights on a bell tower.

8. GCPD Murders Batman

Batman Returns (1992)

After the mishandling of Joker’s unit at the climax of Batman and the force’s ineptitude in stopping the Red Triangle Gang at the beginning of Batman Returns, you would think the GCPD would have a little more tolerance for ole Batsy. Especially considering his knack for cleaning up their mess. Instead, after the Penguin sends the Ice Princess to her death in a very fortuitous moment that pegs Bats as the murderer, the GCPD storm in and proceeds to blow the holy Hell out of our masked hero without a second thought. Of course, Gordon tells them to hold their fire, though that directive might have better been served had he issued it before his team opened the door. Indeed, the more rational approach might have been to give Batman a chance to explain the situation (or read the guy his rights), but because Burton needed the GCPD to turn against their dark knight — in a plot point that is never resolved or referenced again — having Gotham’s finest unleash their arsenal on the Caped Crusader makes the most thematic sense.

7. GCPD Loses Track of the Tumbler

Batman Begins (2005)

Batman enjoys gadgets aplenty, and most are on full display during the big GCPD v the Tumbler chase midway through Batman Begins. However, gadgets don’t actually help him escape. In fact, despite using a number of devices, including bombs and the ingenious idea to hit the off switch to his vehicle at one point during the pursuit, Batman manages to break free of the police simply by ramming through a road barrier, smashing through a small obstruction and a gate, and “vanishing” via a perfectly straight path into a nearby forest. Not very subtle. Call us crazy, but you’d think a police force that has its own helicopter would be able to quickly regroup and pick up the trail. After all, the Tumbler isn’t the most subtle of vehicles and leaves a trail of discernible destruction in its wake. A small police unit would likely be able to find the exact location where the massive tank veered off the road and would then need only follow the dirt path to the waterfall entrance where they would find Batman alone with a drugged-out woman right underneath Wayne Manor.

6. Gordon Lights the Bat Signal for Some Reason

Batman Forever (1995)

At the end of Batman Forever, it’s pretty clear that Edward Nygma, aka the Riddler, is the bad guy. We’ve known this since the beginning of the film and are quite frankly astonished that the World’s Greatest Detective didn’t pick up the clues much earlier. Of course, Batman is too busy fighting Two-Face, gawking at Nicole Kidman, and raising his 25-year old bastard son to take 5-10 minutes to solve some fairly simple riddles. Though, to be fair, it would help immensely if Bats had even a smidgen of help from the city’s elected police commissioner.

Indeed, at the film’s big finale, Nygma shines his logo in the sky for all to see from his holy rusted metal island location. So, again, you’d think Gordon and his team would head to the Riddler’s lair and stop him from quite visibly sucking the brains out of Gotham’s citizens. Nah. Remember, this is the Gordon that failed to stop the Joker and the Penguin in the previous two films. Quite frankly, it’s astonishing he still has his job. At any rate, Gordon lights the bat symbol and … waits. Thankfully, Batman shows up in spectacular fashion and flashes an impossible-to-see-from-that-distance thumbs up which inspires Gordon to rally the troops and take the Riddler head on gives Gordon an excuse to head home to watch more of The Box.

5. Penguins Run Amok in Gotham – No Police

Batman Returns (1992)

Here we have another instance of a criminal mastermind uncorking his dastardly plan on Gotham City with nary a policeman in site. In this case, the Penguin unleashes a hoard of missile-toting penguins on the city in an attempt to “punish all God’s children!” The admittedly cute little guys waddle their way (slowly) through the city and eventually gather in the heart of Gotham with ridiculous ease and are only thwarted when Alfred, at the last second, reroutes their signal, after which they turn around and waddle (slowly) all the way back to Arctic World where they first started. Was Gotham on a curfew? Where the hell is everybody? You’d think the GCPD would show up in an armored vehicle and mow the little bastards down, or at least try to redirect them away from the city; or, attempt to go after Penguin who has openly admitted to living at the zoo amongst other penguins and indeed was witnessed jumping into ice-cold water by two (repeat two) police officers following his machine-gun assault on a crowd full of innocent, veggie-toting spectators. Gordon’s next actions are quite clear: send every available cop to the sewers to smoke him out!

4. GCPD Murder Batman (Again)

Batman: Mask of the Phantasm (1993)

Once again, considering everything Batman has done for Gotham, particularly in the animated series, one would imagine the GCPD showing some restraint for the guy. In Mask of the Phantasm, someone who looks like Bats is wandering around the city murdering criminals. So, naturally, Detective Harvey Bullock assembles a massive task force to find and take down the Batman which culminates in a fairly violent (for a toon) standoff that leaves the Dark Knight straight up shook. Not to worry, Batman manages to escape by … getting in a getaway car. No, really. Despite hundreds of men, a helicopter and any number of available vehicles, the GCPD simply refuses to follow an allegedly dangerous vigilante after he drives away in a car. What’s more, Bullock glares into the camera in a manner that suggests this particular story beat isn’t over yet. It is.

A few things here. First, this city has seen its fair share of criminals, right? All of whom have openly murdered people a number of times. Why can’t Bullock muster the same type of task force he employed for Batman, who is only suspected of murder, to go after, say, the Joker, who is living quite openly at the nearby World of the Future exhibit? Secondly, why bring a chopper if the damned thing can’t be bothered to follow a car — nay, a convertible with Batman in the front seat? It’s no wonder the criminals escape Arkham Asylum on a daily basis. The GCPD is incompetent as Hell!

3. Police Allow a Grown Ass Man to Adopt Another Grown Ass Man

Batman Forever (1995)

Did anyone else find it kind of weird in Batman Forever when billionaire playboy Bruce Wayne decides to adopt 25-year old Dick Grayson after his parents are murdered by Two-Face in perfect deadeye fashion? After the circus debacle, which the GCPD once again blundered, Commissioner Gordon decides to drop newly orphaned Dick off at Bruce’s house with the intention of connecting him with someone who had experienced a similar life-altering trauma. (Kudos to Jimbo for not giving two sh**s about what kind of psychological doors this action might open for Wayne.) One would expect Bruce to consult Dick in the art of life or, perhaps, offer to help the man find a new job or a new set of cast members to carry on the Flying Graysons gig. Except, Bruce takes him in and becomes something of a surrogate father figure, which doesn’t fully jibe.

One might also expect Gordon to come back and check in on the situation or at least state his intentions more clearly: “Hey Bruce, can you talk to this kid for a bit? He’s going through the same thing you did and I figure it’s probably best if he talks to someone he can relate to. He doesn’t have to live here. In fact, he’s 25 and has his own home and a steady income. He pays taxes and health insurance. All I need you to do is talk to him. In fact, I’ll sit outside and wait for you two to talk and then I’ll drive him home. Actually, he has a motorcycle. I shouldn’t even be here. I probably could have just called. Also, Alfred is probably too old to play servant to another man child. I’m blabbering now. I’m going home to watch The Box.”

2. Gordon Didn’t Know Bruce Wayne was Batman?

The Dark Knight Rises (2012)

This one is actually quite hilarious. Throughout The Dark Knight Rises, practically everyone is able to deduce that Bruce Wayne is Batman. Robin (?) knows it. Bane knows it. Selena knows it. The only one who is genuinely shocked to discover Batman’s secret is Gordon. When Batman reveals the news, the man is legitimately baffled in a manner that suggests he might have spent a good deal of time contemplating about this very subject (despite what he says) and might have even drawn up a list of names but never ever considered Bruce Wayne as a suspect. Like, ever. Gordon is genuinely shocked at the reveal which makes you wonder what name would not have surprised him. Like, if Batman had said, “I am Peter Foley!” would Gordon have been less surprised? Or would Gordon have had that same reaction no matter the reveal? Either way, you’d think Commissioner Gordon would have been able to piece the puzzle together considering his relationship with Bats and his proximity to the Wayne murders. After all, this Gordon has proven to be vastly more clever than his counterparts. To have him stupified by the Bruce reveal kinda sorta undermines Gordon’s character. In hindsight, his reaction should have been, “Bruce Wayne? Well, obviously. I’ve known since the moment you saved Mr. Reese at that intersection. Actually, I’ve known since you left that Wayne Enterprise stapler in my office all those years ago.”

1. Gordon Tries to Move a 13-Ton Bell

Batman (1989)

During the big climax of Tim Burton’s Batman, the Caped Crusader battles the Joker via his Batwing and ends up crash landing on the model steps front of Gotham City Cathedral. After an extended pursuit sequence to the top of the gothic high rise, Joker sprays acid on one of the tower’s bells and sends it careening to the base of the building where it blocks the police from following. At this exact moment, Commissioner Gordon, an older man in his mid-60s, shows up with a police unit and … tries to move the bell by himself. That’s right. In a bit of questionable stage directing by Burton, one of Batman’s most respected allies is painted as a clown when he inexplicably tries to push aside what is likely a 13-ton bell. What’s more, every member of his police unit knows he’s an idiot which is why none of them step up to help him. Imagine if Gordon had managed to move the bell and the man turned out to possess some kind of superpower? And then, in a deleted scene, we see him transform into — wait for it — Martian Manhunter!

Bonus: Stephens Lets the Joker Get Under His Skin

The Dark Knight

Finally, as an added bonus, as perfect as The Dark Knight is the film has a few plot contrivances of its own. The worst instance is when the Joker, who Batman and Gordon have finally captured in an extended chase sequence that nearly killed them both, uses some fairly simple language to provoke Detective Stephens — and the man falls for it! We never see the actual struggle, probably because there was no way Nolan could direct it to make sense, and are therefore led to believe that the Joker outmaneuvered Stephens (despite the high ground advantage) and made his way through the GCDP unscathed in order to make his phone call. The big question here is: if Stephens hadn’t fallen for Joker’s trick, or, at the very least, just stood outside the interrogation room, what was Joker’s next move? What if Joker had asked, “How many friends of yours have I killed?” and Stephens responded, “None. I’m new here.” What if a large group of guys had stepped into the room to back Stephens up? Chances are, Batman would have come back to the police station and continued his assault on the clown after Rachel’s death — and maybe even killed him! Thus, breaking his rule … so, maybe the Joker did have everything planned out to perfection!

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Exclusive: Jai Courtney Teases Team Dynamic in The Suicide Squad

Exclusive: Jai Courtney Teases Team Dynamic in The Suicide Squad

Exclusive: Jai Courtney teases team dynamic in The Suicide Squad

While chatting with the 34-year-old star for his villainous turn in the Liam Neeson-led action thriller Honest Thief, ComingSoon.net got the opportunity to chat with Jai Courtney about the highly-anticipated The Suicide Squad and discuss the new team dynamic in the James Gunn written-and-directed action pic!

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Despite having the Guardians of the Galaxy filmmaker take over the reins from original writer/director David Ayer (The Tax Collector), Courtney notes there wasn’t much of a different mindset coming into his return as the infamous Flash villain.

“Probably because there was so much that had been established already and I think James knew that coming in, even though he’s doing his own thing with the film,” Courtney explained. “I don’t feel like anyone felt the need to abandon what we had kind of already established, but he’s definitely the same guy, he’s not a dramatically different Boomerang. It’s just that the backdrop is a little different and there’s a whole bunch more people, so it’s going to have its own feeling and flavor about it, but people are going to have just as much fun with it and we had a great time making it.”

While joking that he doesn’t believe “Captain Boomerang will ever learn how to play nice with others” and that makes up for “part of his charm” and his status as a “liability” for the team, Courtney does express that there will be a new team dynamic coming into the soft reboot-quel, but stating it’s a “natural” thing for continuing franchises.

“It would have changed if it was the same group of people, same filmmaker or same outfits carrying on,” Courtney described. “I’ve made movies like this before where you go back and do a sequel, for instance when we did Divergent, the rule book is different, the narrative changes, everyone’s in a different part of their lives and all of that influences your experience in production. I don’t think anyone was disappointed or more excited, they kind of know that the dynamic was going to be a bit different with the crew no matter the case, but I got to meet some amazing talent that I hadn’t worked before and there are so many people in this that just kill it and do an absolutely fantastic job and have a lot of fun. It’s cool, I’m pumped for it and I hope it’s a huge success.”

The Suicide Squad cast includes: John Cena, Jai Courtney, Joaquín Cosío, Joel Kinnaman, Maylin Ng, Flula Borg, Juan Deigo Botto, Storm Reid, Pete Davidson, Taika Waititi, Alice Brage, Tinashe Kajese, Daniela Melchior, Peter Capaldi, Julio Ruiz, Jennifer Holland, Viola Davis, Idris Elba, and Margot Robbie.

As we already know, Davis, Robbie, Courtney, and Kinnaman will all play the same roles they had in the 2016 film, reprising as Amanda Waller, Harley Quinn, Captain Boomerang, and Rick Flag, respectively. Michael Rooker will play Savant, Flula Borg will play Javelin, David Dastmalchian will play Polka Dot Man, Daniela Melchior will play Ratcatcher 2, Idris Elba will play Bloodsport, Mayling NG will play Mongal, Peter Capaldi will play Thinker, Alice Braga will play Solsoria, Pete Davidson will play Blackguard, Natha Fillion will play TDK, Sean Gunn will play Weasel, John Cena will play Peace Maker and Steve Agee will play King Shark.

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The movie is written and directed by Gunn. Charles Roven and Peter Safran will serve as producers. Nik Korda is executive producing the movie.

The Suicide Squad will hit theaters on August 6, 2021 while Honest Thief is set to hit theaters on October 16!

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James Caan Claims a Dispute Between Will Ferrell and Jon Favreau Kept Elf 2 From Happening

James Caan Claims a Dispute Between Will Ferrell and Jon Favreau Kept Elf 2 From Happening

Everyone loves Elf. It’s a Christmas classic that people have enjoyed since its debut back in 2003. One would expect that a film that earned $220 million at the box office would lead to more films. Except, Elf 2 never happened and actor James Caan, who played Walter in the film, thinks he knows why.

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“We were gonna do it and I thought, ‘Oh my god, I finally got a franchise movie, I could make some money, let my kids do what the hell they want to do.’ And the director and Will didn’t get along very well,” Caan told the Bull & Fox radio show (via Yahoo.) “So, Will wanted to do it, he didn’t want the director, and he had it in his contract, it was one of those things.”

That’s a shame as Elf remains one of those must-watch Christmas flicks that simultaneously spreads Christmas cheer (for all to hear) and makes people laugh. It’s also a little weird to hear how such a production could lead to bad blood as everyone involved looks as if they’re having a blast. It is what it is, but maybe one day Ferrell and Favreau can bury the hatchet and give us more Buddy the Elf adventures.

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Here’s the official synopsis for Elf, in case you haven’t seen it: Buddy (Will Ferrell) was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa’s elves. Unable to shake the feeling that he doesn’t fit in, the adult Buddy travels to New York, in full elf uniform, in search of his real father. As it happens, this is Walter Hobbs (James Caan), a cynical businessman. After a DNA test proves this, Walter reluctantly attempts to start a relationship with the childlike Buddy with increasingly chaotic results.

The post James Caan Claims a Dispute Between Will Ferrell and Jon Favreau Kept Elf 2 From Happening appeared first on ComingSoon.net.

Black Widow Release Date Pushed Along With Eternals, Shang-Chi & More!

Black Widow Release Date Pushed Along With Eternals, Shang-Chi & More!

Black Widow Release Date Pushed Along With Eternals, Shang-Chi & More!

Walt Disney Studios has announced new release schedules for a number of movies, including Black Widow, previously dated for November 6, 2020, and now moving to May 7, 2021, and Eternals, previously dated on February 12, 2021, and now scheduled to release on November 5, 2021.

Death on the Nile has shifted to December 18, 2020, moving back from its October 23, 2020 release. The Empty Man has moved up to the October 23, 2020 release from its December 4, 2020 slot, and Shang Chi and The Legend of the Ten Rings will now release on July 9, 2021, from its original release date of May 7, 2021. An Untitled Disney Event Film that was previously dated for July 9, 2021 has been removed from the schedule.

Additionally, Deep Water will now release on August 13, 2021, moving back from its November 13, 2020 release date, with West Side Story moving back to December 10, 2021, from its previous release date of December 18, 2020. The King’s Man will now premiere on February 12, 2021, moving up from its February 26, 2021 release date. An Untitled 20th Century film previously dated on August 13, 2021 has been removed from the schedule.

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Eternals will now open against Paramount Pictures’ Clifford the Big Red Dog, Warner Bros.’ Elvis, and Sony’s untitled Spider-Man: Far From Home sequel. Death on the Nile will open against Paramount’s Coming 2 America and Warner Bros. Dune, while Shang Chi and The Legend of the Ten Rings will now open against Universal’s The Forever Purge. The King’s Man will open against Universal’s Marry Me and Paramount PIctures The United States vs. Billie Holiday.

Scarlett Johansson returns as Natasha Romanoff, a spy and assassin who grew up being trained by the KGB before breaking from their grasp and becoming an agent of SHIELD and an Avenger. The film is expected to be set after the events of Captain America: Civil War, but before Avengers: Infinity War.

RELATED: Disney Considering New Black Widow Release Date with Soul Possibly Moving to Disney+

Black Widow will also feature a star-studded cast including Golden Globe nominee David Harbour (Stranger ThingsHellboy) as Alexei aka The Red Guardian, Florence Pugh (Fighting with My Family) as Yelena Belova, Academy Award-winning actress Rachel Weisz (The Favourite) as Melina and O-T Fagbenle (The Handmaid’s Tale) as Mason. The movie was directed by Cate Shortland (Lore) from a script written by Jac Schaeffer (The Hustle).

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