Year: 2020

The Trial of the Chicago 7 Review: Energetic, Stylish & Powerfully Acted

Rating: 

8.5/10

Cast:

Sacha Baron Cohen as Abbie Hoffman

Eddie Redmayne as Tom Hayden

Joseph Gordon-Levitt as Richard Schultz

Yahya Abdul-Mateen II as Bobby Seale

Michael Keaton as Ramsey Clark

Frank Langella as Judge Julius Hoffman

John Carroll Lynch as David Dellinger

Mark Rylance as William Kunstler

Alex Sharp as Rennie Davis

Jeremy Strong as Jerry Rubin

Noah Robbins as Lee Weiner

Daniel Flaherty as John Froines

Ben Shenkman as Leonard Weinglass

Kelvin Harrison Jr. as Fred Hampton

Written and Directed by Aaron Sorkin

The Trial of the Chicago 7 Review:

After years of penning a number of incredible films and TV shows over the years, Aaron Sorkin finally stepped behind the camera for the first time with his Oscar-nominated Molly’s Game and established himself as a talent to watch in the director’s chair and now he’s returned with his long-languishing historical drama The Trial of the Chicago 7 exploring the iconic titular court case and while it may have an air of general familiarity, he infuses the script with enough lively dialogue and character work and has assembled a powerful ensemble cast that keeps the affair afloat.

What was intended to be a peaceful protest at the 1968 Democratic National Convention turned into a violent clash with police and the National Guard. The organizers of the protest—including Abbie Hoffman, Jerry Rubin, Tom Hayden and Bobby Seale—were charged with conspiracy to incite a riot and the trial that followed was one of the most notorious in history.

Having first established himself as a theatrical playwright before turning to the screen, Sorkin was able to hone in on the necessity of a compelling story and cast of characters requiring few set pieces or spectacle to keep audiences engaged and much as he has with everything from his play-turned-film A Few Good Men to the Brad Pitt-led Moneyball, he once again finds a way to keep the film grounded while moving at a steady and quick pace that keep eyes glued to the screen.

The group of characters may be real people, but Sorkin finds a way to bring them to life with incredibly unique voices that feel as though birthed from a combination of meticulous research on his part as well as his own infusion of quick-witted dialogue that is fascinating to watch. The West Wing creator is no stranger to the biographical drama, and there are certainly a number of scenes in the film that feel like inferior recreations of past projects, but he finds a nice balance of dramatization and factual storytelling that is fascinating to watch, while also finding a number of powerful and heartbreaking parallels between the Nixon era and the modern day.

The 59-year-old storyteller also continues to prove he’s picked up a number of points from the incredible directors he’s worked with over the years to deliver a great-looking film throughout. The courtroom scenes are shot in a nice retro fashion of slow-sweeping pans, the protest flashbacks and moments involving Abbie Hoffman telling his tale to a captive audience utilize a handheld style that gives the scenes a captivating documentary feel.

Though it may have been a shame it took 13 years to bring this story to the screen, one of the brightest things to come from the delay was Sorkin’s ability to build the absolute perfect ensemble cast of stellar performers, both established and on-the-rise. Frank Langella, Eddie Redmayne and Mark Rylance are dramatic heavyweights and continue to prove their worth with their roles in the film, Joseph Gordon-Levitt may prove to be a little too quietly ambiguous but is nonetheless an enjoyable wild card and Sacha Baron Cohen nicely reins in his typically antic-driven nature for a plenty energetic but cool-headed Hoffman, but it’s recent stars Yahya Abdul-Mateen II and Jeremy Strong who steal the show.

With an ensemble of seven defenders, as well as compelling lawyers and politicians, it’s both understanding and a bit disappointing that Abdul-Mateen II’s fascinating portrayal of Bobby Seale isn’t granted more screen time or dialogue, but what he is given proves to be magnificent to watch and performed to perfection by the Watchmen Emmy winner. Speaking of Emmy winners, Strong may have been around in Hollywood and in the theatre world for the past 12 years, but between Succession and The Gentlemen it’s been great to see him finally getting the appropriate spotlight and his turn as Jerry Rubin feels primed for major award nods at the very least, if not actual victories.

The Trial of the Chicago 7 may occasionally suffer from slow pacing or genre predictability, but thanks to a sharply written and timely script, stylish direction from Sorkin and brilliant performances from its awards-worthy ensemble cast, this is a moving and powerful drama that rightly honors its titular subjects while opening audiences’ eyes to the numerous parallels between the past and the present.

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Disney Investor Pushing for Big Films Like Black Widow to Debut on Disney+

Disney Investor Pushing for Big Films Like Black Widow to Debut on Disney+

Disney Investor Pushing for Disney+ Debuts for Big Films Like Black Widow

Last month, Black Widow was among the many high-profile film releases that were pushed back to 2021 due to the ongoing pandemic that has still been affecting theater chains around the world. To some people, Disney made the right call to make the delays while others including Disney investor Dan Loeb think that the company should have just foregone its planned theatrical releases and move them to streaming instead

Speaking with Variety, Loeb believes that tentpole projects like Black Widow would immediately give Disney+ the upper hand on their streaming competitors such as Netflix. Should the House of Mouse really consider this move, it would definitely attract subscribers and generate them more profit, especially if they would use the Premium Access strategy that they’ve first applied to the release of the live-action Mulan.

RELATED: Wonder Woman 1984: Patty Jenkins Debunks Streaming Release Rumors

“My understanding is that the old-line executives don’t want to go over the top with their big tentpole movies, which is why they announced they were pushing ‘Black Widow” and other movies to 2021,” Loeb said. “I don’t think they appreciate the tiger they have by the tail, which is to say the value they can drive by moving into a subscription model, which has been adopted by everyone from Microsoft to Amazon. It’s so value accretive.”

“What Netflix has is this immense subscriber base that allows it to invest in an enormous amount of content and amortize that to get more subscribers,” Loeb continued. “Disney isn’t there yet, but they need to get there as quickly as possible. If they don’t get critical mass in their subscriber base, they will be permanently disadvantaged versus Netflix.”

However, the main problem with this move-to-streaming strategy is that theater chains would be immensely affected and betrayed by this decision, especially when it has already been hard for them to keep their businesses afloat during this time.

In Black Widow, Scarlett Johansson returns as Natasha Romanoff, a spy, and assassin who grew up being trained by the KGB before breaking from their grasp and becoming an agent of SHIELD and an Avenger. The film is expected to be set after the events of Captain America: Civil War, but before Avengers: Infinity War.

Black Widow will also feature a star-studded cast including Golden Globe nominee David Harbour (Stranger ThingsHellboy) as Alexei aka The Red Guardian, Florence Pugh (Fighting with My Family) as Yelena Belova, Academy Award-winning actress Rachel Weisz (The Favourite) as Melina and O-T Fagbenle (The Handmaid’s Tale) as Mason.

RELATED: Florence Pugh Pumps the Brakes On Future Black Widow Films

The movie was directed by Cate Shortland (Lore) from a script written by Jac Schaeffer (The Hustle). Black Widow is set to release on May 7, 2021, which will be a year later since its original release date. 

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The Kid Detective Review: What Happens When Encyclopedia Brown Grows Up?

Rating

9/10

Cast

Adam Brody … Abe Applebaum
Sophie Nélisse … Caroline
Sarah Sutherland … Lucy
Jesse Noah Gruman … Young Abe
Wendy Crewson … Mrs. Applebaum
Jonathan Whittaker … Mr. Applebaum
Peter MacNeill … Principal Erwin
Lisa Truong … Lisa
Sophia Webster … Jackie
Dallas Edwards … Calvin
Tzi Ma … Mr. Chang

Written and directed by Evan Morgan

The Kid Detective is now playing in theaters.

The Kid Detective Review

The Kid Detective opens with a montage of 12-year old “kid detective” Abe Applebaum solving cases around his neighborhood and enjoying the spoils of war. When he discovers the missing money from the local ice cream shop, the owner gives him free ice cream for life. Later, he is gifted an office in the middle of town to operate his business where he works with everyone from the Mayor to the local police chief on a variety of simple crimes that earn him nationwide celebrity status. Abe even gets a secretary, a young girl he pays in soda pop.

Flash forward some years later and we see Abe, now played by Adam Brody, fighting to get through a single day via alcohol, drugs, and prolonged arguments with his parents. He wanders through a town now devoid of color and littered with vagrants and drug dealers. When he goes to the ice cream shop to get his free scoop, the owner sneers. Even his secretary has been replaced by a woman who dresses only in black and can’t be bothered to answer the phone or fetch water for a guest.

We learn that Abe’s glamorous celebrity lifestyle screeched to a halt when he failed to solve the case of the mayor’s missing daughter, an event that also sent the town into a downward spiral. “I remember when this place was the life of the town on Friday nights,” Abe laments while sitting in a crusty old diner. “When did this town get so cynical?”

So, it goes with The Kid Detective, a film whose plot hinges on solving a grisly murder but whose main purpose is to explore the simple question: what happens when Encyclopedia Brown grows up?

As written and directed by Evan Morgan, in an astonishing big-screen debut, this dark comedy goes deeper than it has any right to and spins a captivating yarn whilst examining everything from the dangers of celebrity worship to the way in which kids in modern society lack proper decorum.

“What am I supposed to do, Abe? These kids have no concept of authority,” moans the tired old principal of the local high school where the nerds now distribute the drugs.

Indeed, everyone in the film seems lost amidst a world they no longer recognize, where even the ordinary, seemingly innocent teenager harbors some deep, dark, shocking secret. “I was so far ahead of the game and then one day I just woke up behind,” Abe exclaims to his beleaguered client, played with doe-eyed innocence by Sophie Nélisse, before wisely proclaiming, “It’s difficult to accept who you are in the head and who you are in the world.”

The Kid Detective follows in the footsteps of quirky film noirs like Rian Johnson’s Brick albeit laced with the dry humor of Chevy Chase’s Fletch. You’ll laugh at Abe’s exploits, such as when he gets stuck hiding in the closet of a suspect and must endure hours of childish antics in a sequence that ends on one of the better smash cuts in recent memory, but also empathize with his person; and Brody does a tremendous job crafting a character who is both likable and oddly detached.

The plot unfolds like a well-written novel and culminates with one of those patented last-second revelations that is both shocking and deeply profound. What do we do when our present fails to live up to our past? Now, that’s a great mystery worth solving.

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Bad Hair Review: Hauntingly Original & Incredibly Timely

Rating: 

9/10

Cast:

Elle Lorraine as Anna Bludso

Zaria Kelley as Young Anna

Vanessa Williams as Zora

Jay Pharoah as Julius

Lena Waithe as Brook-Lynne

Blair Underwood as Amos Bludso

Laverne Cox as Virgie

Michelle Hurd as Maxine Bludso

Judith Scott as Edna

Robin Thede as Denise

Ashley Blaine Featherson as Rosalyn

Steve Zissis as Baxter Tannen

MC Lyte as Coral

Kelly Rowland as Sandra

James Van Der Beek as Grant Madison

Usher as Germane D.

Chanté Adams as Linda Bludso

Written and Directed by Justin Simien

Bad Hair Review:

When he first broke out in 2014 with the incredible Dear White People, Justin Simien became one of my most anticipated new storytellers to watch and when it was announced his second feature would be the horror-comedy Bad Hair, my excitement shot through the roof and though it may not reach the same heights as the former it is nonetheless an absolutely original and wildly entertaining follow-up.

In 1989 an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television. However, her flourishing career may come at a great cost when she realizes that her new hair may have a mind of its own.

In crafting his story and the characters residing in it, Simien has developed a unique and truly compelling tale to watch on just its own merit, with the opening 30 or so minutes of the film actually playing out as a really interesting drama of the Black woman’s plight in trying to get ahead in the burgeoning music television industry before diving into the more supernatural elements. Ashe is best known to do, Simien is able to explore every timely theme from racism to sexism to classism with as much a satirically comedic approach as a mature and dramatic one and despite being set in the past, he illustrates just as relevant every beat was in the past as it is in today’s society.

Once things take a turn for the scary and supernatural, the writer/director continues to show a strong grasp on the satirical side of things while also displaying a remarkable talent for telling an effective monster story. The evil driving the story forward is an unpredictable and truly original nightmare that frequently rises above its campier B-movie sensibilities to deliver some exciting shocks and chills. The nature of the evil hair and the explanation behind it is actually a very powerful concept that remains tied to the film’s timely thematics while also utilizing some of the best tropes of the horror genre, and is saved for near the end of the film to keep audiences guessing in a really fun and exciting way.

In addition to the skillful and stylish direction, Simien has once again assembled an ensemble cast of brilliant talent who all shine in their individual roles, especially on-the-rise star Elle Lorraine in the central role of Anna. The ability she displays of casually shifting from the doe-eyed woman with ambitions to become a major producer in the industry to a domineering figure empowered by her new weave is breathtaking to watch, establishing her as a sure-to-be breakout star. Audiences have certainly seen Vanessa Williams in the villainous role before and she continues to show new brilliant sides to her antagonistic nature that is compelling to watch every scene she’s in.

The film’s only real problems lie in some of its depiction of the kills by the titular body part, as the majority of them are stylishly directed or darkly comedic and reminiscent of the best B-movies, but there are a few that feel rather janky and unintentionally hilarious, sapping the energy out of the overall scene.

Bad Hair has just as much ambition, social themes and stylish direction as Simien’s Dear White People and though it may fall a little below the bar in comparison, it is nonetheless a wildly intelligent, wonderfully written, darkly hilarious and uniquely chilling treat that shows he has not lost his touch in the film world.

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CS Video: Dylan O’Brien & Jessica Henwick Talk Love and Monsters

CS Video: Dylan O'Brien & Jessica Henwick Talk Love and Monsters

CS Video: Dylan O’Brien & Jessica Henwick talk Love and Monsters

ComingSoon.net got the opportunity to chat with stars Dylan O’Brien (The Maze Runner trilogy) and Jessica Henwick (Iron Fist) to discuss their roles in the acclaimed post-apocalyptic rom-com Love and Monsters, which is now available on premium VOD and digital platforms! Our interview can be viewed in the player below!

RELATED: Love and Monsters Review: A Charming & Wildly Fresh Teen Rom-Com

In Love and Monsters (formerly titled as Monster Problems), seven years after the Monsterpocalypse, Joel Dawson, along with the rest of humanity, has been living underground ever since giant creatures took control of the land. After reconnecting over the radio with his high school girlfriend Aimee, who is now 80 miles away at a coastal colony, Joel begins to fall for her again. As Joel realizes that there’s nothing left for him underground, he decides against all logic to venture out to Aimee, despite all the dangerous monsters that stand in his way.

Click here to digitally purchase Love and Monsters!

The film stars Dylan O’Brien (Maze Runner films) as Joel, Michael Rooker (Guardians of the Galaxy) as Clyde, Jessica Henwick (Iron Fist) as Aimee, Arianna Greenblatt (Avengers: Infinity War) as Minnow, and Dan Ewing (Occupation) as Cap.

RELATED: New Mission: Impossible 7 Set Video Teases Tom Cruise’s Train Stunt

Love and Monsters is directed and written by Michael Matthews with Shawn Levy producing through his 21 Laps banner. The project is said to be a coming-of-age story that will center around a road trip with a young man living in a post-apocalyptic world overrun by monsters. The film is likened to both Mad Max and Zombieland with John Hughes overtones.

The post-apocalyptic teen rom-com is now available on digital platforms and premium video-on-demand!

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Jungleland Trailer Starring Charlie Hunnam & Jack O’Connell

Jungleland Trailer Starring Charlie Hunnam & Jack O'Connell

Jungleland Trailer Starring Charlie Hunnam & Jack O’Connell

Paramount Movies has released the official trailer for the upcoming drama thriller Jungleland, starring Charlie Hunnam (Sons of Anarchy, The Gentlemen, Pacific Rim) and Jack O’Connell (Unbroken, Godless, Seberg). You can check out the trailer now in the player below!

RELATED: Denali: Spyglass Adapting Ben Moon’s Memoir Into Film with Charlie Hunnam to Star

Stan (Charlie Hunnam) and Lion (Jack O’Connell) are two brothers struggling to stay relevant in the underground world of bare-knuckle boxing. When Stan fails to pay back a dangerous crime boss (Jonathon Majors), they’re forced to deliver an unexpected traveler as they journey across the country for a high-stakes fighting tournament. While Stan trains Lion for the fight of his life, a series of events threaten to tear the brothers apart but their love for one another and belief in a better life keep them going in this gripping drama that proves family pulls no punches.

The movie also stars Jonathan Majors (Lovecraft Country, Da 5 Bloods), Jessica Barden (Hanna), and Emmy nominee John Cullum (Northern Exposure). Jungleland is directed by Max Winkler (Flower) who co-wrote the script along with Theodore Bressman (Future Man) and David Branson Smith (Ingrid Goes West).

RELATED: Exclusive Love and Monsters Clip Featuring Dylan O’Brien & Jessica Henwick

Jungleland is produced by Jules Daly, Kevin J. Walsh, Ryan Stowell, Brad Feinstein. Ridley Scott executive produces. The movie will premiere on Digital and On Demand on November 10.

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Xochitl Gomez Joins Doctor Strange in the Multiverse of Madness

Xochitl Gomez Joins Doctor Strange in the Multiverse of Madness

Xochitl Gomez Joins Doctor Strange in the Multiverse of Madness

Deadline brings word that Xochitl Gomez (The Baby-Sitters Club) has joined Benedict Cumberbatch in Marvel’s Doctor Strange in the Multiverse of Madness. Details on Gomez’s role in the sequel are being kept under wraps.

RELATED: Benedict Cumberbatch’s Doctor Strange Joins Spider-Man 3!

Cumberbatch will next be reprising his role as Dr. Stephen Strange in the Tom Holland-led Spider-Man 3 in addition to Doctor Strange in the Multiverse of Madness. The sequel is being described as the first horror film in the MCU with Oscar nominee Benedict Cumberbatch returning as the titular sorcerer supreme and Elizabeth Olsen also appearing as Wanda Maximoff/Scarlet Witch. According to Kevin Feige, the upcoming Disney+ shows WandaVision and Loki will both directly impact the events the Doctor Strange sequel.

Doctor Strange and Scarlet Witch appeared in Avengers: Endgame, where they were both last seen attending Tony Stark’s funeral. Loki also appeared in Endgame and was last seen after the events of the Avengers’ first battle in New York, where he escapes with the Tesseract cube.

Originally set to be directed by Scott Derrickson, the sequel will now be helm by Spider-Man‘s Sam Raimi with Loki head writer Michael Waldron set to rewrite the script that was first written by The Turning scribe Jade Bartlett. Chiwetel Ejiofor, and Benedict Wong will be reprising their roles, with Rachel McAdams not expected to return to her role of Dr. Christine Palmer.

Doctor Strange in the Multiverse of Madness will hit theaters on March 25, 2022.

RELATED: Benedict Cumberbatch Reveals Production Start Date for Doctor Strange in the Multiverse of Madness

The first Doctor Strange movie was released in 2016 with Benedict Cumberbatch starring in the titular role. Joining him in the film were Chiwetel Ejiofor as Karl Mordo, Rachel McAdams as Christine Palmer, and Michael Stuhlbarg as Nicodemus West. It also featured the MCU debut of critical characters from the pages of Marvel Comics, including Benedict Wong as Wong, plus Mads Mikkelsen as villain Kaecilius, and Tilda Swinton as the Ancient One (who is of Celtic origin in the film instead of East Asian origin). Doctor Strange was directed by Scott Derrickson, whose previous credits were primarily horror films like The Exorcism of Emily RoseSinister, and Deliver Us from Evil.

(Photo by Paul Archuleta/Getty Images)

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Calico Joe: George Clooney to Direct Film Based on John Grisham’s Novel

Calico Joe: George Clooney to Direct Film Based on John Grisham's Novel

Calico Joe: George Clooney to Direct Film Based on John Grisham’s Novel

Academy Award-nominated actor George Clooney and long-time collaborator Grant Heslov are in the process of developing a film adaptation of Calico Joe, based on bestselling author John Grisham’s baseball-themed drama novel of the same name. On top of producing, Clooney is also expected to helm the project.

“John has written a beautiful story and the chance to collaborate with Bob to bring it to the screen is just fantastic,” said Clooney and Heslov in a joint statement (via Deadline).

RELATED: The Midnight Sky: First Look at George Clooney’s Netflix Drama

First published in 2012, Calico Joe is set in the world of Major League Baseball which will center around three characters about a father and a son as well as a young rookie who has a promising future ahead of him. The story was also inspired by the real-life story of Ray Chapman and Grisham’s own experience where he once dreamt of becoming a professional baseball player before experiencing a near-fatal pitch that made him quit the sport.

Pick up a copy of book here!

The official synopsis reads: “It’s the summer of 1973, and Joe Castle is the boy wonder of baseball, the greatest rookie anyone has ever seen. The kid from Calico Rock, Arkansas, dazzles Chicago Cubs fans as he hits home run after home run, politely tipping his hat to the crowd as he shatters all rookie records. Calico Joe quickly becomes the idol of every baseball fan in America, including Paul Tracey, the young son of a hard-partying and hard-throwing New York Mets pitcher. On the day that Warren Tracey finally faces Calico Joe, Paul is in the stands, rooting for his idol but also for his dad. Then Warren throws a fastball that will change their lives forever.”

RELATED: George Clooney in Negotiations to Helm Amazon’s The Tender Bar

The film adaptation will be produced by Clooney and Heslov through their Smokehouse Pictures banner along with Grey Water Park Productions’ Bob Dylan. ZQ Entertainment is financing the script development with Petr Jkl, Ara Keshishian and Martin J. Barab set as executive producers.

“George and Grant see in this book what I see in it – a powerful story that will resonate with young and old alike. People in all walks of life will be able relate to it,” Dylan said.

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Halloween Movies: A Viewer’s Guide

It’s Halloween-time! Want to turn off the lights and turn on some frights, but don’t know what to watch? Whether you’re looking for something fun and campy, or something truly twisted, this guide will put you on the right track!

Honest Thief Review: By-The-Numbers But Plenty Fun Action-Thriller

Rating: 

7.5/10

Cast:

Liam Neeson as Tom Carter

Kate Walsh as Annie Sumpter

Jai Courtney as John Nivens

Jeffrey Donovan as Tom Meyers

Anthony Ramos as Ramon Hall

Robert Patrick as Sam Baker

Jasmine Cephas Jones as Beth Hall

Co-Written and Directed by Mark Williams; Co-Written by Steve Allrich

Honest Thief Review:

“Liam Neeson versus [insert enemy here].” It’s the ultimate formula for the action genre since the Oscar nominee found a new niche audience with 2008’s Taken and it’s one that’s delivered such highs as Joe Carnahan’s The Grey, Scott Frank’s A Walk Among the Tombstones and Jaume Collet-Serra’s Non-Stop and though his latest venture, Honest Thief, may not reach the mid-level bars they’ve set, it still proves to be a plenty fun and darkly humorous thrill ride.

They call him the “In-and-Out Bandit” because meticulous thief Tom Carter has stolen $9 million from small-town banks while managing to keep his identity a secret. But after he falls in love with the bubbly Annie, Tom decides to make a fresh start by coming clean about his criminal past, only to be double-crossed by two ruthless FBI agents, requiring him to dive back into his criminal skillset to set things right and earn his second chance at life.

The story of a seasoned criminal seeking an out from his past or a way to redeem it for a better life is certainly nothing new, but the way co-writers Mark Williams and Steve Allrich establish their world and their characters feels like a rich enough tapestry of interesting-enough characters with charming and likable personalities are compelling enough draws to forgive the unoriginality and predictability of the story. The means in which Tom would rob the banks while avoiding detection is a simple and believable explanation rather than a more convoluted or uninteresting approach, the motives behind his past feel grounded and are movingly told once revealed that it allows audiences to maintain the connection they’ve made with their antihero protagonist, a character type Williams has perfected on Netflix’s Ozark.

In addition to the nicely-written characters, one of the film’s real strong points that helps it stand out amongst the crowd of geriatric action-thrillers is the dark sense of humor that pervades the affair. Whether it’s Jeffrey Donovan’s dog-carrying FBI agent, Robert Patrick’s quick-witted Agent Baker, Neeson’s bluntly honest Tom or Kate Walsh’s easy-to-connect-to Annie, the pacing of the film always feels as though it’s steadily moving not just thanks to the action of the film but from much of the levity the cast all bring to their performances, especially the 52-year-old Burn Notice alum. There’s no denying the burgeoning love story between Tom and Annie is the heart of the film and is relatively sweet to watch, but the bond that develops between Donovan’s Agent Meyers and his reluctantly-owned small dog Tazzie brings out some of the best jokes in the film.

Much like the story of the film, the action itself is fairly hit-or-miss in its execution, with plenty of pulse-pounding sequences any genre fan is sure to marvel at though many display the smaller budget the film was given. From shoddy CGI fire that could make the filmmakers of the Baywatch remake blush to a few hand-to-hand sequences cutting a little too frequently to hide the use of a stunt double or two, the sequences themselves are mostly enjoyable, even if a little poorly made.

One of the real shining lights of the film, to no one’s surprise, is the delightfully wicked performance from Jai Courtney as the villainous corrupt Agent Nivens. Time and time again, the Australian performer has delivered charming performances in every role from the antihero villain Captain Boomerang in Suicide Squad to a less-prepared Kyle Reese in Terminator: Genisys, and from the moment he’s introduced on screen, he chews up every bit of scenery he can with his performance. He walks a fine line between a knowing understanding that what he’s doing is essentially wrong while also believably trying to convince reluctant partner Agent Hall (a warm Anthony Ramos), the audience and even himself, making for a brilliant performance to watch from start to finish.

There’s no denying there’s plenty of predictability to Mark Williams’ Honest Thief, but thanks to a darkly humorous script, some exciting action sequences and stellar performances from Jeffrey Donovan and Jai Courtney, as well as strong ones from Neeson and Anthony Ramos, this is an action-thriller sure to please genre fans and those looking for a good popcorn flick.

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