Barry Jenkins, Leonardo DiCaprio & Netflix Developing Virunga Film Adaptation

Deadline is reporting that Oscar-winning filmmaker Barry Jenkins (Moonlight, If Beale Street Could Talk), Oscar winner Leonardo DiCaprio (The Revenant, Once Upon a Time in Hollywood), and Netflix are teaming up on a feature adaptation of the Oscar-nominated documentary Virunga.

RELATED: Netflix Unveils Unsolved Mysteries Reboot Trailer & Key Art

The true story follows rangers risking their lives to save Africa’s most precious national park and its endangered gorillas. In the forested depths of eastern Congo lies Virunga National Park, one of the most bio-diverse places on Earth and home to the planet’s last remaining mountain gorillas. In this wild, but enchanted environment, a small and embattled team of park rangers – including an ex-child soldier turned ranger, a caretaker of orphan gorillas and a dedicated conservationist – protect this UNESCO world heritage site from armed militia, poachers and the dark forces struggling to control Congo’s rich natural resources. When the newly formed M23 rebel group declares war, a new conflict threatens the lives and stability of everyone and everything they’ve worked so hard to protect, with the filmmakers and the film’s participants caught in the crossfire.

The original documentary film was written and directed by Orlando von Einsiedel (The White Helmets). The doc is streaming now on Netflix.

RELATED: Kenya Barris’ #BlackAF Renewed for Second Season at Netflix

DiCaprio, who served as an executive producer on the docu, is producing the project with his Appian Way partners Jennifer Davisson and Phillip Watson as well as Oscar-winner Joanna Natasegara for London-based Violet Films. Einsiedel will serve as executive producer.

(Photo by Manny Hernandez/Getty Images & Mike Marsland/WireImage via Getty Images)

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Elisabeth Moss-Led Horror Run Rabbit Run Acquired by STX

Nearly two weeks after the Emmy-winning actress signed on to star in the project, Daina Reid’s horror-thriller Run Rabbit Run starring Elisabeth Moss (The Handmaid’s Tale) has been acquired by STX Entertainment in the first major deal from the virtual Cannes market, according to The Hollywood Reporter.

RELATED: Elisabeth Moss to Lead Daina Reid’s Run Rabbit Run

The film, which is being penned by novelist Hannah Kent, will see Moss star as Sarah, a fertility doctor with a strong understanding of the cycle of life, in which a person is born, they live and they die, but when her young daughter Mia begins displaying increasingly strange and erratic behavior, she is forced to challenge her own beliefs and confront a ghost from her past.

“Elisabeth’s outstanding performance and the huge success of The Invisible Man make her a theatrical force to be reckoned with,” STXfilms motion picture group chairman Adam Fogelson said in a statement. “A genre film that reunites Elisabeth with The Handmaid’s Tale director Daina Reid is an incredible opportunity, and we couldn’t be more excited to embark on this film together.”

Anna McLeish and Sarah Shaw of Carver Films, who developed the story concept with Kent, will produce the film alongside Moss and producing partner Lindsey McManus, while XYZ Films is currently set to executive produce the project. XYZ will also finance the production in conjunction with Screen Australia, with STX set to distribute the movie directly in the US, UK and Ireland via its STXfilms banner and handle worldwide sales via the STXinternational branch.

In addition to helming four episodes of the Emmy and Golden Globe-winning Hulu series led by Moss, Reid is well-known for her work on the small screen with directing episodes of HBO’s The Outsider, Amazon’s Upload and Netflix’s Space Force, amongst others.

RELATED: The French Dispatch: Alexandre Desplat Teases Incredible & Bigger Film From Wes Anderson

This year has already seen two notable hits for Moss with the critical and commercial hit Invisible Man reboot from Leigh Whannell (Upgrade) and Blumhouse Productions, as well as the highly-acclaimed biopic drama Shirley centered on the eponymous author of The Haunting of Hill House. She will next be seen in Wes Anderson’s upcoming dramedy The French Dispatch, which is currently slated to hit theaters on October 16.

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Exclusive: Carl Ellsworth Talks Scrapped Gremlins 3 Script!

Thirty-six years ago this month, Joe Dante’s Gremlins invaded theaters and instantly upped the ante for big-budget monster mayhem. June 1990 saw the release of Gremlins 2: The New Batch, in which Dante took the concept in a wackier, more pop-culture-satirical direction. Over the three decades since, fans have been waiting for a return of cuddly little Gizmo and the hellacious creatures he inadvertently spawned, and while the animated prequel series Gremlins: Secrets of the Mogwai is coming from HBO Max, there was also another theatrical follow-up in the works for several years in the 2010s.

A key writer involved was Carl Ellsworth, who wrote Wes Craven’s airborne thriller Red Eye and co-scripted The Last House on the Left remake for Craven, as well as the hit Disturbia. With his latest genre exercise, the Russell Crowe-starring road-rage opus Unhinged, coming to theaters July 10, Ellsworth recalls his time on the mini-monster sequel, collaborating with the original film’s scriptwriter Chris Columbus. “The last time I touched it is now going on three years ago,” he says. “I was so excited to do it. I got the chance to work with Chris, and I loved the story we came up with. I’m so bummed that it hasn’t seen the light of day yet. What might have been, what could have been!”

RELATED: Joe Dante to Consult on HBO Max’s Gremlins: Secrets of the Mogwai

What could have been, he explains, was a sequel that returned to the horrific spirit of the ’84 film. Columbus’ initial Gremlins spec draft was a serious scare story with R-level mayhem, and even after it was toned down under producer Steven Spielberg’s supervision, the PG-rated result was graphic and frightening enough to help encourage the creation of the PG-13 rating. The new movie, Ellsworth says, “was thought of as a direct sequel mostly to the first film—not discounting the second one by any stretch, but I saw it as very much a passing-the-baton story, staying in the tone of the original. I think that helped get me the job: I said, ‘Yeah, there’s a lot of humor in the movie, helped by the classic Jerry Goldsmith score that gives us a license to laugh, but it’s first and foremost a horror movie.’ ” (Indeed, occasional screenings of an early cut of Gremlins during the last decade have revealed the power of Goldsmith’s music to soften some of the blows. In particular, the Gremlins’ Kentucky Harvester attack on the Futtermans in this version, without Goldsmith’s jaunty scoring, plays as truly unnerving.)

“These little creatures—what they’re really doing, they’re cold-blooded little murderers, you know?” Ellsworth continues. “They’re psychotic little creatures that are killing everybody. So that’s where it all started” when it came to writing the third film. “I tried to preserve the humor, but at the same time, I was starting with the
foundation of this being a horror movie, which I was really thrilled about.”

He wasn’t the only one anxious to be involved with a continuation of the Gremlins’ adventures. “I became friendly along the way with Zach Galligan, the original Billy Peltzer, and he was so eager to return to the role. He was excited, I guess, by the idea that he and Gizmo should be the equivalent of Han Solo and Chewie in Star
Wars: The Force Awakens. And he wasn’t too far off from where we were going.” In addition to bringing back Billy and Gizmo, Ellsworth adds, “There was, I believe, a smaller role for Billy’s girlfriend, played [in the first two movies] by Phoebe Cates. But Gizmo was at the very core of the story; it explored more of the mythology and the
history of the Gremlins.”

RELATED: Gremlins Animated Prequel Gets Series Order at WarnerMedia Streaming

Sadly, there hasn’t been any news of forward motion on Gremlins 3 in the last few years. “It’s one of those situations where it fell through the cracks, or they couldn’t put it together—who knows what happened?” Ellsworth says. “You know, some things see the light of day and some things get shelved. I have no idea what they’re
doing with it nowadays, but I hope, as everybody does, that something happens, whether it’s with my script or somebody else’s. I wish they could have done something with it for the [first movie’s] 35th anniversary last year.”

In the meantime, as he awaits the release of Unhinged into reopening theaters on July 1, Ellsworth has been “on-again, off-again rewriting a thriller called Smart House for Lionsgate, which Alex Aja (Horns, Crawl) was attached to. We’ve kind of been going back and forth on it; it’s got James Wan as a producer, and he originated the story, which is about a smart house that goes bad and awful things ensue. So I’m waiting to hear on whether I’ll be continuing with that one; it’s been a process. And I’m also looking for the next thing—and trying to dream up the next thing, too.”

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Talenthouse announces Bill & Ted Face the Music fan art contest

Orion Pictures is teaming up with Talenthouse Art Works for a special fan art contest for Bill & Ted Face the Music in which five lucky fans can win $2,000 and get the chance to have their artwork featured in the marketing campaign for the highly-anticipated threequel!

RELATED: Bill & Ted Face the Music Release Date Moves Up A Week

The general guidelines for contestants is the artwork must be inspired by promotional images and the trailer for the new film, not using it directly, and that whether directly using the studio’s title treatment or artists getting creative with it, each piece of art must feature “Face the Music” somewhere on it. Fans are not allowed to use the style of the film’s titles or Wyld Stallyns logo from the first two films in their artwork and if to include, the titular duo, they must be in their current age rather than their teenage selves of the past.

The five pieces of artwork chosen by Orion Pictures and guest judges, Keanu Reeves and Alex Winter themselves, will have the potential to have their artwork featured in the new film’s marketing campaign, as well as receiving proper credit and exposure for their work across digital, print and marketing channels and in merchandising, as well as receiving $2,000 for each piece of work selected. Fans can sign up for the contest here!

Bill & Ted Face the Music centers on Bill S. Preston (Winter) and Ted “Theodore” Logan (Reeves), who are now fathers and have yet to fulfill their rock ‘n’ roll destinies. Their lives change when they are visited by a messenger from the future who warns them that only their song can save life as we know it.

Buy both previous Bill & Ted films here.

Joining Winter and Reeves are Samara Weaving (Ready or Not) and Brigette Lundy-Paine (Atypical) as Bill and Ted’s daughters, respectively. The film will also feature Anthony Carrigan (Barry), Jillian Bell (Workaholics), Kristen Schall (Toy Story 4), Holland Taylor (Gloria Bell), Kid Cudi, Erinn Hayes, Jayma Mays, and Beck Bennet. William Sadler is also set to reprise his role as Death alongside franchise returners Amy Stoch and Hal London Jr. Newcomer.

RELATED: The Matrix 4 Pushed to 2022, Godzilla vs. Kong Moves to 2021

News of a third Bill & Ted film has been floating around for years. After Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey, original creators Chris Matheson (Imagine That) and Ed Solomon (Men in Black, Now You See Me) have penned the script, with Dean Parisot (Galaxy Quest, Fun with Dick and Jane) directing. Scott Kroopf (Limitless) will produce together with Alex Lebovici and Steve Ponce of Hammerstone Studios, with Steven Soderbergh serving as an executive producer alongside Scott Fischer, John Ryan Jr., and John Santilli.

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SpongeBob Movie: Sponge on the Run forgoing theatrical release

After being one of the multiple movies to be delayed due to the global pandemic earlier this year, The SpongeBob Movie: Sponge on the Run is joining the likes of Scoob! and Trolls World Tour to skip a theatrical release and head straight to on demand instead, according to Variety.

RELATED: Nickelodeon Announces SpongeBob Cast Table Read Special!

The third installment in the film franchise of the hit Nickelodeon series had originally been slated for a May 22 release before being delayed until August 7 and though many studios, such as Warner Bros., are holding out hope that cinemas will be ready to go come the next two months, Paramount is choosing to play it safe and skip the theatrical release. In addition to on demand, the film will follow up the digital release by heading to stream exclusively on ViacomCBS’ platform CBS All Access in the States in early 2021.

“We are thrilled to have The Spongebob Movie: Sponge on the Run, a premier, first-run movie from one of ViacomCBS’ biggest brands, join CBS All Access’ expanding slate of franchise content from across ViacomCBS,” Marc DeBevoise, chief digital officer at ViacomCBS and president and CEO of ViacomCBS Digital, said in a statement. “This launch will be perfectly timed with our continued expansion and planned rebranding of the service in early 2021, as we welcome SpongeBob and the gang from Bikini Bottom to the service in the biggest way possible.”

The film, previously titled It’s a Wonderful Sponge, will be the first 3D computer-animated SpongeBob movie, which is being described as a love letter to SpongeBob’s original creator Steven Hillenburg, who passed away last November, as well as the fans of the show, not to mention the fictional residents of Bikini Bottom.

The SpongeBob Movie: Sponge on the Run will feature a score by Hans Zimmer and original songs by Ali Dee. The film will also be featuring the voices of Awkwafina (Crazy Rich Asians) and Reggie Watts (Tuca & Bertie). In addtion, pop star legend Cyndi Lauper and co-writer Rob Hyman are working on original songs for the film. It is being produced by Paramount Animation in collaboration with Nickelodeon Movies and United Plankton Pictures.

RELATED: Kamp Koral: SpongeBob SquarePants Spinoff Greenlit by Nickelodeon

Since its debut in 1999, SpongeBob SquarePants has become the most widely distributed property in Viacom International Media Networks history, seen in more than 208 countries and territories, translated in 55+ languages, and averaging more than 100 million total viewers every quarter. This marks the third feature-length Spongebob adventure, after 2004’s The SpongeBob Squarepants Movie, and 2015’s Sponge Out of Water.

The project is being directed by Tim Hill and produced by Ryan Harris with choreography by Mia Michaels

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Into the Unknown: Making Frozen 2 trailer gives BTS look at animated sequel

Ahead of the six-part docuseries’ debut on the streaming service this week, Disney+ has unveiled the trailer for Into the Unknown: Making Frozen 2, giving audiences a special behind-the-scenes look at the record-breaking sequel. The trailer can be viewed in the player below!

RELATED: Into the Unknown: Making Frozen 2 Six-Part Series Coming to Disney+

With the clock ticking and less than a year until the world premiere of Frozen 2, the creative team opened their doors to cameras for a six-part series to reveal what it takes to create the biggest animated film of all time. For the first time, cameras capture the challenges and breakthroughs, the artistry and complexity of creating a Walt Disney Animation Studios feature film.

Pick up your physical copy of Frozen II here!

Into the Unknown: Making Frozen 2 is set to premiere on Disney+ on Friday, June 26, while Frozen II is currently available for streaming on the latest platform now!

Frozen 2 saw the return of stars Kristen Bell (The Good Place), Idina Menzel and Josh Gad (Murder on the Orient Express), as well as the additions of Sterling K. Brown (This is Us) and Evan Rachel Wood (Westworld).

Why was Elsa born with magical powers? The answer is calling her and threatening her kingdom. Together with Anna, Kristoff, Olaf, and Sven, she’ll set out on a dangerous but remarkable journey. In Frozen, Elsa feared her powers were too much for the world. In Frozen 2, she must hope they are enough.

The film is helmed by Academy Award-winning team—directors Jennifer Lee and Chris Buck with Peter Del Vecho serving as a producer. It also features music from Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez.

RELATED: Rise of Skywalker Threepeats at #1 While Frozen II is Animated King: 

The first film was the smash hit of 2013, landing as the highest-grossing animated film of all-time and the highest-grossing film of the year with over $1.2 billion grossed worldwide. Frozen received rave reviews from critics and audiences, winning Oscars for Best Animated Feature and Best Original Song for “Let It Go,” which also reached the top five on the Billboard 100.

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Rating: 

2.5/10

Cast:

Bella Thorne as Arielle Summers

Jake Manley as Dean Taylor

Amber Riley as Elle

Michael Sirow as Kyle

Marisa Coughlan as Janet

Written and Directed by Joshua Caldwell

You can order your copy of Infamous here!

Infamous Review:

At some point in every Disney kid’s career, they feel the need to try and break free from their family-friendly image into more mature material. Some stars, such as Cole Sprouse, Vanessa Hudgens, and Brenda Song, were able to find this path while others are still struggling to make that transition and the past few years has seen Bella Thorne try her hand, with her latest effort coming in the form of Joshua Caldwell’s new thriller Infamous. However, much like some of her unfortunate fellow House of Mouse graduates, she still has yet to find the one project to help propel her to mature stardom, as this modern-day take on Bonnie and Clyde proves to be a real snoozefest from start to finish.

Infamous is the story of two young lovers who rob their way across the southland. Arielle (Bella Thorne) is a down on her luck dreamer who longs for popularity. Dean (Jake Manley) is an ex-con working for his abusive father. The two have an instant connection, and after the accidental death of Dean’s father, they are forced on the run. In an attempt to gain social media clout, Arielle livestreams their exploits and robberies, gaining them viral fame but ultimately leading them towards a tragic ending.

The film doesn’t start off on an interesting or wholly original note, with the moody Arielle lashing out at her absentee mother and her disgusting boyfriend and finding a connection in fellow outcast Dean. One finds herself ridiculed by her friends and family for her promiscuity while the other is ostracized by the whole town for his criminal past and while the latter shows interest in bettering his life and staying on the straight and narrow, he’s pulled into a dangerous world by the former. While the script flips the gender norm on its head of the woman being seduced by the life of crime and initially presents Arielle as a more sympathetic character, it quickly loses this steam as the two embark on their journey.

Similar to the 2012 crime thriller Spring Breakers, the film has some important themes of the dangers of modern-day superficiality and over-attachment to social media, and though it has a more set endgame for its characters than the Harmony Korine-helmed hit, it still feels similar in its style and handling of these themes. Even if audiences didn’t connect to the characters in the opening act before they begin their crime spree, we’re still meant to enjoy their robberies as they’re glorified on-screen with upbeat pop music and plenty of slow-motion editing during robberies, but this feels very counteractive to its messages. Unlike Natural Born Killers, which glorified its couple’s crimes to an uncomfortable degree, this film never takes off or escalates in a way in which we want to fully stand with or against them, only glorifying them without meaning.

The chemistry between Thorne and Jake Manley is certainly there and in some scenes, it radiates accordingly, but the majority of the film still finds Manley trying hard to ape the cool bad boys of the past, from Nicolas Cage’s turns in both Wild at Heart and Valley Girl to John Travolta in Grease. Give him some gel-slicked hair and more leather attire and he’s no different from any tough guy of the ’50s and sadly his performance doesn’t help break this stereotype or set his character apart.

Thorne is certainly proving herself a capable artist in less family-friendly fare and though her character is mostly full of stereotypes and unlikable, she does a better job of bringing her to life than her male costar. In some of her warmer and comedy-skewing moments, she proves to be a charming lead, but for the majority of the film, she just proves to be a medium-lit bulb at the bottom of a 100-foot-deep well.

With a plot clearly taking from countless Bonnie and Clyde interpretations and 2012’s Spring Breakers and a cast of wholly uninteresting and unoriginal characters, Infamous leaves audiences begging the question of why this film exists and why Caldwell didn’t strive for a better balance of thematic storytelling and slick style.

The post Infamous Review appeared first on ComingSoon.net.

Joel Schumacher, Batman Forever & Lost Boys director, dies at 80

ComingSoon.net is disheartened to bring the news (via The Hollywood Reporter) that Joel Schumacher, legendary director of the acclaimed vampire horror comedy The Lost Boys and Batman Forever, has passed away at the age of 80 after a year-long fight with cancer.

RELATED: Iconic Batman Scribe Denny O’Neil Passes Away

Schumacher’s near-50-year career began as a writer, having penned the script for 1976’s cult musical drama Sparkle and acclaimed comedy Car Wash, as well as the 1978 cult classic The Wiz starring Diana Ross and Michael Jackson before making his directorial debut on the widely-panned sci-fi comedy The Incredible Shrinking Woman. He would begin to find some success behind the camera with 1985’s St. Elmo’s Fire before helming The Lost Boys, which helped launch him further into the spotlight.

After helming a number of polarized films including the cult favorite Flatliners, Schumacher would begin his hot streak with the well-received crime thriller Falling Down in 1993 and continuing with the 1994 adaptation of John Grisham’s The Client, 1995’s Batman Forever and 1996’s adaptation of A Time to Kill before it came to an end with 1997’s Batman & Robin. The next few years would see him struggle to recapture that streak with the poorly received 8MM, Flawless and Bad Company while delivering occasional critical successes such as Phone Booth, Tigerland and The Phantom of the Opera.

RELATED: Lord of the Rings & Alien Star Sir Ian Holm Passes Away at 88

Many fans and collaborators took to Twitter to mourn Schumacher’s passing, some of which include:

RIP Joel Schumacher. Why is his (and Michael Douglas’) estimable Falling Down so underseen today?

— Michael McKean (@MJMcKean) June 22, 2020

Me playing a sad sax solo for the memory of Joel Schumacher. RIP pic.twitter.com/5UQJSWgFzK

— Christopher Miller (@chrizmillr) June 22, 2020

Batman, yeah, whatever. Joel Schumacher was the director of Phone Booth, a phenomenal movie, one of the most subtle & savage political allegories to come out of Hollywood since 9/11. JS’s director’s commentary on the DVD hints at aspects of the movie not usually talked about. RIP https://t.co/r7Q8DLuYjO

— Kevin Williamson (@williamsonkev) June 22, 2020

pic.twitter.com/yv09WIY17V

— Kiefer Sutherland (@RealKiefer) June 22, 2020

(Photo Credit: Getty Images)

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David F. Sandberg returning to horror for The Culling

After stepping away from the horror genre for the DC Extended Universe hit Shazam!, on which he’s currently developing the 2022 sequel, David F. Sandberg is set to return as he has signed on to helm the religious thriller The Culling at Lionsgate!

RELATED: Not Alone in Here: Watch David F. Sandberg’s Newest Short Horror Film!

The film, which is coming from Stephen Herman’s spec script, will follow a troubled priest who confines himself to a remote cabin in the middle of the woods where he attempts to make a last stand against the demon that terrorized his family when he was a child.

Sandberg and wife Lotta Losten are set to produce the film through their newly formed Mångata production banner alongside Chris Bender and Jake Weiner for Good Fear Content, with the latter’s Scott Stoops set to executive produce. Lionsgate’s Aaron Janus will oversee the project alongside Aaron Edmonds.

Sandberg broke out in 2013 with his hit horror short Lights Out, which Warner Bros. and New Line Cinema acquiring the rights to the short for a feature-length adaptation, on which the 39-year-old Swedish filmmaker would make his feature directorial debut. After receiving strong reviews from critics and becoming a box office smash, Sandberg would reunite with producer James Wan and New Line for his second feature, Annabelle: Creation, which became the  highest-grossing and best-received installment in the Conjuring spin-off franchise.

RELATED: Fear Agent: Seth Rogen, David F. Sandberg Adapting Comic for Amazon

While being stuck at home during the global quarantine, Sandberg has been working on the highly-anticipated Shazam! 2 as well as crafting two new shorts, Shadowed and Not Alone in Here, with Losten, both of which received rave reviews from horror fans.

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CS Video: Infamous interview with Bella Thorne

ComingSoon.net got the opportunity to chat with star and executive producer Bella Thorne (The Babysitter, Assassination Nation) to discuss her role in Infamous, a modern-day take on the Bonnie & Clyde tale for social media-hooked audiences. The interview can be viewed in the player below!

RELATED: Exclusive Infamous Clip Starring Bella Thorne & Jake Manley

Infamous is the story of two young lovers who rob their way across the southland. Arielle (Bella Thorne) is a down on her luck dreamer who longs for popularity. Dean (Jake Manley) is an ex-con working for his abusive father. The two have an instant connection, and after the accidental death of Dean’s father, they are forced on the run. In an attempt to gain social media clout, Arielle live streams their exploits and robberies, gaining them viral fame but ultimately leading them towards a tragic ending.

Click here to rent or purchase the film now!

The movie also stars Amber Riley (Glee, Straight Outta Compton). The film is written and directed by Joshua Caldwell and produced by SSS Entertainment and Lucidity Entertainment.

RELATED: Infamous Trailer & Poster Starring Bella Thorne & Jack Manley

Infamous is produced by Shaun Sanghani of SSS Entertainment alongside Colin Bates and Michael Jefferson of Lucidity Entertainment and Scott Levenson in association with Vertical Entertainment, Beer Money Worldwide, and El Ride Productions. Thor Bradwell is producer. Sanghani also financed the picture via his financing arm SSS Film Capital.

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