Welcome to ComingSoon.net’s January 12 Blu-ray, Digital HD and DVD column! We’ve highlighted this week’s releases in detailed write-ups of different titles below! Click each highlighted title to purchase through Amazon!
Spell
Marquis (Omari Hardwick) awakens from a plane crash, wounded, trapped and his family missing. Held by a mysterious elderly woman practicing Hoodoo, he tries to outwit and break free from her dark magic and save his family from a sinister ritual.
Ammonite
In 1800s England, acclaimed but unrecognized fossil hunter Mary Anning (Kate Winslet) works alone on the rugged Southern coastline. With the days of her famed discoveries behind her, she now searches for common fossils to sell to tourists to support herself and her ailing mother. When a wealthy visitor entrusts Mary with the care of his wife Charlotte Murchison (Saoirse Ronan), she cannot afford to turn his offer down.
Lupin III: The First
The iconic ‘gentleman thief’ Lupin III returns in an action-packed, continent-spanning adventure, as Lupin III and his colorful underworld companions race to uncover the secrets of the mysterious Bresson Diary, before it falls into the hands of a dark cabal that will stop at nothing to resurrect the Third Reich.
Jungleland (DVD)
When a devastating loss in the ring leaves Lion (Jack O’Connell) and his manager brother Stan (Charlie Hunnam) in debt to a local crime boss, they are forced to risk it all in a bare-knuckle boxing tournament, as the pair fight for a better life.
Jonathan Scott’s Power Trip
Energy freedom for millions of Americans is at our fingertips yet a deeply entrenched, powerful system is waging war against the solar industry and the rights of the people. Jonathan Scott travels the country confronting those at the root of the issue and meeting the ordinary citizens who are fighting back.
Buried Alive
After starting a new position at Ravenscraft, a correctional school for girls, teacher Janet Pendelton begins investigating the unexplained disappearances of several students.
The Empty Man
This supernatural horror film, drawn from the Boom! Studios graphic novel, centers on shocking events originating in a small Midwestern town. After the mysterious disappearance of a group of teenagers, James Lasombra (James Badge Dale), a troubled retired cop, is thrust into action to investigate.
The Delivered (exclusive clip, Jan 15)
Set on an isolated farm in Shropshire in 1657. The Delivered tells the story of Fanny Lye, a woman who learns to transcend her oppressive marriage and discover a new world of possibility – albeit at great personal cost. Living a life of Puritan stricture with husband John and young son Arthur, Fanny Lye’s world is shaken to its core by the unexpected arrival of two strangers in need, a young couple closely pursued by a ruthless sheriff and his deputy.
American Dream (exclusive clip)
In this intense crime thriller, two American entrepreneurs cut a Russian mobster out of a business deal-and must face his angry vengeance as he tries to destroy their lives.
Curse of Aurore (exclusive clip)
A “Dark Web” thumb drive reveals footage of three American filmmakers in rural Quebec researching a historic child murder case. After witnessing several disturbing paranormal occurrences, they attempt to communicate with the spirit of the child.
Batman: Soul of the Dragon
Faced with a deadly menace from his past, Bruce Wayne must enlist the help of three former classmates to battle the otherworldy challenges ahead.
Redemption Day
Having just returned home, decorated U.S. Marine Captain Brad Paxton’s (Gary Dourdan) wife, Kate, is kidnapped by a terrorist group while working in Morocco. He is forced back into action for a daring and deadly operation to save the woman he loves.
Horizon Line
A couple flying on a small plane to attend a tropical island wedding must fight for their lives after their pilot suffers a heart attack.
The Twilight Zone: Season Two
Executive producers Jordan Peele and Simon Kinberg’s modern re-imagining of the classic TV series continues the legacy of socially conscious storytelling. The series’ second season uses introspection and self-exploration to usher viewers into a dimension filled with endless possibilities.
The 100: The Seventh and Final Season
After arriving on a new planet, our heroes found a place where they hoped to try again. Clarke and Bellamy led a group down to this mysterious world to start anew, but not everything on Sanctum was as perfect as it seemed. Despite their determination to do better, threats both seen and unseen once again forced them to fight for their lives and the future of humanity.
The post January 12 Blu-ray, Digital and DVD Releases appeared first on ComingSoon.net.
Lionsgate has provided ComingSoon.net with the exclusive Hero Dog trailer, which you can check out in the player below!
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A thrilling family-friendly adventure where man’s best friend comes to the rescue, Hero Dog: The Journey Home will debut on Digital, On Demand, and on DVD March 23 from Lionsgate. An inspiring story of a blind man finding the hope and strength to survive, Hero Dog: The Journey Home was awarded the Dove Seal of Approval for All Ages, and stars Natasha Henstridge and Steve Byers. The Hero Dog: The Journey Home DVD will be available for the suggested retail price of $14.98.
Starring Natasha Henstridge (Species, The Whole Nine Yards, Ghosts of Mars), this breathtaking family adventure shows how one animal’s courage can inspire us all. Crossing a lake by boat to return to his family, Royce (Steve Byers), who is blind, is stranded when the boat’s captain suddenly falls ill. To find help, Royce enlists Chinook, a brave malamute, to serve as his seeing-eye dog as they navigate the wilderness. Chinook must protect Royce from treacherous rapids, jagged rocks, and savage mountain lions on their long, heroic journey of survival.
DVD & DIGITAL SPECIAL FEATURES
• Cast Interviews
• Interview with Guest Director Erin Pitt
• Trailer Gallery
The post Exclusive Hero Dog Trailer Starring Natasha Henstridge appeared first on ComingSoon.net.
ComingSoon.net had the opportunity to chat with Emmy nominee John Rhys-Davies (Shogun, The Lord of the Rings films, Indiana Jones franchise) about Grizzly II: Revenge, the horror sequel nearly four decades in the making from director André Szöts. You can check out the interview below and order your copy of the movie here!
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Reacting to the slaughter of her cub, a 15-foot grizzly bear seeks revenge and kills anyone that gets in her way. The terror continues as the giant grizzly finds its way to a major concert to go on a killing spree.
Written by Joan McCall and David Sheldon, the thriller also stars Charlie Sheen, George Clooney, and Laura Dern. The movie is a follow-up to William Girdler’s 1976 Grizzly and is finally hitting select theaters and VOD this year.
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ComingSoon.net: I’ve actually known about this movie for a long time because in horror movie circles, there aren’t a lot of, A, movies that were never completed or are missing, and two, movies with this many names, including yours. It’s pretty unprecedented. I know a version of this story, but can you talk to your experience of sort of being there on the set, as this train was collapsing on the tracks?
John Rhys-Davies: We had a lovely Hungarian director called André Szöts. It was his big opportunity. He was struggling because the producer didn’t turn up. My correction. The producer turned up for one day and then that’s it. The Hungarian producers were doing their best. This was going to be their entrée into the big-budget world of American filmmaking. This was going to transform the film industry of Hungary, which was constrained and of course, oppressed by being in the Soviet Bloc and itching to be able to get out into the world. Very strong independent streak that had been ruthlessly suppressed, what, 30 years before. The Hungarian uprising, I mean, it’s heartbreaking.
And so, it was important to them, it was important to the country. And they were taking it very seriously. One never really got to know exactly what was happening financially in the background. But as you know, in the end, prison sentences were served. But it was a – one-time, actually, I met him twice. I think I met him in the States as well. A charming, confident, easy man, who, in that freelance producer way – and there were lots of them in those days, you know?
CS: Joe Proctor. And this is the guy who absconded with the funds for the film?
Rhys-Davies: [Laughs] Don’t forget. This is a time when suddenly we had VHS and you could watch a movie over and over again at home. You could own a movie, you know? And there was suddenly more of a demand than the big studios could ever meet and produce. And suddenly, there were funds from video cellars and things like that. There was a lot of money around. There were a lot of people putting money together. There were some notorious – and I’ve got to be very careful, they may still be alive, and they were connected, I believe, is the euphemism.
CS: They were these guys.
Rhys-Davies: Yeah. They could oblige you to have all your trousers shortened to the knee, you know? I had five percent of one of the films that they financed and that vanished, too. [Laughs] It was a little bit like the Wild West. But it gave wonderful opportunities for a lot of young actors. One or two of them did quite well afterwards in this film. And I cannot emphasize how much you actually learn when things go bad. You do a Bond film, and things go wonderfully. You do Lord of the Rings, you learn to appreciate the genius of great producers, who have the foresight and organization, the plan B, the plan C. I remember when we were doing Lord of the Rings, we were meant to be – we were going down to Queenstown to film a five, six-week, maybe two-month section. We got down there and the rain fell. And it fell. The production office is here. The center of the town is there. It is three miles between the two. The rain hits a hillside so much that it wipes 13 houses out and the main road, right.
CS: Wow.
Rhys-Davies: So now it’s a single track, 19-mile journey from the town to the production office. There was suddenly a little bit of commotion, that when I got back from the production office, where I had been told to collect a pair of Wellington boots. I got back and I got into my hotel by step ladder to the first floor because the ground floor was underwater. That was the night the classic daily schedule went out with a note, “There will be no filming tomorrow because the lake is underwater.” Not just the lake, but you know, 30, 40 miles around it flooded. So we did not work that day. We moved the following day to another part of New Zealand. You understand, you got what, 20 principles that you’re moving. You’ve got 200 horses. You’ve got a huge number of extras. You’ve got a crew of roughly around 200. And you’re moving in South Island, New Zealand, where the hotel industry hasn’t developed yet. So you’re really trying to find accommodation that will take three crew members there, two crew members there…
CS: Yeah, yeah, yeah.
Rhys-Davies: A logistical nightmare. We did not film on the day that the lake was underwater. We traveled the next day, and we resumed shooting the day after that.
CS: It’s incredible.
Rhys-Davies: When you’ve got production ability like that, you are in the higher realms of filmmaking. But we struggled on. We struggled on. There were some difficulties. I think I do recall that one of our actors, and I shall not mention his name, it was hard to tell which was the greater, his ego problem or his nose problem. The quantifies of powder that he was putting up his nose, plus giving him a certain personality, a quality of aggression and a belligerence perhaps.
CS: This was on Grizzly, just to clarify? This was Grizzly you’re talking about, right?
Rhys-Davies: This is Grizzly yes sir.
CS: Okay I’m like, was that Ian McKellan, was that Elijah Wood? Who was that?
Rhys-Davies: [Laughs] I’ll tell you what, you never saw a lovelier [cast] than Lord of the Rings. There was only one miserable son of a bitch on it, and I wore his boots every day.
CS: But in terms of your time in Hungary on the set, did everything collapse mid-shoot, towards the end of the shoot? At what point in the shoot did everything kind of fall apart?
Rhys-Davies: Well, as Claudius will say, I am rank corruption mining all within, infects unseen. You know, on the surface, it looked okay. There were suddenly a few urgent sort of production meetings and things like that, but we continued shooting. We were looking forward to the grizzly bear.
CS: Because they built like a big animatronic creature, right?
Rhys-Davies: That’s right. And it didn’t work. Now I’ve heard different reasons why it didn’t work. The from the top thing was the guys couldn’t do it, they couldn’t deliver the thing. If we had some money, we might have development money to be able to do this thing.
CS: Right.
Rhys-Davies: So I can only pass on gossip as far as that is concerned. But really, we managed to shoot the big rock festival and because we did not have a proper animatronic bear, we had a lot of issues there. And I think it was after that, and that was quite later on in the shooting, that things really did fall apart because my sense was that people weren’t being paid. So some of us had managers and agents who made sure we got paid sort of upfront. I don’t think any overage was ever paid, but I can’t remember now. It’s 38 years ago or something like that.
CS: Right. But there were probably like, a lot of below the line people that didn’t get – yeah.
Rhys-Davies: Almost certainly, that was true. But you understand the madness being in Hungary at that time, it was Soviet. You know, it was well known that in the rather lovely, stately hotel room that we were staying in, and I can’t remember, it’s one of the great hotels in Hungary, an old palace overlooking the river. And there were mirrors in every room that you could not get out of the view of. I did call my wife once. I put the phone down and I thought, oh I forgot to tell her. And called back and I heard the last three or four phrases of the call that I’d had before.
CS: Yeah, you gotta be careful they don’t get any kompromat on you.
Rhys-Davies: Absolutely. Well, I think the policy was to do whatever you were doing very publicly facing the mirror with a big of that, you know? Which seemed to be the favorite sort of response.
CS: But do you have any memories – like you had a very interesting accent. You got to get basically crucified. Your character gets to do a lot of cool stuff. Do you remember the actual experience of shooting?
Rhys-Davies: I do. And I loved it. I mean, it’s a super part. There was going to be more to it, but somehow, we never quite got around to shooting that. But Bouchard, you know actors can very rarely judge their performances. And you’re either immersed in the part or you’re judging it and performing at the same time. And it was 1985, was it ’84 or something like that?
CS: I think it’s ’83.
Rhys-Davies: ’83? Good god. Well, you know, I was what? 14 years out of drama school. I was in my early, mid-30’s. I was beginning to make a little bit of a dent in the recognition thing.
CS: Yeah, because this was post Raiders.
Rhys-Davies: Post-Raiders, post-Shogun. And post-Victor Victoria. But I thought of it as being actually one of my better performances at the time. Now since I haven’t seen it, I’d be interested to do it. I mean, I probably will go, oh my god, how could I have imagined? But at the time, I thought, actually, I think that this is an interesting character and I played him interestingly. And so, I was a little bit disappointed when it didn’t sort of work out. But you know, I consoled myself with at nighttime, taking $100 in American cash down under the bridge and meeting the guy who was connected and buying an eight-ounce tin of caviar for $100.
CS: Whoa.
Rhys-Davies: Oh yes, yes, yes. I was nearly put in prison and never emerged if they sort of caught us in those days, but the smuggling was well known, and that one really, they weren’t worried about.
CS: I wouldn’t think so.
Rhys-Davies: But Hungary at that time was a fascinating place. The Hungarians are also one of the cleverest people on the planet, you know? Basically because they all speak about five languages. And I loved that part of it. The Hungarian production team I thought were super people. You know, when you’re young, a young up and coming actor, you don’t really pay much attention to the young kids who are playing the small parts. And you know, you just say hi, hello and I’m off now to go learn my lines and this sort of thing. You see, it’s only when you get older, I suppose, and not that the ego ever vanishes, but I suppose you feel confident enough and interested enough to actually look around and see what other people are doing and what they’re like. And but that’s happened after. So I cannot give you any great stories about George Clooney.
CS: Yeah, sure.
Rhys-Davies: Or Laura Dern. Or a young Sheen. I remember meeting Sheen and thinking, yeah, interesting kid. His father’s a good actor.
CS: Well, they all had a big of lineage, didn’t they?
Rhys-Davies: They did.
CS: Yeah.
Rhys-Davies: Yeah, they did, which is presumably how the career gets its start. But your destiny in the end, you can’t get by on dad indefinitely. In the end, you make your own destiny and they made their own destiny.
CS: Yeah, more or less.
Rhys-Davies: You know, I very rarely criticize my fellow actors. It’s such a mad business. And anyone who achieves their 15 minutes of fame actually has something. One tends to respect those whose careers have long legs, you know, they are the warriors that have survived. They have [enemies] and the enemy’s promise, drink, drugs, illness, whether brought on foolishly or just inadvertently, like coronavirus.
CS: Right.
Rhys-Davies: In the end, one sort of loves your fellow survivors. But I do now watch the goings on of younger actors and the ones who only got a couple of lines on the set, and I do try and talk to them and pass on the great, wicked stories, which is part of the inheritance of being a victim. We love to bitch and gossip, not in an adverse way, but to tell the great, notorious stories that have kept the profession alive, and particularly theater in the stories, how legendary.
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According to Deadline, The Martian star Michael Peña has officially signed on for the role of a wealthy car dealer named Tom Lopez in Roland Emmerich’s upcoming sci-fi epic Moonfall. Peña will be replacing Oscar nominee Stanley Tucci, who was forced to exit the project due to travel restrictions caused by the pandemic. Carolina Bartczak (X-Men: Apocalypse), Maxim Roy, and Stephen Bogaert (The Umbrella Academy) have also been cast for the project.
Bartczak will play Brenda, Tom Lopez’s loving and fierce wife while Roy’s Gabriella Auclair is being described as a hardened army captain whose fighting spirit helps position our heroes to save the world, as they navigate the impending disaster. Bogaert will be playing NASA Director Albert Hutchings.
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In Moonfall, a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation
The film will be led by Patrick Wilson (The Conjuring, Aquaman), John Bradley (Game of Thrones), Charlie Plummer (Spontaneous, Words on Bathroom Walls), Halle Berry (John Wick: Chapter 3 — Parabellum) and Stanley Tucci (The Witches).Donald Sutherland (Ad Astra) and Eme Ikwuakor (Marvel’s Inhumans).
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Directed by Emmerich, Moonfall begins production this fall in Montreal with a script written by Emmerich, his 2012 co-writer Harald Kloser, and Spenser Cohen. Emmerich is producing the independent feature film under his Centropolis Entertainment banner with Kloser producing through his company, Street Entertainment. Executive producers are Dennis Wang, James Wang, J.P. Pettinato, Marco Shepherd, Ute Emmerich, Carsten Lorenz, and Stuart Ford.
The film is still set for a 2022 theatrical release.
(Photo by Michael Kovac/Getty Images for NCLR)
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Just a day after the announcement that Lucasfilm Games would begin to solely handle all video game adaptations of the Lucasfilm properties, Bethesda took to Twitter to announce that they are developing a new Indiana Jones title with their in-house developer MachineGames!
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— Bethesda (@bethesda) January 12, 2021
While further details may currently be under wraps for the project, the game publisher revealed that the title will feature an entirely original story for the iconic archaeologist and history professor and will be executive produced by Bethesda’s Todd Howard in collaboration with Lucasfilm. Howard is best known for his work as project lead and director on much of Bethesda’s The Elder Scrolls series and a few of the most recent installments in the Fallout franchise.
It’s been over a decade since gamers last got a proper console title centered on the fedora-wearing, whip-cracking hero with 2009 bringing players two different games in the form of Lego Indiana Jones 2: The Adventure Continues, Traveller’s Tales follow-up to their 2008 Lego adaptation of the film franchise that added in Indiana Jones and the Kingdom of the Crystal Skull, and Artificial Mind and Movement’s Indiana Jones and the Staff of Kings.
The latter title was originally designed and developed for seventh-gen consoles PlayStation 3, Xbox 360, Nintendo DS, Nintendo Wii and PlayStation Portable, but the development team shifted their plans early into development to cancelling the former two and instead developing the game for the PlayStation 2 and scrapping an Xbox release altogether. Upon its release, the game received very mixed reviews.
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While not giving too many details away today, Bethesda promised to share more reveals for the title when they’re ready.
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With the global pandemic still raging and studios continue to determine how best to proceed with their releases, Sony Pictures has announced that the Jared Leto-fronted Marvel picture Morbius is moving its release date back from March 19 to October 8, according to Variety.
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The film stars Academy Award winner Jared Leto (Dallas Buyers Club), Emmy nominee Matt Smith (Doctor Who) as Loxias Crown, Adria Arjona (Good Omens) as Martine Bancroft, Emmy nominee Jared Harris (The Crown) as Morbius’ mentor, and Tyrese Gibson (Fast and the Furious) as an FBI Agent.
Pick up a copy of the Morbius comics here!
Morbius is Sony’s adaptation of the Marvel anti-hero Morbius the Living Vampire. The film is directed by Daniel Espinosa (Life, Safe House) from a script by Burk Sharpless and Matt Sazama (Netflix’s Lost in Space), based on the Marvel Comics character created by writer Roy Thomas and artist Gil Kane who first appeared in 1971’s “Amazing Spider-Man” #101.
Originally Dr. Michael Morbius, the scientist character tried to cure his rare blood disease only to become afflicted with a form of vampirism that gave him superior strength, fangs and a taste for the red stuff. The character fought Spider-Man several times, though eventually earned several of his own books where he had a more heroic arc. He has an ongoing feud with the character Blade the Vampire Hunter in the comics. The character previously appeared on TV in Spider-Man: The Animated Series and Ultimate Spider-Man Vs The Sinister Six, and was originally earmarked to make his film debut in Blade until his cameo was deleted and plans to make him the villain in Blade II scrapped.
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Arad and Tolmach will produce the film with Lucas Foster, with Sony executive Palak Patel overseeing for the studio. This is one of several Spider-Man spin-off projects in development at Sony, including the upcoming Venom sequel, and a secret project with Olivia Wilde set to direct.
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While currently waiting for the slew of awards nominations to roll in for his last directorial project, Aaron Sorkin is already gearing up to return to the director’s chair with Being the Ricardos at Amazon, which has entered talks with Oscar winners Nicole Kidman and Javier Bardem to star, according to Deadline.
Penned by Sorkin, the film is set during a week of production on the iconic 1950s sitcom I Love Lucy, which began with table reads on Mondays and ended with audience filming on Fridays, and will focus on the real relationship between stars Lucille Ball and Desi Arnaz, namely as they face a crisis that could end their careers and another that could end their marriage. Sources report that Sorkin originally did not intend to direct the project, only write, but after enjoying the directing experience on the Netflix-acquired historical drama elected to take the director’s chair this past summer.
Sources also report that though their deals have yet to be closed, Kidman and Bardem became interested in the project following the release of The Trial of the Chicago 7 and that a production start date has yet to be set as the pandemic continues to prove to be a problem to productions across the country. The project was previously in development with Cate Blanchett set to star, though it’s unclear why the two-time Oscar winner dropped out.
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The film is set to be produced by Escape Artists’ Todd Black, Jason Blumenthal and Steve Tisch, with Escape’s Jenna Block and David Bloomfield, Stuart Besser, Lucie Arnaz, Desi Arnaz Jr. and Lauren Lohman all attached to the project as executive producers.
(Photo Credit: Getty Images)
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It’s been three years since audiences last saw Darren Aronofsky in the director’s chair and now he’s found his next feature project in the form of an adaptation of The Whale, which has set Brendan Fraser (The Mummy) to star in the lead role, according to Deadline.
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Based on Samuel D. Hunter’s acclaimed 2012 play, the story is set on the outskirts of Mormon Country, Idaho, and centers on a six-hundred-pound recluse as he hides away in his apartment eating himself to death. Desperate to reconnect with his long-estranged daughter, he reaches out to her, only to find a viciously sharp-tongued and wildly unhappy teen.
“Adapting my play into a screenplay has been a real labor of love for me,” Hunter said in a statement. “This story is deeply personal and I’m very thankful it will have the chance to reach a wider audience. I’ve been a fan of Darren’s ever since I saw Requiem for a Dream when I was a college freshman writing my first plays, and I’m so grateful that he’s bringing his singular talent and vision to this film.”
Hunter will adapt the play, which won the Drama Desk Award, Lucille Lortel Award for Outstanding Play and a GLAAD Media Award, for the screen while Aronofsky is set to direct and co-produce via his Protozoa Pictures alongside A24.
The Oscar-nominated writer/director last sat in the director’s chair for the 2017 psychological horror pic mother! starring Jennifer Lawrence and Javier Bardem, which received largely polarized reviews from critics but was generally scorned by audiences, earning a notorious “F” rating on CinemaScore, one of only 22 films to receive such a score.
(Photo Credits: Getty Images)
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After teaming for the highly-acclaimed time looping rom-com Palm Springs, Andy Samberg and writer Andy Siara are reuniting and partnering with Fargo creator Noah Hawley and Emmy winner Ben Stiller (Escape at Dannemora) for an untitled sci-fi comedy drama at Apple, according to The Hollywood Reporter.
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Plot details for the project are currently being kept close to the chest, but it’s been confirmed that Siara will be penning the script on an original idea BoJack Horseman creator and writer Raphael Bob-Waksberg. In addition to scripting, Siara is set to executive produce the Samberg-starring project alongside Red Hour Productions’ Jackie Cohen, while the Brooklyn Nine-Nine vet will produce alongside Hawley and Dan Seligmann via the former’s 26 Keys production label, Stiller and Nicky Weinstock through the former’s Red Hour and Bob-Waksberg.
The project first garnered buzz amongst studios after the release of Palm Springs on Hulu last July, with the film currently getting some awards season buzz and taking home a few trophies at this year’s Critics Choice Super Awards, including Best Science-Fiction/Fantasy Movie, Best Actor and Best Actress in a Science-Fiction/Fantasy Movie for Samberg and Milioti. Apple closed the deal to acquire the untitled project over the weekend.
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Though a writer and star are currently attached, the creative team behind the project are currently searching for a potential director.
(Photo Credits: Getty Images)
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Hulu has acquired the U.S. rights to Lee Daniels’ The United States vs. Billie Holiday, which will debut as a Hulu Original film on Hulu on February 26, 2021. Additionally, the first trailer was released showcasing the first footage of Andra Day as Billie Holiday. You can check out the trailer now in the player below along with the new key art!
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The legendary Billie Holiday, one of the greatest jazz musicians of all time, spent much of her career being adored by fans across the globe. Beginning in the 1940s in New York City, the federal government targeted Holiday in a growing effort to escalate and racialize the war on drugs, ultimately aiming to stop her from singing her controversial and heart-wrenching ballad, “Strange Fruit.”
Led by Oscar-nominated director Lee Daniels and introducing Grammy-nominated singer-songwriter Andra Day, The United States vs. Billie Holiday unapologetically presents the icon’s complicated, irrepressible life. Screenplay Writer Suzan-Lori Parks, the first African American woman to win a Pulitzer Prize for Drama, pens this intimate tale of a fierce trailblazer whose defiance through music helped usher in the civil rights movement. NAACP Image Award Nominee Trevante Rhodes and Emmy Nominee Natasha Lyonne co-star along with Garrett Hedlund, Miss Lawrence, Rob Morgan, Da’Vine Joy Randolph, Evan Ross, Tyler James Williams, Tone Bell, and Erik LaRay Harvey.
“Whether you are new to the story and legacy of Billie Holiday or know every note she ever sang, I do hope our celebration of this complex woman does justice to a great musical legend and civil rights activist whose artistry resonates as well today, as it did 80 years ago. Hulu releasing this film and giving it a platform to be seen nationwide is a blessing, because as recent events reveal, our country has much work to do in fulfilling its promise of a more perfect union,” said Lee Daniels.
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New Slate Ventures, Lee Daniels Entertainment, Roth Kirschenbaum Films are producing with Jordan Fudge, Lee Daniels, Pamela Oas Williams, Tucker Tooley, Joe Roth, and Jeff Kirschenbaum. Executive producers include Hilary Shor, Jeremy Allen, Patty Long, Johann Hari, Cassian Elwes, Mark Bomback, and Dennis Stratton.
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